Horror Channel kicks off the New Year with a STRANGER FEARS SEASON

Horror Channel kicks off the New Year with a STRANGER FEARS SEASON – a retro-flavoured selection of 1980s influenced modern horror, which includes the UK TV premieres of Jeremy Gillespie & Steven Kostanski’s hard-core hospital horror THE VOID and Jackson Stewart’s throwback paranormal fantasy BEYOND THE GATES, starring horror legend Barbara Crampton. Broadcast every Saturday night throughout the month, the season also includes Todd Strauss-Schulson’s entertainingly subversive slasher fantasy THE FINAL GIRLS and Lowell Dean’s stylish, rage-fuelled WOLFCOP.

There is also a UK TV premiere for Mathieu Turi’s terrifying and moving horror thriller HOSTILE and channel premieres for Barry Levinson’s brutal and harrowing creature feature THE BAY, Paul Verhoeven’s HOLLOW MAN, starring Elisabeth Shue, Kevin Bacon and Josh Brolin; Kenneth Branagh’s MARY SHELLEY’S FRANKENSTEIN, starring Robert De Niro, Branagh and Helena Bonham Carter and Danny Cannon’s thrilling slasher sequel, I STILL KNOW WHAT YOU DID LAST SUMMER.


STRANGER FEARS SEASON

Full film details in transmission order:

Sat 4 Jan @ 22:50 – THE VOID (2016) * UK TV premiere

In the middle of a routine patrol, officer Daniel Carter happens upon a blood-soaked figure limping down a deserted stretch of road. He rushes the young man to a nearby rural hospital, only to discover that patients and personnel are transforming into something inhuman. As the horror intensifies, Carter leads the other survivors on a hellish voyage into the subterranean depths of the hospital in a desperate bid to end the nightmare.

Sat 11 Jan @ 22:50 – BEYOND THE GATES (2016) *UK TV Premiere

Following their father’s mysterious disappearance, two estranged brothers reunite to liquidate his business, a video store specialising in horror movies. Digging through all the fire sale stock, they find an old VCR board game entitled ‘Beyond the Gates’. Deciding to play the obscure game for a laugh, they soon realise it holds the connection to their father’s vanishing and the deadliest of consequences for anyone who dares fool around with it.


Sat 18 Jan @ 22:50 – THE FINAL GIRLS (2015)

Max, a high school senior, is mysteriously transported with her friends into a 1980s horror film that starred Max's mother, a celebrated scream queen. Trapped inside the movie, Max finds herself reunited with her mom, whom she lost in real life. Together, they must fend off the camp counsellors’ raging hormones, battle a deranged machete-wielding killer, and find a way to escape the movie and make it back home.


Sat 25 Jan @ 22:50 – WOLF COP (1998)

Lou Garou is a lazy, alcoholic cop by day, a violent crime-fighting werewolf by night with a new found sense of  duty to uphold. Overnight, the small rural town of Newhaven has a new lycanthropic hero and he’s determined to become a better policeman…one full moon transformation at a time.


OTHER PREMIERES

Fri 3 Jan @ 21:00 – HOSTILE (2017) *UK TV Premiere

A worldwide epidemic has killed most of the planet’s population. The few survivors struggle to find food and shelter. But they are not alone… On her way back to base camp from a scavenging mission, Juliette (Brittany Ashworth) has a terrible accident. Stuck in her car, with a broken leg, in the middle of an unforgiving desert, she must survive the perils of the post-apocalypse, while a strange creature prowls around.


Fri 10 Jan @ 21:00 – THE BAY (2012) *Channel Premiere

The quaint seaside town of Chesapeake Bay thrives on water; it is the lifeblood of the community. When two biological researchers from France find a staggering level of toxicity in the water, they attempt op alert the mayor, but he refuses to create a panic in the docile town. As a result, a deadly plague is unleashed, turning the people of Chesapeake Bay into hosts for a mutant breed of parasites that take control of their minds, and eventually their bodies.

Fri 17 Jan @ 22:40 – HOLLOW MAN (2000) *Channel Premiere

Kevin Bacon is a gifted scientist Sebastian Caine, who develops a serum that induces invisibility. The arrogant but charismatic scientist heads a top-secret U.S. government research project. When the formula works successfully on animals, Caine disobeys Pentagon orders and experiments on himself. Unfortunately, the gamble goes terribly wrong when the procedure cannot be reversed.

Fri 24 Jan @ 21:00 – MARY SHELLEY’S FRANKENSTIEN (1994) *Channel Premiere

As Viktor Frankenstein (Kenneth Branagh) is dying he shares a tale of gruesome terror with a sea captain. Viktor, using previous experiments by a brilliant scientist, was able to bring a creature (Robert De Niro) assembled from body parts back to life. Once he realised how destructive his experiments had become, he abandoned the creature and tried to live a normal life with his fiancé (Helena Bonham Carter). The lonely creature seeks out Viktor and demands one of two things: a bride or revenge.

Fri 31 Jan @ 22:50 – I STILL KNOW WHAT YOU DID LAST SUMMER (1998) *Channel premiere

This sequel to I Know What You Did Last Summer finds Julie James (Jennifer Love Hewitt) coping miserably with the memory of last year's terrifying ordeal, as the past continues to haunt her, However, it looks as though things may be turning out for the better when her college roommate, Karla (Brandy Norwood), invites Julie to join her on an all-expense paid trip to the Bahamas. But when the romantic vacation is threatened by a violent hurricane and the reappearance of the vengeful fisherman, Julie's future promises to be as short-lived as her escape from the past.


Horror Channel: Be Afraid
TV: Sky 317 / Virgin 149 / Freeview 70 / Freesat 138
Website: http://www.horrorchannel.co.uk/

Competition: Win Anna and the Apocalypse on Blu-ray

Anna and the Apocalypse is out on Blu-ray on 2nd December.

And to celebrate we have a great competition for you and 2 copies on Blu-ray to give away.

Synopsis
What better way to celebrate the festive season than with a zombie apocalypse Christmas musical?

Anna and the Apocalypse  ‘A delightful Christmas/horror/comedy/musical hybrid, with a great cast and entertaining gore’ (IGN) directed by John McPhail.

A zombie apocalypse threatens the sleepy town of Little Haven - at Christmas - forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones.

But they soon discover that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other.

Buy from Amazon by clicking here (Opens in a new window)

For your chance to win just answer the question below.

Who is the director of Anna and the Apocalypse ?

Send your name, address and of course the answer to competition@mastersofhorror.co.uk

Terms and conditions
1. Closing date 09-12-19
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.

Seasonal shocks aplenty on Horror Channel in December including UK premiere of Tyler MacIntyre's PATCHWORK.

Wayward werewolves, genetic mutants, a female Frankenstein, man-eating spiders and the return of The Creeper…Horror Channel provides plenty of seasonal shocks in December, including the UK TV premiere for Tyler MacIntyre’s incandescent comic horror PATCHWORK, a modern spin on Mary Shelley mythology, mixed with fun gore and a cheeky tone. It received rapturous applause when first screened in the UK at FrightFest Glasgow 2016 and will delight fans of classic 1980’s scream fests.

There is also a UK TV premiere for spider-infested supernatural thriller GUARDIANS OF THE TOMBS, starring Kelsey Grammer and Channel premieres for martial-arts futurist thriller ULTRAVIOLET, starring Milla Jovovich, werewolf chiller WOLVES, and three daytime eco-disaster films, LAVA STORM, DARK SKIES and SOLAR DESTRUCTION.


Sat 14 Dec @ 21:00 – PATCHWORK (2015) * UK TV premiere

Three young women out partying wake up in a strange laboratory to find themselves sewn together to form one body. Making matters worse, bitchy professional Jennifer, ditzy airhead Ellie and weirdo Madeleine share a collective consciousness as well as body control. Barely able to keep it together, the women co-operate long enough to make an escape. But unable to come to terms with their new multi-persona, the women shift their focus towards tracking down the mad scientist responsible for their mutilation while also making peace with their former hang-ups. Can they put aside their differences long enough to exact the proper revenge?


OTHER PRIMETIME PREMIERES


Sat 7 Dec @ 21:00 – JEEPERS CREEPERS 3 (2017) *UK TV Premiere

Set between the first and second films, Sgt Davis Tubbs (Brandon Smith) assembles a task force to destroy the Creeper once and for all while growing closer than ever before to learning the secrets of its dark origins, as the monster terrorises a local farming community. Also starring Stan Shaw and Gabrielle Haugh.


Sat 21 Dec @ 21:00 – ULTRAVIOLET (2006) *Channel Premiere

In the late 21st century, a subculture of humans has been infected with a genetic mutation causing enhanced speed, incredible stamina and acute intelligence. As more people are infected, the government sets out to destroy them, but one woman stands in the way: ultra-beautiful, ultra-lethal Violet (Milla Jovovich). With eye-popping martial arts skills and chameleon-like abilities, Violet becomes a rogue warrior bent on protecting her new race and seeking revenge on those who created it.


Sat 28 Dec @ 21:00 – WOLVES (2014) *Channel Premiere

One night high school Cayden awakes to find his parents brutally murdered and his body drastically changing. He is horrified to realise that he is turning into a wild, savage wolf. Determined to find out what is happening to him, his quest leads him to a strange, isolated town, where two clans of wolves are on the brink of war. When Cayden falls for Angelina, the beautiful, young mate promised to the head of the clan, a battle to the death is inevitable.


AFTERNOON PREMIERES

Wed 4 Dec @ 16:00 – LOVE STORM (2008) *Channel Premiere

When a routine mine inspection goes horribly wrong, Lori Pratt suddenly finds herself in the middle of a massive volcanic eruption.   With the help of her scientist husband, the couple must figure out how to slow down the deadly inferno before it destroys everything in its path--including their family and the world as they know it.


Wed 11 Dec @ 16:00 – DARK SKIES (2009) *Channel Premiere

A corrupt business owner creates acid rain in order to increase the value of the shares he owns in a disaster relief business; but his plan is discovered by his one of his own scientists, whose children and friends are caught by the rain while staying at a cabin. Both the scientist and the others work to neutralize the acid rain while trying to bring down the businessman.


Wed 18 Dec @ 16:00 – SOLAR DESTRUCTION (2008) *Channel Premiere

Fifteen-year-old math genius Riley has just developed a ground-breaking new way to accurately predict deadly solar flares.  He soon discovers the earth has only 18 hours to prepare for a solar flare powerful enough to cause a global electrical meltdown.  What he doesn't know is that a rogue corporation stands to win big if disaster strikes and modern civilization grinds to a halt.  Now with the help of his single mother and a tough-minded professor, Riley must face down danger to convince the world to prepare before it's too late.


Tues 24 Dec @ 16:00 – GUARDIANS OF THE TOMB (2018) *UK TV Premiere

Hired by corporation CEO Mason (Kelsey Grammar), a team of scientists must work together in a desert region of China to recover a missing colleague. In their quest to rescue him they find themselves underground battling ancient, terrifying Chinese magic and making their way through a swarm of deadly, flesh-eating spiders – only to uncover the secret behind the insects’ power and intelligence.


Horror Channel: Be Afraid
TV: Sky 317 / Virgin 149 / Freeview 70 / Freesat 138

WIN ANNABELLE COMES HOME ON DVD

AVAILABLE NOW ON DIGITAL DOWNLOAD, AND ON DVD, BLU-RAY™ EXCLUSIVE BD STEELBOOK AND THREE FILM DVD COLLECTION FROM 18th NOVEMBER

Evil cannot be contained when Annabelle comes home!

New demonic entities are unleashed when “Annabelle Comes Home” arrives on DVD, Blu-ray™ and Exclusive BD Steelbook as well as a three-film collection DVD on 18th November, and available now on digital download, with a three and six film collection also available.
“Annabelle Comes Home” is the third instalment of New Line Cinema’s hugely successful “Annabelle” films starring the infamous, sinister doll from the “Conjuring” universe. Gary Dauberman, screenwriter of the “Annabelle” films, “IT” and “The Nun,” makes his directorial debut in “Annabelle Comes Home,” and the film is produced by Peter Safran and “Conjuring” universe creator James Wan.

“Annabelle Comes Home” stars Mckenna Grace (TV’s “The Haunting of Hill House,” as Judy, Madison Iseman (“Jumanji: Welcome to the Jungle,” “Goosebumps 2: Haunted Halloween”) as her babysitter Mary Ellen and Katie Sarife (TV’s “Youth and Consequences,” TV’s “Supernatural”) as troubled friend Daniela. Patrick Wilson (“The Conjuring” films, the “Insidious” films) and Vera Farmiga (“The Conjuring” films, “Godzilla: King of the Monsters,” TV’s “Bates Motel”) reprise their roles as Ed and Lorraine Warren.

Determined to keep Annabelle from wreaking more havoc on innocent victims, demonologists Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) lock the possessed doll in their home’s special artefact room, placing her behind sacred glass. But when the doll escapes and awakens the room’s evil spirits, it conjures up an unholy night of horror for the Warrens’ daughter and her friends as they desperately battle to bring Annabelle’s reign of terror to an end.

For your chance to win Annabelle Comes Home on DVD, simply answer the following question:

COMPETITION CLOSED


Annabelle Comes Home is out now on Digital Download, and arrives on DVD, Blu-ray™ and Exclusive BD Steelbook as well as a three-film collection DVD on 18th November.

Buy from Amazon Here

© 2019 Warner Bros. Ent. All Rights Reserved

Terms and conditions
1. Closing date 11-11-19
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Competition open to UK entrants only

Horror Channel runs CLASSIC MONSTER MARATHON on November 24.

On Sunday 24th of November, Horror Channel is celebrating the beginnings of cinema horror with CLASSIC MONSTER MARATHON. Kicking off at 1pm, it features some of the most iconic monster movies of all-time, including: Ted Browning and Karl Freund’s DRACULA, starring Bela Lugosi as the infamously seductive Count, James Whale’s genre-defining FRANKENSTEIN, starring Boris Karloff, Karl Freund’s mesmerising THE MUMMY, with Boris Karloff further establishing himself as one of the great horror stars in film history, THE WOLF MAN, with Lon Chaney, Jr. as the original werewolf and the pulp horror classic CREATURE FROM THE BLACK LAGOON.

In this monster marathon, you can run but you can’t hide


Sat 24 Nov @ 13:00 – DRACULA (1931) *Channel Premiere

This horror classic stands as the most famous and celebrated film version of the popular vampire story. Bela Lugosi delivers a star-making performance as the titular villain – his erudite, refined Dracula is at once alluring and terrifying. While director Tod Browning an effectively and haunting atmosphere. Also stars Edward Van Sloan as Dracula’s arch enemy, vampire-hunter Van Helsing.


Sun 24 Nov @ 14:05 – FRANKENSTEIN (1931) *Channel Premiere

Considered by many to be the greatest horror film of all time, director James Whale’s masterpiece tells the story of a maniacal scientist whose obsession with creating a living being from dead body parts leads to a tragic and shocking end. Adapted from the gothic novel by Mary Shelley, the film made Karloff a star and ushered in a new era of horror. It’s been selected by many critics as one of the top hundred films of all time.


Sun 24 Nov @ 16:00 – THE MUMMY (1932) *Channel Premiere

Boris Karloff solidifies his status as one of the greatest horror stars in film history with his terrifying yet surprisingly poignant performance as high priest as Imhotep, a 3,700 year old mummy who wreaks havoc upon the members of the British field expedition that disturbed his tomb. Featuring ground-breaking innovations in make-up that are used to chilling effects, the film earns its place in the canon of classic horror cinema.


Sun 24 Nov @ 17:30 – THE WOLF MAN (1941) *Channel Premiere

Lon Chaney, Jr. is the original Wolf Man, forever cursed to roam the countryside as a werewolf. The atmospheric direction and moody soundtrack make "The Wolf Man" as frightening today as it was when it was released. This chilling film introduces another iconic character into the pantheon of classic horror film monsters and villains.


Sun 24 Nov @ 19:00 – CREATURE FROM THE BLACK LAGOON (1954)

American scientists get more than they bargained for on an amazon expedition when a dark tributary turns up a prehistoric man with gills. The half man/half amphibian breaks free after being captured, stealing away the only woman on the crew. This well-crafted creature feature introduces us to one of the most iconic movie monsters of all time.

Horror Channel: Be Afraid
TV: Sky 317 / Virgin 149 / Freeview 70 / Freesat 138
Website: http://www.horrorchannel.co.uk/

Interview with Carlo Mirabella-Davis - Director of Swallow

Ahead of the UK premiere of SWALLOW at Arrow Video FrightFest Halloween, director Carlo Mirabella-Davis reflects on the personal inspiration behind his debut feature, healing psychological wounds and his empathy for the horror genre.


SWALLOW is your directorial debut. How difficult was it to get the project off the ground?

Getting a film made is a fascinating process. My late, great teacher at NYU, Bill Reilly, would always say “script is coin of the realm”. The early stages involved perfecting the screenplay as much as I could, writing and rewriting until I felt confident sending it out.

The sacred bond between the producer and the director is the catalyst that brings a film into being. I asked my colleague who the best independent producers in the business were, and she said, “Mollye Asher and Mynette Louie, but you’ll never get them”.

I watched their films and was floored by how incredible they all were. As luck would have it, both Mollye and Mynette decided to work on the film. Amazing, inspiring, driven producers like Mollye and Mynette will support your vision, collaborate with you, and fight passionately to bring that vision to the world. Once we had the finished script and our team, we brought on an amazing casting director, Allison Twardziak, and we cast the lead roles of the film. We were incredibly lucky to have the brilliant Haley Bennett come on board as Hunter, and once she joined the production, along with the marvellous Austin Stowell, I knew we had a powerful film on our hands.

Raising the money was a bit of a challenge in the United States because independent film studios often don’t want to take a chance on a first-time director. Through Sundance Catalyst, we raised some money in the United States, but the bulk of the financing came from France, from our incredible investors Charades and Logical who took a chance on an unusual script, and I’m so glad they did, because they were absolutely wonderful to work with.


Haley Bennett is outstanding in the film as Hunter. How did you cast her?

We were so incredibly fortunate Haley Bennett accepted our offer to play the role of Hunter. She’s a profoundly brilliant actor, collaborator, and artist who delivers a tour-de-force performance in the movie. I’d seen Haley in Girl on a Train and was deeply impressed, so we made an offer and thankfully she accepted. Haley has a remarkable ability to evoke different layers of emotion simultaneously. She wears many masks throughout the film, layered on top of each other and she can convey all those layers of emotion, all those masks, simultaneously in just the twitch of her eye or the way Hunter fixes her hair. Haley was also an executive producer on the film and very devoted to the project. I got so incredibly fortunate that someone as committed, empathic, and imaginative as her brought Hunter to life with such specificity, authenticity, and heart.

Hayley Bennett in SWALLOW

Haley’s character suffers from a condition called Pica, an eating disorder that involves swallowing progressively dangerous non-food objects. What drew your attention to that particular illness?

I remember seeing a photo of all the contents removed from the stomach of a patient with pica, all these objects spread out like an archaeological dig. I wanted to know what drew the patient to those artifacts. It seemed like something mystical, almost like a holy communion, and I wanted to know more. I got in touch with the world‘s leading expert on pica, Doctor Rachel Bryant-Waugh, and she was kind enough to read the script and be a consultant on our film. Although pica is a relatively obscure condition, I felt it could be representative of any rituals of control, any reaction to a difficult situation, any obsessive behavior, and therefore, universal.


The film revolves around issues of control, repression and identity. How autobiographical is the story?

The film was inspired by my grandmother, Edith Mirabella, a homemaker in the 1950s in an unhappy marriage who developed various rituals of control. She was an obsessive handwasher who would go through four bars of soap a day and twelve bottles of sanitizing alcohol a week. I think she was looking for order in a life she felt increasingly powerless in. My grandfather at the behest of the doctors, put her into a mental institution where she received electroshock therapy, insulin shock therapy, and a non-consensual lobotomy which resulted in the loss of her sense of taste and smell. I always felt there was something punitive about how my grandmother was treated, that she was being punished for not living up to society’s expectations of what they felt a wife and a mother should be. I wanted to make the movie to show my grandmother, wherever she is, that her suffering did not go unnoticed. So much suffering goes unnoticed in our world today, and I think through the power of cinema we can increase empathy, fight prejudice, and heal psychological wounds. 


SWALLOW is beautifully shot, creating a sharp, clinical edge that makes the luxurious world Hunter inhabits somehow fraught with danger. Tell us how you approached the design and look of the film?

So thrilled you feel that way! I was extremely fortunate to have an incredible, imaginative, devoted design team. Our visionary cinematographer, Kate Arizmendi, our inspired production designer, Erin Magill, and our amazing costume designer, Liene Dobraja, evoked Hunter’s world with such detail and subtext. In order to Illustrate Hunter’s psychological movement, Kate and I developed a rigid visual vernacular, a strict set of camera direction rules that we broke at key emotional moments. Kate had the idea to shoot the film with Master Prime lenses because, as she put it, “Pica is all about textures”, and the Master Primes allowed her to illustrate the textures of Hunter’s world in mystical detail. In a film that’s all about little objects and the tyranny of environments, Erin Magill brought such specificity of space and vibrant color to Hunter’s world. And Liene, who is so good with expressing the characters’ inner cosmology through what they wear, created a wonderful wardrobe journey for Hunter. We wanted Swallow to take place in a stylized world that became more and more realistic as the film progressed in order to reflect Hunter’s growing psychological clarity. Like a perfect pane of glass with a crack slowly forming in it.


Research has shown that more children are swallowing objects than ever before and that adult cases are on the rise too. Why do you think that is?

Interesting question. We are living in a world that is becoming increasingly chaotic and because of that, I think rituals of control are on the rise.

While I’m not a mental health professional, I believe OCD, eating disorders, cutting, all these rituals of control can often be related to past trauma or situations that people feel powerless in. We very much consider Swallow to be a feminist film, and in America, there’s no denying that a certain kind of old-world patriarchy has become newly emboldened.

With the Trump presidency, we’ve seen a reinforcing of patriarchal paradigms, a silencing of dissenting voices, and a rollback of reproductive rights.

We are also fortunate to be living in a time where there are many powerful new voices and activists fighting back; more films directed by female filmmakers, and more films with female main characters that explore these issues. I hope Swallow is one of those voices of change, and I hope it raises awareness and makes people feel seen and less alone.


Do you think horror films can help us deal with and understand troubling and mentally-challenging issues?

I do. Fear is the oldest emotion, the first emotion. To paraphrase Rainer Werner Fassbinder, “Fear eats the soul”. I think horror movies are a powerful tool which allows viewers to manifest their fears in a safe environment, a communal environment. Once those fears are manifested on the crucible of the screen, they can be experienced and processed in a way that facilitates catharsis for the viewer, providing a greater understanding of what they’re frightened of and why. Once we understand our fears and what drives them, we can emancipate ourselves from a cycle of terror and anxiety. We are fortunate to be in a new renaissance of horror with incredible, personal, socially relevant films like Get Out, Babadook, and Hereditary. Because horror is a genre that is inherently extreme and uncomfortable, I do agree that horror has the hardwired capacity to take on challenging topics. As a lifelong horror fan, I truly believe that powerful, thoughtful horror movies can change the world for the better.


Do you have an affinity to the genre?

Yes! I’ve been horror fan my entire life. When I was six years old, I begged my parents to rent a horror movie for my birthday, and they obliged with a delightful screening of The Blob. Swallow has many little horror film references within it. For example, when Hunter puts the red gels on the window, another Erin Magill innovation, it’s a direct homage to the glorious colors in Argento’s 1977 Suspiria. My fantastic, passionate, inspiring editor, Joe Murphy, and I, bonded over our mutual love of unusual, obscure, art horror films.


Finally, we hear your next film is going to be a supernatural horror. Can you reveal a few details?

I’m working on a feminist supernatural horror movie, among other scripts, but I can’t reveal the contents at this time.


SWALLOW is screening at 6.15pm at Cineworld, Leicester Sq. on Sat 2 Nov, as part of the Arrow Video FrightFest Halloween all-dayer.

www.frightfest.co.uk

Competition: Win Prey on DVD

Prey  is out on DVD on 4th of November! 

And to celebrate we have a great competition for you and 2 copies on DVD to give away.

Synopsis
Prey is a mysterious and gory chiller from horror powerhouse Blumhouse Productions the team behind Get Out, Us, The Purge, Sinister and Insidious.

Toby (Logan Miller; Love, Simon), a high school senior struggling with behavioural problems, is placed on an uninhabited island in order to improve his ways. However, despite being told he is in isolation, he soon realizes he is not alone, teaming up with Madeleine (Kristine Froseth; Apostle), as they are pursued by a deadly entity.

Reminiscent of cult hits Donnie Darko and Lost - is a mind-bending and disturbing new shocker. Prey for your life!

Starring Logan Miller, Kristine Froseth and Joelene Anderson. Directed by horror maestro Franck Khalfoun (Maniac, P2).

Signature Entertainment presents Prey on Digital HD 28th October & DVD 4th November, 2019

Buy from Amazon by clicking here (Opens in a new window)

For your chance to win just answer the question below.

COMPETITION CLOSED

Terms and conditions
1. Closing date 11-11-19
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.