Thursday, 17 October 2024

FILM REVIEW: Trap (2024 Movie) Starring Josh Hartnett and Saleka

"Trap" is the latest psychological thriller from M. Night Shyamalan, presenting an intriguing yet uneven entry in his filmography. Known for his signature plot twists, Shyamalan shifts gears in this film, crafting a cat-and-mouse narrative between a serial killer and law enforcement, set against the unlikely backdrop of a pop concert. Although there are moments of genuine tension and solid performances, the film ultimately feels like a missed opportunity, hindered by predictability and an overemphasis on showcasing the director’s daughter, Saleka Night Shyamalan.

The story revolves around Cooper Abbott, a seemingly average Philadelphia firefighter who doubles as the infamous serial killer known as "The Butcher." Played by Josh Hartnett, Cooper's dual life is explored with a compelling narrative, though it lacks genuine surprises. Hartnett delivers one of the film's strongest performances, convincingly portraying a man on the brink of madness. His ability to maintain a chilling calmness even as chaos ensues around him keeps the audience engaged, despite the narrative's occasional lapses in logic.

Set during a concert by pop star Lady Raven, also played by Saleka Night Shyamalan, the film’s visually dynamic backdrop sometimes feels more like a platform for her musical performance than a genuine psychological thriller. Saleka’s portrayal of Lady Raven is competent, and her fearless confrontation with Cooper adds an interesting dimension to the plot. However, it’s hard to shake the feeling that her character, and the concert setting as a whole, was designed primarily to showcase her musical talents rather than to enhance the story’s psychological depth. This choice detracts from the film’s tension, with certain scenes feeling more like a music video than a thrilling narrative.


The film’s major shortcoming lies in the absence of a traditional Shyamalan twist. Fans may feel disappointed to discover that the film reveals Cooper's identity as the Butcher early on, a revelation given away in the trailer. This transparency diminishes the suspense and surprise typically associated with Shyamalan’s films, leaving the story feeling somewhat flat. Additionally, some scenes, particularly those featuring Lady Raven confronting Cooper, stretch plausibility; the notion of a petite pop star fearlessly confronting a serial killer is hard to accept, making these moments less convincing.

Jonathan Langdon, who plays Jamie the vendor, injects much-needed comic relief and delivers one of the film's standout moments in a mid-credits scene. Although his character is minor, he adds a refreshing layer of humor and humanity to the story. It’s unfortunate that he wasn’t given more screen time, as his presence helps balance the film’s darker themes.

"Trap" attempts to blend the elements of a psychological thriller with the spectacle of a pop concert, but the execution feels uneven. While the film has strengths, particularly Hartnett's performance and its overall concept, it is ultimately let down by a predictable plot and the impression that it occasionally serves more as a showcase for Saleka Night Shyamalan than a fully realized thriller. The lack of a significant twist and some implausible plot points leave viewers wanting more depth and suspense.

In conclusion, "Trap" is a decent thriller that entertains but doesn’t quite hit its potential. It stands as a safe, if unremarkable, addition to Shyamalan’s body of work, earning a respectable 6.5 out of 10. For those who appreciate straightforward thrillers with a few tense moments, it may suffice, but those seeking the signature Shyamalan twist and a more tightly woven narrative might find themselves disappointed.

Wednesday, 16 October 2024

COMPETITION: Win A Nightmare on Elm Street on 4K UHD

A Nightmare on Elm Street


It is the 40th anniversary of the supernatural slasher film A Nightmare on Elm Street from New Line Cinema and renowned horror director Wes Craven, the 1984 film is available NOW for purchase Digitally in 4K Ultra HD and on 4K UHD Blu-ray Disc. It will also be re-released in select cinemas from 25 October.

And to celebrate, we have a great competition for you and a chance to win a copy on 4K UHD.

Synopsis:
The 4K UHD remaster of A Nightmare on Elm Street includes both the 1984 theatrical version of the film and an uncut version of the film that includes 8 seconds of additional unrated footage.

Directed by Wes Craven (Scream) from his own screenplay, the film stars John Saxon, Ronee Blakely, Heather Langenkamp, Amanda Wyss, Nick Corri, Johnny Depp, and Robert Englund.  The film is produced by Robert Shaye.

Can your nightmares be fatal? In this classic of the horror film genre that launched a movie franchise, a hideously scarred man who was murdered by a lynch mob returns years later in the terrifying nightmares of his killer’s teenage children… and the dreaming teenagers are starting to die in their sleep.

A Nightmare on Elm Street, which spawned a franchise and introduced audiences to iconic horror villain Freddy Krueger, will be available to purchase on Ultra HD Blu-ray Disc online and in-store at major retailers and available for purchase Digitally from Amazon Prime Video, AppleTV, and more.

Order from Amazon - https://amzn.to/3Y6vAPQ

Enter now for a chance to win.

COMPETITION CLOSED

Quick Terms and conditions - For full T&C click here
1. Closing date 31-10-24
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.

Sunday, 13 October 2024

FILM REVIEW: Oddity (2024 Film) - Starring Gwilym Lee, Carolyn Bracken and Tadhg Murphy

 

“Oddity,” the 2024 Irish horror film directed by Damian McCarthy, offers a captivating mix of psychological tension and supernatural unease. The story revolves around Darcy, a blind medium grappling with the aftermath of her twin sister Dani's murder. McCarthy skillfully builds an eerie atmosphere that maintains suspense throughout, opting for a chilling tone rather than relying on excessive gore.

Visually, the film is striking, featuring haunting imagery that complements its grim and melancholic vibe. Darcy’s curiosity shop, filled with cursed objects, along with the unsettling country house that serves as a primary setting, effectively enhance the macabre narrative. The gradual unveiling of Ted’s dark secrets is expertly handled, as is the growing discomfort surrounding Darcy’s connection to her sister’s spirit. A life-sized wooden mannequin from Darcy's cursed collection adds to the escalating horror, delivering some of the film's most unsettling moments, even if its screen time feels frustratingly brief.

The performances are commendable, with Carolyn Bracken shining in her dual role as the tragic Dani and the grieving, determined Darcy. Gwilym Lee portrays Ted with a blend of charm and malevolence, skillfully hinting at his character’s darker layers. The film thrives on suggestion rather than overt scares, which enhances its unsettling quality. McCarthy’s focus on psychological dread, rather than extravagant shocks, cultivates a pervasive sense of foreboding. Though the storyline follows familiar horror tropes, it remains engaging.

“Oddity” excels in its exploration of the unknown, leaving viewers in a state of discomfort as the lines between reality and the supernatural blur. The pacing of the suspenseful moments is expertly managed, with strategically placed jump scares that catch the audience off guard. However, it’s the persistent underlying tension that truly captivates. The supernatural elements are integrated seamlessly into the narrative, enriching the horror without overshadowing the story's core.


The film’s predictability is where it stumbles. While the final twists regarding Ted’s role in Dani’s death are intriguing, they may not come as a shock to seasoned horror enthusiasts. Moreover, the wooden mannequin, a potentially chilling presence, doesn’t receive the attention it warrants. Its significance is apparent, but a larger role throughout the film would have been more satisfying.

Nonetheless, “Oddity” succeeds in crafting a genuinely eerie atmosphere. It knows how to disturb without over-relying on shock tactics. The combination of paranormal intrigue and psychological horror plays to its strengths, and McCarthy's direction keeps the tension consistently high. Although the pacing is deliberate, occasionally feeling slow, it contributes to the mounting sense of dread that permeates the film. The ambiguous and unsettling conclusion lingers long after the credits roll.

Overall, “Oddity” stands out as a strong entry in the horror genre. While it may not innovate in narrative structure, its execution is impressive, striking a compelling balance between suspense and supernatural terror. Despite my wish for more screen time for the eerie mannequin, the film ultimately delivers a haunting experience. I would rate it a solid 8.5 out of 10.

Out Now on Shudder


Tuesday, 8 October 2024

FILM REVIEW: The Exorcism (2024 Film) Starring Russell Crowe

“The Exorcism” offers a spine-tingling journey that explores the blurred boundaries between reality and the supernatural. Directed by Joshua John Miller, this highly anticipated horror film stars Academy Award-winner Russell Crowe, whose riveting performance will leave audiences gripping their seats.

Crowe portrays Anthony Miller, a once-renowned actor haunted by a dark past. While shooting a supernatural horror movie, Miller begins to experience eerie occurrences that challenge his grip on reality. His estranged daughter, Lee (Ryan Simpkins), becomes caught in the unraveling mystery, torn between concern for her father’s potential relapse into addiction and the possibility that something far more malevolent is at play. The film deftly navigates Miller’s spiral into either madness or a supernatural possession, blending psychological terror with otherworldly horror in a narrative that is both intimate and universally terrifying.

The film’s cast adds further depth to the story. Sam Worthington, known for his roles in "Avatar" and "Clash of the Titans," contributes a grounded performance, while Chloe Bailey, Adam Goldberg, and David Hyde Pierce round out the ensemble, each bringing their own distinctive touch. This mix of seasoned and emerging talent ensures a dynamic and engaging experience on-screen.

Joshua John Miller, known for his work in the horror genre, directs with a vision that pushes conventional boundaries. His approach seamlessly merges psychological and supernatural horror, creating a thick, unsettling atmosphere throughout the film.

With its intriguing premise, strong performances, and chilling scares, “The Exorcism” stands out as one of the year’s must-see horror films. It promises thrills for both die-hard genre fans and casual moviegoers seeking a gripping ride.

However, the film isn’t without its flaws. While Crowe’s performance is stellar and the narrative has moments of real intensity, it treads familiar ground, often relying on well-worn tropes of the horror genre. The final act also feels somewhat rushed, with an additional 10 to 15 minutes potentially adding more depth and clarity to the resolution.

Despite these issues, "The Exorcism" will resonate with fans of religious horror. Its meta-narrative, an actor portraying a priest, brings an intriguing layer to the story. While it may not appeal to everyone, it certainly delivers its share of genuine scares and stands as a showcase for Crowe’s talent.

Overall, “The Exorcism” earns a solid 8 out of 10. With a compelling exorcism story at its core and Crowe’s powerful lead performance, it offers a thrilling and terrifying cinematic experience.

Now playing in theaters.

Thursday, 3 October 2024

Interview with David Kempf - By Jon Donnis

David Kempf

I have known David for a few decades now, so who better to interview David than myself about his new book, so David tell us about Ghost Stories.

It’s my new short story collection of ghost stories, sometimes the ghosts are good, sometimes they are bad, but they always seem to frighten us mere mortals.

Why do you think readers are still interested in ghost stories?

I’m actually going to give readers a preview of my new book by publishing the book’s introduction here—

Ghost stories are found in all cultures all around the world. Storytellers have been using the oral tradition to tell these scary tales for many centuries now. The most famous English ghost story is probably A Christmas Carol by Charles Dickens, although Oh, Whistle and I’ll Come to You, My Lad by M.R. James is a strong contender for second. The most famous American ghost stories are The Haunting by Shirley Jackson and, of course, Peter Straub’s Ghost Story. Another signi"cant ghost story novel is Haunted by Tamara Thorne. The most famous American ghost story of all time is, of course, The Legend of Sleepy Hollow by Washington Irving. I have always loved haunted houses and castles in stories, fairy tales, and live haunted house attractions. I've tried my best to write ten entertaining and diverse stories to frighten you, or at least to entertain you.

I’ve never met Peter Straub, but his novel Ghost Story and the 1981 movie always inspired me to someday write my own ghost tales. I do have the honor of knowing Tamara Thorne, a truly magnificent writer of ghost stories. Sometimes she writes them solo, and sometimes with her writing partner Alistair Cross. We have found much in common with our love of horror and ghost story novels and tales. She and I are also huge fans of John Carpenter’s The Fog, perhaps the best sea-themed modern ghost movie ever made. We also agree that the movie version of Ghost Story with Fred Astaire is magnificent and that perhaps the most underrated ghost story movie of all time is The Changeling, starring George C. Scott. I am deeply honored that she enjoys my short stories and that she has written several short story intros for me over the years, including two in this collection. So please read the tales slowly. Ghosts are not like vampires or witches; they are subtle. They make you question whether something you saw was real or only your mind playing tricks on you. They bend reality for a brief moment. That’s what ghost stories are all about. So dear reader, read on,read aloud if you dare, and above all, read these stories at night. Perhaps you can decide if this is real or all in your mind. Not a bad way to spend an evening.


— David Kempf, September 2024

What would you say is the difference between writing about characters either from mythology, or characters created by other authors, as opposed to writing about characters you yourself have created?

Ghost stories have a long history but for the most part I am inventing almost new characters both living and dead in this new short story set. The one exception, of course, is I touch on the subject of a haunted island and sea monster folklore. In that story, Banshee, I actually borrow from Robert Louis Stevenson from Treasure Island because I mention Long John Silver in an eerie local island legend. This time I don’t blatantly steal like I did in Tales of Monster Madness where I use Dr. Jekyll and Mr. Hyde in a story. A story mixed with Oscar Wilde’s Dorian Gray as well. The characters are mostly kindred spirits in that they are created by me in this one. Pun intended.

Why do you think horror and ghost story books remain so popular?

Jon, I think they're something you and I can really enjoy. And we’re far from being alone on this. As you know almost every church has a ghost that haunts it in England, (Yes I know you don't believe in ghosts, but the stories, real or not are told). And of course I feature some characters who claim some type of clairvoyant or psychic ability. That’s something I know is right up your alley, except of course the skeptic can’t always be too sure of his lack of belief in order for the story to move along nicely.
What inspires your stories?

Well, I write about what I want to write about. I wanted to write about the Jinn and the wish gone wrong and then I wrote my Dark Fiction trilogy. When the idea of mashing up these classic monsters popped into my head, I just went with it and wrote TALES OF MONSTER MADNESS. With this new one GHOST STORIES I wanted to touch on all the ghost story lore I liked. I wrote one ghost story and could not stop. I started writing them one by one, and then next thing I knew I had an entire collection of them. Last year I thought "Dracula vs. the Wizard of Oz"? Now who could resist that? Now I’m thinking that I have ten great stories that were well enjoyed by some of the best ghost story authors out there. And if they could not resist then how can you?

What do you think the difference between American horror and British horror is? In this case in terms of ghost stories.

I think that ghost stories are probably more popular in England than here in America. When America was young in the colonial days, ghost stories were probably a much bigger thing. Despite the Andy Williams song It’s the Most Wonderful Time of the Year, Americans love the idea of ghosts for ghost tours, older stories, occasional movies, and especially for Halloween. Telling ghost stories is big in England. We had Poe who really only hinted at ghosts but we do have Hell House and The Haunting of Hill House. England still has more ghostly tales. You tell them over Christmas and every church has it’s own famous ghosts. There’s more ghostly characters and legends on the other side of the pond.


Is there an audio-book version of your book?

Sadly not yet. Podcaster Boo Rhodes and my narrator Wesley Critchified have expressed an interest in it but I am busy turning FOUR MURDER MYSTERY PLAYS into audio dramas right now. And I have pretty much a dream cast for the voices.

Why did you sell the stories individually before putting them together in one book?

I did it so that anyone who wanted to get a sample of my work could so so. And usually it’s the remarkable cover art by my cousin Heather Slawecki that gets people to make that one dollar investment in my written word.

Tell us about the various authors you have had write introductions for the stories.

Years ago, I read a book called My Favorite Horror Story, and it featured an introduction before each short story. Usually it was a favorite short story of certain write like Harlan Ellison or Peter Straub. Anyway, it was a great book and I got to be introduced to a number of authors and short stories that I had never previously heard of. I loved the heartfelt introductions idea so I asked some of my writer friends to write intros for me. Gary Raisor, Lorraine Evanoff, Tamara Thorne, Boo Rhodes, Andres Montanez, Michael Baker, and a gentleman by the name of Jon Donnis wrote the intros. I also owe a huge debt to my editor A.L. Sirois, and my cousin Heather Slawecki for covers and formatting. I was very proud of the book that these collaborations produced.

What do you consider your greatest accomplishment as an author?

Wow. Writers always think there current book is there best work but in this case, that might actually be true! But I’m not sure. I really loved TALES OF MONSTER MADNESS last year, and this year GHOST STORIES is my best work. I guess I should just say my greatest accomplishment is always striving to do my best work.

What are your current projects?

I would like to concentrate on writing the short stories. I’ve written ten stories based on classic monster characters but I am not done yet. I just wrote ten ghost stories in a collection and next for me is ten dystopian stories in the future.

And we all know I fully intend to keep writing for Masters of Horror U.K. for as long as I can.

Well it has been a pleasure talking to you David, and I wish you all the best not only for this latest book, but for all your future work. Thank you.

Ghost Stories is out now on Kindle, check it out at

FILM NEWS (UK): Nicholas Vince’s I AM MONSTERS! Gets Exclusive Limited Edition Blu-ray Release

I AM MONSTERS!

Nicholas Vince, celebrated actor and director best known for his iconic roles in Clive Barker's Hellraiser and Nightbreed, is bringing his autobiographical one-man show I AM MONSTERS! to Blu-ray with an exclusive limited-edition release. This highly anticipated release, featuring Vince’s deeply personal journey, is available to pre-order from October 1, 2024, through Dark Rift Horror. - https://darkrifthorror.com

The first 500 Blu-ray copies come in a special Signed Collector’s Numbered Edition, with a beautifully designed slipcover by renowned graphic artist Graham Humphreys. Priced at £25 (+ shipping), fans can also opt for a personalised dedication for £30. The limited-edition Blu-rays will ship to the UK, US, and Canada starting October 31, 2024.

A Deluxe Collector's Experience

This release isn't just a movie, it's an experience. Along with the main feature, fans will receive an array of bonus content, including:

  1. Four exclusive postcards
  2. A four-page booklet
  3. Four short films, written and directed by Nicholas Vince
  4. An exclusive interview hosted by Dominic Brunt (Emmerdale, Wolf Manor)
  5. A free digital download of extra content via a QR code, including a shooting script and a 10-minute documentary on the making of Vince’s The Night Whispered.

Nicholas Vince

A Journey of Monsters and Identity

Originally debuting as a live stage performance in 2019, I AM MONSTERS! is a confessional exploration of Vince’s life as both an actor and an outsider. The show reflects on his childhood love of monsters, the painful challenges of growing up gay under Thatcher’s Britain, and his rise to fame through his unforgettable performances in Barker's horror classics.

The film adaptation had its world premiere at FrightFest 2023, receiving critical acclaim for its raw storytelling and its ability to blend nostalgia with hard-hitting personal truths. Vince speaks openly about bullying, a life-threatening reconstructive surgery, and the pressures of concealing his sexuality in a repressive era. His reflections reveal how these experiences informed his portrayal of cinematic monsters, from the iconic Chatterer Cenobite to other roles in horror films, comics, and short stories.

“I’m overjoyed to finally share I AM MONSTERS! on Blu-ray,” Vince commented. “The journey from stage to screen has allowed me to delve deeper into my own history, and I hope fans will enjoy this exploration of what it takes to become a monster both on and off screen.”

A Dark Rift Horror Production

Produced by Dark Rift Horror, the Blu-ray release showcases the studio's commitment to bringing distinctive, community-driven horror to fans worldwide. With a history of producing fan-favorite indie horrors such as Book of Monsters and How to Kill Monsters, Dark Rift continues to push boundaries in the genre. Their Dark Rift Presents label aims to spotlight homegrown British horror, with I AM MONSTERS! as a flagship release.

About Nicholas Vince

Nicholas Vince is a pivotal figure in the UK queer horror scene. While he's most recognized for his terrifying portrayal of the Chatterer in Hellraiser and Kinski in Nightbreed, Vince has also carved out a reputation as a writer, director, and advocate for independent horror. His intimate one-man show I AM MONSTERS! offers a rare glimpse into his personal life and career, combining humor and horror to create a uniquely compelling narrative.

For fans of classic horror and those fascinated by the personal stories behind the monsters, I AM MONSTERS! is a must-have addition to any collection. Pre-orders are available exclusively at the Dark Rift Horror website, so don’t miss your chance to own a piece of cinematic history.



Monday, 30 September 2024

COMPETITION: Win The Walking Dead: Dead City Season 1 on Blu-ray

The Walking Dead: Dead City

Step into The Walking Dead: Dead City, a gloriously gruesome and gripping new spinoff from one of television’s best-loved franchises. Breathing fresh life into the undead, the brand-new series sees show favourites Jeffrey Dean Morgan (Watchmen) and Lauren Cohan (The Boy, The Vampire Diaries) reprise their roles as Negan and Maggie, only this time, their apocalyptic adventures take them into the heart of a zombie-infested Big Apple.

The Walking Dead: Dead City Season 1 is a must-watch for fans old and new and with a second series on the horizon, now is the perfect time to discover this new incarnation as it arrives on Blu-ray, DVD and digital on 7 October 2024 courtesy of Acorn Media International, following its transmission on Sky Max. 

And to celebrate, we have a great competition for you and a chance to win a copy on Blu-ray.

Synopsis:
Picking up many years after The Walking Dead left off, Maggie (Cohan) is the brave and fearless leader of her own community and spends her days trying to build a stable and happy life for her son, Herschel (Logan Kim – Ghostbusters: Afterlife). However, when her community is ransacked by a group of ruthless raiders and her son is taken hostage by a warlord known as The Croat (Željko Ivanek – Seven Psychopaths, Three Billboards Outside Ebbing, Missouri), she has no choice but to leave the safety of her home and track him down.

Meanwhile, Negan (Morgan) is a fugitive on the run, relentlessly pursued by a group of marshals. No longer travelling with his wife and daughter, he is responsible for the care of a young girl named Ginny (Mahina Napoleon – NCIS: Hawai’i).

When – in a twist of fate – Maggie’s path crosses with Negan and Ginny, she discovers that Negan has a long history with the psychotic crime boss who has her son. Despite their past conflicts, the once-sworn enemies have no choice but to form a fragile alliance. 

As they venture deeper into the grim, walker-ridden streets of Manhattan, it becomes clear that the scars of their violent past may be just as menacing as the current dangers they face... It's now a matter of fight or flight for the pair that were once enemies as they navigate a concrete jungle that has long been isolated from the mainland and harbours unique horrors they have never encountered before...  Can our dynamic duo survive the terrors of the city that never sleeps?

Order from Amazon at https://amzn.to/3zv8GJI

Enter now for a chance to win.

COMPETITION CLOSED


Quick Terms and conditions - For full T&C click here
1. Closing date 07-10-24
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.

Thursday, 26 September 2024

Interview with Howard J. Ford

Ahead of the Digital release of Howard J Ford’s ESCAPE on September 30 and DARKGAME on Oct 23, the UK’s busiest indie filmmaker reveals his love of exotic locations, the demands and why he secretly wants to run a coffee shop.

Your 10th feature, ESCAPE, coming out on Sept 30, is a female led kidnap  revenge thriller, with hints of 70’s exploitation. Did you have fun making it?

Well I wanted Escape to be an absolute blast in every respect as it marked my 10th film out the gate; Sexy -  horrific – nail biting – thrilling -  and believe it or not, I even fancied a bit of humour!  But ultimately it’s about these women in a horrific situation, taking power and fighting back! I absolutely intended to have fun doing it too – the location recce’s were super fun and I had a lovely little team and I believe they had a good laugh – I can’t remember half of it, I was in a bit of a filmy bubble at the time!

Ed Westwick and Howard Ford on the set of Darkgame

DARKGAME, which you made before ESCAPE, unites you with Gossip Girl star Ed Westwick. Tell us a bit about the film and your experience making it.

Ed was honestly super to work with; extremely focussed and with a brilliant energy. His character is very different from Chuck Bass in Gossip Girl and he is up against a sadistic killer played brilliantly by Andrew P Stephen. We had a cracking team and my producing partner, Tom George, was super supportive. It’s deliciously twisted with standout performances.

Notoriously busy, you’ve just completed your 11th film feature, cannibalistic thriller RIVER OF BLOOD, which reunites you with THE DEAD 2: INDIA star Joseph Millson.  What was it like working together again?

It was my ambition to take a break, but I still haven’t gotten around to that!  Joseph Millson is always great fun and is such a wonderful screen actor – it was tricky filming Kayaking scenes on the rivers and mangroves of Thailand, but it’s such a beautiful place and that really shows on screen and it was an epic journey! It also start Sarah Alexandra Marks and Louis James from Escape and a wonderful cast and crew from Tom Boyle,  the writer of my previous film The Ledge.

You rose to prominence, alongside your brother, with The DEAD and THE DEAD 2. Were you surprised with the reaction to both films?

I’ll be honest, Jon and I were very frustrated with all the compromises we had to make because of Malaria, Knifepoint muggings; being held at gunpoint etc –  not even making it to location half the time, all of that stuff was quite scarring and we knew the reactions could have been even better had we been able to achieve our original vision. Maybe we’ll get the chance someday but we’re grateful to the fans who support The Dead films and when we finally get the rights back from the distributors who haven’t been paying us we might just make another…

Escape
Escape

Looking back as an independent filmmaker, what can you say is your proudest achievement?

Not getting killed! That has nearly happened a fair few times and I’m grateful to still be alive! Never Let Go I felt proud of and it still plays on TV all over the world and it was another tricky shoot that we had to get done incredibly fast in some real tough places. I was proud to have been able to make The Lockdown Hauntings with literally no crew members at all – just me and actors. I feel that the film never got its fair share of exposure for what it was – it got knocked a lot critically on its release with people complaining it didn’t have enough special effects etc etc. It was made in the midst of lockdown by one person! Give me a break! Ha

The choice of locations seems crucial to you. Why is this?

For me location is incredibly important – they are like a character in themselves and  I feel I owe it to my audience to take them somewhere different. After all, most people are in a room when they watch a film. I feel I should take them somewhere else. With Escape, I want them to enjoy the desert island locations – like they are going on a sunny holiday. Just with a bit of kidnapping and whatnot!

Your films set out to thrill people. Are you a thriller-seeker?

I think life is short and we need to get out there now and do stuff. Let’s face it, by the time we’re able to make life changing decisions we’re probably only going to get 50 decent summers/winters, whatever. You need to get out and do stuff now!

Did you ever contemplate a career besides filmmaking?

Often. I fantasise about just serving coffee in a quaint shop to pleasant people or doing gardening or something! The film business is ridiculous; it’s heart breaking all the time. We get an intense year or two of work, doing our best on something to make a piece of entertainment; compromising so many aspects of your lives and others  to get it done, then the moment it comes out, people can’t wait to jump online and tear it apart. They often pirate (steal) your film and THEN on top of that tell you how bad it is!!  I reckon that happens less in coffee shops – and at least if the coffee does turn out bad,  you could just quickly brew another!

What would be one crucial piece of advice you would offer an ambitious young filmmaker?

Use what you have. If you know an amazing location – put that in your film. If you have access to an amazing prop – put that in etc. Write down all the striking and interesting things you have access to then get them in! Also, when you finally get to day one of your actual shoot get on with it! Get that first shot and move on. If you don’t get your film done, you won’t get to make many of them.

Finally, what’s next?

I’m hoping to get a little break but I’m attached to another horror and two thrillers so let’s see which one the universe intends to green light first! Thanks to all who watch Escape and DarkGame and everyone involved in bringing these to the screen!


ESCAPE is available to own or rent on digital download from Sept 30 from all main platforms, but it can currently be preordered via AppleTV on:

https://apple.co/4dkmWTq

DARKGAME will be available to own or rent on digital download from October 21st. from all main platofrms including AppleTV, Google, Microsoft, Amazon and  SkyStore.

MOVIE REVIEW: Longlegs (2024 Horror/Thriller Film) - Starring Maika Monroe and Nicolas Cage

 

"Longlegs," a 2024 American horror thriller written and directed by Osgood Perkins, takes audiences on a suspenseful, eerie journey set against the bleak landscapes of 1970s and 1990s Oregon. The film follows FBI agent Lee Harker, played by Maika Monroe, as she tracks down a mysterious occult serial killer known as Longlegs, portrayed with unsettling intensity by Nicolas Cage.

The story begins in the 1970s, where a young girl is lured by a mysterious voice, leading to a disturbing encounter with the pale-faced Longlegs. Fast-forward to the 1990s, and the narrative shifts to Lee Harker, a newly minted FBI agent with an uncanny intuition that hints at possible clairvoyance. Her unique abilities draw her into a decades-old case involving brutal murder-suicides, each marked by cryptic, satanic messages signed "Longlegs." The victims are families with 9-year-old daughters, with the murders timed around the girls’ birthdays, creating an occult pattern on the calendar—except for one date that remains missing.

As Lee digs deeper into the case, her skeptical supervisor, Agent Carter (Blair Underwood), assists her investigation. A key discovery, a doll with a metal orb inside, triggers violent psychic flashes and eerie supernatural events. Lee becomes convinced that these dolls, distributed by Longlegs, are cursed objects that compel the fathers of the victims to commit the horrific acts. The tension heightens as Longlegs seems to know disturbing details about Lee’s past, forging a dark connection between the killer and the agent hunting him.

The performances in Longlegs are standout. Maika Monroe shines as Lee Harker, portraying a balance of vulnerability and determination, while Nicolas Cage delivers one of his most memorable performances, blending menace and magnetism in the role of Longlegs. The supporting cast, including Blair Underwood, Alicia Witt, and Kiernan Shipka, adds depth to the film's tension and narrative.

Visually, Longlegs is a haunting masterpiece. Perkins crafts a world both unsettling and visually arresting, from the ominous architecture of Harker’s home to the eerie uniformity of suburban streets. The pervasive sense of dread grips viewers from the first frame and lingers long after the film ends.

However, the film has its drawbacks. While Perkins excels at building atmosphere and mood, Longlegs at times leans too heavily on Cage's distinctive intensity to carry the horror. Despite the chilling ambiance, some viewers may feel the film lacks the visceral scares typical of the genre, as the horror elements often take a backseat to the procedural aspects of the story.

Ultimately, Longlegs is a gripping psychological thriller that excels in cultivating an atmosphere of dread and mystery. Though it may not deliver the jump scares expected from a conventional horror film, its psychological depth and stellar performances more than make up for it. The film lingers in your mind, a testament to Perkins’ craftsmanship and the strong cast. I give Longlegs a solid 7.5 out of 10, a commendable entry that blends supernatural mystery with psychological tension.

Out Now on Digital https://apple.co/3zmld1K

Tuesday, 24 September 2024

NYX UK Announces Twelve Premieres for October 2024, Including SANTA SANGRE, BOOK OF MONSTERS, and New Horror Films BEYOND THE CHAMBER OF TERROR and GLOWZIES


October is shaping up to be a month to remember for horror fans as NYX UK reveals twelve primetime premieres to electrify the spooky season. Known for its eclectic curation of genre films, NYX UK is pulling out all the stops this Halloween, bringing a mix of cult classics, splatter comedies, psychological thrillers, and newly released indie gems. Horror aficionados can expect both chilling premieres and a tribute to an iconic figure in horror history, Bela Lugosi, alongside a special Halloween screening of John Carpenter's seminal slasher, Halloween.

Highlights of October’s Horror Line-Up

Alejandro Jodorowsky’s SANTA SANGRE (1989) kicks off the season as one of the standout premieres. This surrealist horror classic, widely regarded as a masterpiece of its genre, will screen on Thursday, 22 October at 9pm. Combining elements of the macabre with deeply symbolic imagery, Santa Sangre is not for the faint of heart but promises an unforgettable experience for fans of avant-garde horror.

Santa Sangre
Santa Sangre

Another notable addition to the lineup is Stewart Sparke’s BOOK OF MONSTERS (2018), an indie hit that premiered at FrightFest, mixing horror with tongue-in-cheek humor. Featuring monsters, gore, and plenty of thrills, this splatter comedy will air on Thursday, 10 October at 9pm.

NYX UK is also bringing fresh horrors to the screen with Hank Braxton's GLOWZIES (2023), premiering on Thursday, 31 October at 5pm. This wild zom-com, which has been generating buzz on the festival circuit, promises to inject some humor into Halloween night with its quirky take on a zombie apocalypse.

Additionally, fans of gritty horror will be excited for the Channel premiere of BEYOND THE CHAMBER OF TERROR (2021), airing on Friday, 25 October at 9pm. This feature film debut by writer-director Michael Pereira introduces Nash Caruthers, a character you won’t soon forget. Played by Timothy Paul McCarthy, Nash, or "Mr. Nash Fucking Caruthers" to his adversaries, is a terrifying anti-hero set to make his mark on the genre.

Book of Monsters
Book of Monsters

Premieres of International and Indie Horror

NYX UK continues to champion international and indie horror, adding an eclectic mix of films from around the world to the October slate. Israeli horror fans will get a taste of their homegrown cinema with Aharon Keshales and Navot Papushado’s RABIES (2010), the first-ever Israeli horror film, streaming on Friday, 11 October at 9pm.

Lovers of psychological horror are in for a treat with Eduardo Sánchez’s LOVELY MOLLY (2011), airing Tuesday, 29 October at 9pm. As the co-director of The Blair Witch Project, Sánchez delivers a spine-chilling psychological narrative that deals with trauma and possession.

The October schedule also features Tate Steinsiek’s CASTLE FREAK (2020), a remake of the 1995 cult favorite, airing Thursday, 3 October at 9pm. Based on H.P. Lovecraft’s The Outsider, this reboot offers a modern twist on the original story while maintaining its gothic horror roots.

Celebrating Bela Lugosi’s Legacy

On Sunday, 20 October, NYX UK will celebrate the birthday of horror legend Bela Lugosi, whose portrayal of Count Dracula cemented him as one of the genre’s icons. The tribute begins at 5pm with White Zombie (1932), the first feature-length zombie film, followed by Murders in the Rue Morgue (1932) at 7pm, where Lugosi stars as the mad scientist Dr. Mirakle.

This Lugosi marathon offers a rare chance to experience these early horror gems, highlighting the pivotal role Lugosi played in shaping modern horror cinema.

Halloween
Halloween

Halloween Night: A Screening of Halloween (1978)

NYX UK is saving one of its biggest treats for the night of Halloween itself. On Thursday, 31 October at 9pm, John Carpenter’s Halloween (1978) will screen as the ultimate Halloween celebration. This film, which introduced the world to Michael Myers, is regarded as one of the most influential horror films ever made. Its blend of tension, minimalism, and haunting score by Carpenter himself has made it an enduring classic.

This screening will provide the perfect conclusion to a month full of frights, celebrating the film's lasting impact on horror cinema and its ability to captivate audiences with its terrifyingly simple premise.

Other must-see premieres include:

BODY AT BRIGHTON ROCK (2019), a tense survival thriller directed by Roxanne Benjamin (Saturday, 5 October at 9pm).

HELL HOUSE LLC III: LAKE OF FIRE (2019), the final installment in the found-footage horror trilogy, directed by Stephen Cognetti (Friday, 18 October at 9pm).

ANTRUM: THE DEADLIEST FILM EVER MADE (2018), a unique blend of horror and mockumentary, directed by David Amito and Michael Laicini (Friday, 4 October at 9pm).

RESTITUTION (2024), a gripping new horror thriller by Danny Draven (Tuesday, 15 October at 9pm).

THE NINTH CONFIGURATION (1980), a psychological thriller directed by William Peter Blatty, best known for writing The Exorcist (Thursday, 17 October at 9pm).

How to Watch

For those eager to tune in, NYX UK is available on Freeview Channel 271, the Channelbox app, TCL TVs, and Distro TV.

October 2024 on NYX UK is shaping up to be a horror lover’s paradise, with everything from cult classics to modern-day masterpieces. Whether you’re a fan of psychological terror, slasher flicks, or surreal horror, NYX UK’s October lineup ensures there’s something for every fright fan this Halloween season.