Interview with Candis Nergaard - Star of The Heiress

Ahead of the UK Digital release of THE HEIRESS on March 15, 2021, actress Candis Nergaard talks about the harrowing research for her lead role, causing a stir on Newsnight, her Romany roots and coping with lockdown.

You star in a new British supernatural horror film, THE HEIRESS. Tell us how you got the part and what is was about the script that appealed to you.

I was contacted early on the process by the director Chris Bell who’d had me in mind as an option for Claire. I read an early draft of the script and absolutely loved the part, it’s rare for me to be scared by horror but the script alone conjured such vivid imagery that I was haunted by it, I knew it would work. When The Heiress was ready to go, I was offered the role of Claire, I couldn’t wait to get my teeth into it. I’ve played the lead role in TV, Radio and Theatre but this was my first for feature film. 

Candis Nergaard as Clare in THE HEIRESS

What did you find most demanding about playing Clare?

It was the research I did for the role, it was harrowing. Claire is epileptic. That element, was the single most important thing to me to try to get right about her, especially the ‘grand mal seizure, and so I researched a lot. The director Chris’s dad is severely epileptic, and so Chris was able to guide me through. There are videos available made by people with epilepsy, who wish to bring more awareness to the public about how the fits can affect them. I would gear up to watch one of the videos and then have to put a lot of distance between watching it, as it affected me so much.

You’re known to genre fans for playing Anya in WHITE CHAMBER (https://amzn.to/37L5fxp) which premiered at FrightFest. Does the horror genre appeal you to?

I love the horror genre, it’s just so fun from an acting point of view. White Chamber was a dream in that regard, and so was working with amazing cult scream queen legend Shauna Macdonald. Beforehand, I’d never really given much thought to acting in horror films, I’d done a lot of kitchen sink realism, and my idols were directors like Ken Loach, Andrea Arnold and Gary Oldman. The unique thing about The Heiress is that it seems to fuse a very realistic Loach-esq landscape with some really artful proper scares.

Candis Nergaard in WHITE CHAMBER

Horror expanded my mind with potential possibilities; I love to escape into the shadowlands exploring the supernatural or a parallel universe. 

You’ve said you were introduced to horror films at a small child by your dad. What was the first film you remember watching?

I think it was Alien..... it was so long ago. I remember sitting on my dad’s lap, and vague memories of eating tinned ravioli... probably not ideal food considering...

Although you don’t have a family background in the arts, you decided to do an acting course at The Miskin Theatre College, where you were taught by actors such as Neil Maskell and Dominic Power.  That must have been a great experience…

It changed the trajectory of my life. I feel incredibly lucky to have being taught by two exceptionally talented actors. Neil and Dom were very passionate about teaching, and because they had such conviction we really listened. It helped me develop an iron discipline for the craft.

It was super intense method acting training though. It was all a bit of a shock at age 16 and coming from my background. I went from being naughty in class to paying attention, reading the news, listening to radio drama. It expanded my world view.

You first came to prominence playing opposite Tom Hardy in the gritty drama STUART, A LIFE BACKWARDS. Your role involved controversial scenes of nudity and violence, which ended being discussed on Newsnight. Was it a difficult choice to accept the role?

Well, the script was incredible and based on a true story, so I was so pleased to audition. When I was offered the role, it dawned on me shortly afterwards that I’d have to be naked. I was so body conscious that I’d never even wear a bikini at the time.... However, I’d been working with a great acting coach, Giles Foremen, and the integrity of the work had become way more important than my fears, so I went for it. Tom was also lovely, and allayed my fears a bit by telling me about his nude scenes. I won’t forget Germaine Greer’s face on Newsnight.

Candis Nergaard faces her demons in THE HEIRESS

You starred in the BBC radio drama series ATCHIN TAN and went on to write several episodes of the series. What was it about the show that appealed to you and Is writing something you want to continue doing?

It was great to have authentic Gypsy voices and the Romany language on BBC radio. A lot of the Travellers had never acted before so it was exciting. I remember, one day we got stopped on location by police... We were recording in a caravan in a remote field in Cambridgeshire, and a squad car turned up, so we got our BBC passes out and showed them to the guy. He said “Oh that’s fine then, I thought you were Gypsies!” We laughed our asses off afterwards.

I’m writing a lot at the moment. I wrote and performed a one woman play for the Gorki Theatre in Berlin a couple of years ago, I’ve just finished writing my first feature film, and I’m co-writing another film with an award winning Irish director called Keith Farrell. It keeps my mind busy between acting jobs, and in lockdown!

You’ve also worked on PEAKY BLINDERS as their Romani language and cultural advisor since series 3. That must be an interesting role. Tell us more!

Tommy Shelby has got to be one of the coolest characters ever, constantly outwitting everyone. So, translating and recording lines in the Romany language for Cillian Murphy was so much fun. It’s amazing to hear him nail it. Script security is super tight so I’m normally dealing with isolated lines or sometimes scenes that are selected. 

How have you coped with lockdown?

It’s been a mixed bag. I’m well aware of what I’m grateful for and it brings everything into focus. Being estranged from my family is really hard, especially in times of grief and bereavement, and continues to be so. I like a lot of alone time, pre-covid I’d normally flit between being really sociable and then really quiet, so lockdown has given me a lot of time to regroup.

I also badly miss the gym and my Krav Maga training, it keeps my mind sane especially under stress, but I’ve created a routine which helps. I keep up my strength training five times a week, walks in nature, cold water immersion, reading/ films, and meditation.

Finally, what’s next for you?

I have just finished filming a female led grit flick with a unique take on the criminal underworld called Gone to Ground, so I’m really looking forward to seeing that. I’m also hoping to get my own film made, and continue with the other writing projects that I’ve got on the go.

Acting-wise, I’m slightly superstitious about talking about things that haven’t happened yet. One thing that the pandemic has done is take the pressure off myself to keep achieving, if I feel strong and healthy, I’m onto a winner.

THE HEIRESS will be available to download from all major platforms including iTunes, Amazon & SKY Box Office, from Monday 15th March, 2021.

COMPETITION: Win The Ice Cream Truck on DVD

The Ice Cream Truck is released on DVD on 1st of March

And to celebrate we have a great competition for you and 3 copies to give away.

Synopsis: 

Deanna Russo (Being Human) stars as a lonely housewife who moves back to her home town where she captures the attention of her neighbours teenage son. Her forbidden fantasies and neurotic anxieties manifest themselves in the form of an evil slasher that stalks the suburbs in an ice cream truck.

THE ICE CREAM TRUCK was written and directed by Megan Freels Johnston, grandaughter of the iconic American crime novelist Elmore Leonard. After festival screenings at Weekend of Fear in Germany, Grossmann Fantastic Film Festival in Slovenia and Dublin Horrorthon in Ireland, THE ICE CREAM TRUCK was picked up for distribution in North America by Uncork'd Entertainment and in the UK and Ireland by Danse Macabre.

Buy From Amazon at

https://amzn.to/37IJoGB

For your chance to win just answer the question below.

COMPETITION CLOSED

Terms and conditions
1. Closing date 08-03-21
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.

5. Entries that come directly from other websites will not be accepted.

Interview with Alexis Bruchon - Director of The Woman with Leopard Shoes

Ahead of FrightFest’s UK special screening of THE WOMAN WITH LEOPARD SHOES at the Glasgow Film Festival, director Alexis Bruchon talks about his love of Noir, casting his brother and directing in his underwear…

Your background is in illustration and graphic design. Was making a movie the next logical step as an artist?

From a very young age, I wanted to make a movie (as a teenager I did make a slasher called Ice Crime a true masterpiece!) - but drawing is direct, cost nothing and allows you to produce any images you want. So, I started with two unpublished graphic novels. The good thing with comics is that I realised you can tell a story with very few elements… and no money!

So, when I started on THE WOMAN WITH THE LEOPARD SHOES, drawing was highly important in the making of the film because I storyboarded everything with a lot of indications like light, moments, actions etc.

What was the inspiration for THE WOMAN IN THE LEOPARD SHOES?

Noir films are a huge inspiration for the movie, especially Robert Siodmak’s movies. The Killers (and Don Siegel’s remake!) is one of my favourites. I love very different noir films, like Murder My Sweet, Laura, Kiss Me Deadly, Road House (a very rare film from Negulesco),

I was also inspired by gothic cinema, especially the films from the Hammer and Amicus with Freddie Francis’ films, a true master! Mario Bava and Jacques Tourneur are the two other big influences, because they are masters of the off-screen. Giallo were a huge inspiration for the script because it is made of twists and manipulations.

It’s a perplexing story, twisting and turning all the time, was it difficult to write and navigate the complex revelations?

It was the hardest part because you have a very minimalist starting point: a mute character, one room and a specific situation. There were two traps, in my opinion: making a telephone thriller with a lot of dialogues and no visual elements, or making another survival film with action and action alone. The idea on the contrary, was to develop a complex story, close to the 70’s paranoiac thrillers, told with images only, and where the solution is outside the room, invisible from the audience.  In fact, I developed the script through the set: a writing desk, a little bed, a closet, a window and a door, that’s it! With these limitations you have to play with space because it becomes information: if my character goes here, it tells something and it brings something to the story. Basically it’s the story of a man walking around a desk.

Your leading man Paul Bruchon is obviously a relation. Which, and why choose him?

Paul is my brother and he has never acted before! At the beginning, I planned to hire a real actor and I have to confess that the role was written for a woman at the beginning. One day, my brother just asked ‘’well it could be fun, just to see’’… I took my camera and started to shoot. He was exactly what I was looking for! He has a real presence and most of all a real elegance. It’s difficult to explain, because he’s my brother, but on the screen, when he moves you can feel his presence in the room.

All my family contributed to the film: Both my parents play a character, in fact each person of the crew plays a character! For example, I play Boyer but one day, for a scene, I was alone with Pauline Morel, my best friend and first assistant and I had to be behind the camera… so I dressed her in my suit and tie and here I am, in my underwear, yelling action to poor Pauline, who had to act like a forty years old upper class man!.

The story is told visually through silhouettes and shadows in super black-and-white,. You never show other people but their presence is always felt. All creative and budgetary choices?

All these choices were made for the script but, yes, also because of budgetary reasons. The film had a small budget but with a big set that we had to build entirely so it was impossible to us to show anything else and I think (I hope) it’s for the best.

Black and white was logical for me because colour can distract the eye. Benjamin Cognet, our gaffer was helpful to achieve it and we built the entire room in order to control light.

Where did you film?

All the shooting takes place in my parent’s home. I measured the living room and built, with Leopol Maurice, a big box. The shooting was a very happy time; the crew was composed of my friends and my parents made food!

You edited the movie too and also composed the evocative soundtrack. Had you done anything like this before and how big a learning curve was it?

It was my first experience from writing to editing and it was a personal challenge. It will sound pretentious but I’m not a good pupil, I always hated school and I prefer to learn by myself. Of course it would be more efficient to employ an editor, a cinematographer, a sound designer, but I deeply wanted to learn how to make a movie from start to end. Obviously, the first day I was in front of my computer to edit the first scene I was a bit panicky because I didn’t know any techniques. 

From the beginning I knew sound would be very important. Sound is a character in itself and I decided to work it as a visual element. Music was a big source of stress… I had never composed a single note and I planned to hire a friend of mine to make the soundtrack but, once again, he was not available so I started to listen to some soundtracks that I love and decided to write the music on the editing timeline, directly with the images. I recorded very different sounds with a microphone and stole some rhythmic, very brief moments from various soundtracks (there is a sample from Alien for example) and I edited it like rushes.

How did the COVID-19 outbreak affect the film?

The music was written during the first month of lockdown in France so the beginning of COVID was (sorry to say) but pretty fun for me… A perfect film for our socially distanced times: set almost entirely in one room, with one single silent character on screen and most communication via text message.,

More generally, COVID shows the growing importance of digital tech in our lives. Sometime it’s for the best and your digital edition of FrightFest is a good example, sometimes it’s for the worst…

Where did you get the pair of leopard shoes? We want some!

Gorgeous, aren’t they? Well, it was difficult to find the right ones. Me and Pauline Morel (who chose most of the costumes of the film) are real shoes fashionista now! Ask us everything you want about leopard shoes! The pair you see were found on the internet so… you just have to click and find them!

Finally, what’s next?

I’m about to shoot my second feature in March! A horror film made with the same circumstances as the first. The Woman with Leopard Shoes is the first film of a trilogy with the same concept: one character, one situation and almost no dialogues. The idea is to cover three genres, the film Noir with the first one, the horror film with this second and the paranoiac thriller with the third. The script and the storyboard are finished, we have the actors and the set is ready to be built! Me and my father have built a crane which permits the camera to go absolutely everywhere because tiny spaces will be very important for the story.

All I can say is that it’s a movie which began like a possession story then goes to a ghost story and finally to a fantastic thriller. I’m very excited to start shooting! I have also my first script, a story of kidnapping but I need more money to do it. It’s not an expensive film at all but impossible to make just on my own… but I will do it, one way or another!

THE WOMAN WITH LEOPARD SHOES is showing on demand for 72 hours from 4.00 pm 5th March, as part of the Arrow Video FrightFest Glasgow 2021 Digital event.

The film is geo-locked to the UK and limited to 500 tickets, Tickets are priced £9.99. For more information: www.glasgowfilm.org/festival

Horror Channel bares its teeth in March with VAMPIRE WEEK

 

Time to get the garlic out as Horror Channel presents VAMPIRE WEEK, a bitefest of vampire movies from 13 – 19 of March, led by the channel premiere of 30 DAYS OF NIGHT, David Slade’s savage riff on the vampire myth, starring Josh Hartnet and Melissa George.

There are also classics and cult favourites to sink your teeth in to, including Matt Reeves’ critically-acclaimed vampire fantasy LET ME IN, and Tom Holland’s voracious teen vampire hit FRIGHT NIGHT, JOHN CARPENTER’S VAMPIRES, a horror Western starring James Woods, as a vengeful, stake-wielding bloodsucker hunter, and Francis Ford Cappola’s powerful BRAM STOKER’S DRACULA, starring Gary Oldman as the immortal Count. Also, Paul Bettany is in fine vampire-killing form in PRIEST, and a vampire-diseased Milla Jovovich fights for her life in martial-arts futurist thriller ULTRAVIOLE.

Plus, the Brits sharpen their stakes with Tom Paton’s nerve-shredding REDWOOD, a fresh spin on the creature-in-the-woods mythology, and EAT LOCALS in which actor Jason Flemying makes his directorial debut with a bloodsucking comedy chiller featuring Mackenzie Crook, Dexter Fletcher and Annette Crosbie.

Full film details in transmission order:

Saturday 13 March @ 21:00 – ULTRAVIOLET (2006)

In the late 21st century, a subculture of humans has been infected with a genetic mutation causing enhanced speed, incredible stamina and acute intelligence. As more people are infected, the government sets out to destroy them, but one woman stands in the way: ultra-beautiful, ultra-lethal Violet (Milla Jovovich). With eye-popping martial arts skills and chameleon-like abilities, Violet becomes a rogue warrior bent on protecting her new race and seeking revenge on those who created it.

Saturday 13 March @ 22:45 – 30 DAYS OF NIGHT (2007) *Channel Premiere

A remote, isolated town in Alaska is plunged into a state of complete darkness for 30 days every winter. It is here that a group of marauding and bloodthirsty vampires, led by Marlow (Danny Huston), are coming to feast on its helpless residents. It is up to Sheriff Eben (Josh Hartnett),his estranged wife, Stella (Melissa George), and an ever-shrinking group of survivors to do anything and everything they can to last until daylight.

Sunday 14 March @ 21:00 – LET ME IN (2010)

When a strange young girl, Abby, moves in to the apartment next door, 12 year old Owen is pleased to have found a friend. But as a series of grisly murders take place in their small town, he starts to realise she is not what she seems...

Sunday 15 March @ 23:15 – REDWOOD (2017)

After some bad news back at home, musician Josh and his girlfriend Beth head out to a secluded national park in search of some clarity on the situation they’ll face when they return. But the couple get more than they bargained for when they ignore the advice of Park Rangers and venture off the trail, coming face to face with The Redwood’s legendary wildlife. Starring Nicholas Brendon, Tatjana Nardone, Mike Beckingham, Muzz Khan, Jessica Jane Stafford.

Monday 15 March @ 21:00 – FRIGHT NIGHT (1985)

Everything is normal about Charley except for one thing: he's pretty sure a vampire has moved into the house next door. But Charley is having a hard time getting anyone to believe him. Even Peter Vincent (Roddy McDowall), the former horror-film star to whom Charley turns for help, sees his assignment as a way to make easy money. Only his suave and sinister neighbour, Jerry Dandrige (Chris Sarandon), takes Charley seriously. And Jerry's out to make sure Charley stops telling stories. Permanently

Tuesday 16 March @ 21:00 – JOHN CARPENTER’S VAMPIRES (1998)

James Woods is Jack Crow, leader of a team of vampire hunters hired by the Vatican. After wiping out a vampire nest in rural New Mexico, "Team Crow" is savagely ambushed by the unholy Valek (Thomas Ian Griffith), a vicious 600-year-old vampire. Valek is nearing the end of a long search for the elusive Berziers Cross, the ritual implement that can give him and all vampires’ omnipotent power to walk in the daylight. Crow pursues Valek through the high deserts, culminating in a fateful and final confrontation.

Wednesday 17 March @ 21:00 – PRIEST (2011)

Based on a popular comic book series, Paul Bettany stars as a warrior priest who disobeys church law by teaming with a young sheriff (Cam Gigandet) and a priestess (Maggie Q) to track down a band of renegade vampires who have kidnapped his niece.

Thursday 18 March @ 21:00 – EAT LOCALS (2017)

In a quiet countryside farmhouse, Britain's vampires gather together for their once-every-fifty-years meeting. Others will be joining them too, including a detachment of Special Forces vampire killers who have bitten off more than they can chew. This is certainly going to be a night to remember... and for some of them it will be their last. With Anette Crosbie, Freema Agyeman, Charlie Cox, Mackenzie Crook, Eve Myles, and Vincent Regan

Friday 19 March @ 21:00 – BRAM STOKER’S DRACULA (1992)

Count Dracula (Gary Oldman) is condemned to live off the blood of the living for eternity. Young lawyer Jonathan Harker (Keanu Reeves) is sent to Dracula's castle to finalise a land deal, but when the Count sees a photo of Harker's fiancée, Mina (Wynona Ryder), the spitting image of his dead wife, he imprisons him and sets off for London to track her down.

COMPETITION: Win The Curse of Dracula on DVD

The Curse of Dracula is released on DVD on 22 February

And to celebrate we have a great competition for you and 3 copies to give away.

Synopsis: 

Two small time crooks looking to scam wealthy tourists organize a guided tour of an abandoned Slovenian manor house rumored to be haunted by the cousin of Count Dracula. Their first group of visitors consist of a Swedish Satanist looking for a relic, French goths on a vampire hunt and a Russian porn director looking for a location. The tour descends into bloody chaos as the tourists are slaughtered one-by-one by a mysterious phantom wielding a saw. When the survivors seek refuge in the basement, they are confronted by a family of hungry cannibals looking for their next meal.

Buy From Amazon at

https://amzn.to/2LY9w92

For your chance to win just answer the question below.

Who directs The Curse of Dracula?

Send your name, address and of course the answer to competition365@outlook.com

Terms and conditions
1. Closing date 29-02-21
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.

5. Entries that come directly from other websites will not be accepted.

COMPETITION: Win Butchers on DVD

Butchers will be available on digital download 22nd February and coinciding with National Butchers Week, available on DVD from 8th March

And to celebrate we have a great competition for you and 2 copies to give away on DVD

Synopsis: 

After their car breaks down, four youths find themselves stranded in the middle of nowhere. Little do they know they are being watched. They soon fall captive to a family of sadistic butchers who keep their ‘fresh meat’ tied up in a wooden outhouse.

 

With hints of WRONG TURN, the four friends have little time to escape before it’s their turn to meet the chopping block.

Starring Simon Phillips, Michael Swatton and Julie Mainville

Buy From Amazon at

https://amzn.to/3a27D4a

For your chance to win just answer the question below.

COMPETITION CLOSED

Terms and conditions
1. Closing date 08-03-21
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.

5. Entries that come directly from other websites will not be accepted.

Interview with Chris Bell - Director of The Heiress

Ahead of the UK Digital release of THE HEIRESS on March 15, 2021, director Chris Bell talks about familial horror influences, his South London ‘hooligangster’ phase and learning new lockdown skills.

How did you get the idea for THE HEIRESS?
I was in my local library when I came across a painting. The artist was a local lady. I was drawn to this eerie artwork and I knew I had to meet her. When we did meet I told her that I was going to write a film inspired by this painting. Not only that but I promised to feature her in the movie – and I did just that.

Myself, alongside Danny and Kelly Prescott, created the script for what became The Heiress. I’d arranged a meeting with producer Jezz Vernon, whom I had recently worked with on another movie. We pitched the script to him and from there he came on board.

How would you describe the film?
The Heiress is high concept horror that charts the story of four generations of a rural British family dominated by the female line. These women have been gifted an unusual supernatural patron who over the generations has become deeply possessive of them. The patron – an aggressive spirit loosely based on the ancient myth of Lilith – wants to protect them from ‘man’, but modernity has suffocated her mythology in the present generation of the female line, and we come to understand that her maternal dominance and hatred of men is now destroying the lives of the youngest women in the family.

The cast absolutely smashed the roles and the crew made the visuals exactly how we imagined the film to look like. It was a 100% team effort and I’m so proud of everyone who worked on it.

It’s a very contemporary horror film, rooted in familial dysfunction. What was the influence behind that?
My first question to myself was: “What scared me as a child?” This isn’t something I’ve spoken about before but here goes…It wasn’t a scary movie or a monster in the closet but hearing the screams from my father’s epileptic seizures. I can remember being a toddler and diving under the covers when I heard these screams. For those that have ever witnessed someone having a seizure would know how frightening they are. I knew that this would HAVE to be the subplot to this story. I also wanted to know what would happen if you told your family, doctor, priest etc. “I’m seeing things”..!

For me, it was also a family movie. By this I mean my family were involved, I had my three kids on screen and my wife running the catering. We even shot some scenes inside my mum’s house! (after we took our shoes off).

Chris Bell on the set of THE HEIRESS

Any scary stories during filming?
Yes! We had the odd lights flicker and doors slam! All have logical explanations but as this is an interview for a horror movie I will say it was definitely ghosts

You began life as an actor. What kicked it off for you?
I was around fourteen years old in the mid to late nineties at a secondary school in London. I was passionate about Drama. My drama teacher always thought of me as the class clown who didn’t take much very seriously. For me this lesson was an escape. It was the first time I realised I could use this time as an escape from my parent’s divorce. It’s an escape skill which I carry to this day. I mean can you think of another job where you can go to work and cry, laugh and be whoever the hell you want to be for that split second? You see an actor on TV crying and you clap. As performers we see something very different.

Do you remember your first role?
Oh yes. I auditioned for a part in the school pantomime “Aladdin”. Naturally I wanted to play the lead but I was told I wasn’t good enough. I then noticed a character that I wasn’t familiar with – The Ring Genie. I asked my drama teacher if I could audition and she laughed and said “I don’t think this would be right for you dear”. I then heard someone say that this character needed to be very flamboyant and camp. It was only from watching The Birdcage that I actually knew what these characteristics meant. I remember walking out onto that stage, arms out with the biggest swag I could do. I made Julian Clary look butch! Needless to say I got offered the part.

Besides acting, you’ve produced, directed and written a number of films and have said your South-East London upbringing inspired you to create some ‘hooligangster’ films. Can you elaborate?
It was pretty rough growing up in South East. When I look back, we got into some minor mischief but nothing to the degree of what I have portrayed on screen.

My first film, Three Stops Down From Plaistow (2013), was shot on the streets of Bermondsey. We had no money, we were just a bunch of pals playing with a camera and some crazy ideas. Little did I know back then that the film would end up on the shelves of HMV and get overdubbed in several countries.

I remember being asked at the premiere of Essex Boys: Law of Survival, which I wrote the story for, what I’d do if my wife was killed in real life like in the film. I think she was hoping I’d say “round up the troops and go after the bad guys”. I don’t think she was expecting me to say “Call the Police”.

It was fun making those films - there was also Hooligans at War - North vs South (2015) and I am Hooligan (2016), but I don’t think I’ll be returning to that genre any time soon. I think people have seen enough football associated violence and shotgun wielding hard men.

Chris Bell (l) & Robert English in I AM HOOLIGAN. Photo credit: Gaz de Vere

How did you get into directing?
Like many actors I watched directors at work and thought: “how hard can that be”? Little did I know that it meant being the first to arrive on set and the last to leave. I think actors make good directors because they’ve been there. They know the pressures and how to get into an actors mind and how not to f*** with their brain. I say this as it only takes a second for someone to break your character and your’re screwed. You think ghosts are scary? You should meet an actor with the hump!!!

I think it was always in me. When I look back as a child playing with my action figures, I was directing my toys. I would have a story in my mind like Action Man fights the Terminator to win April from Teenage Mutant Ninja Turtles. You may think I’m crazy but how many times have you heard a builder say that as a child he was obsessed with Lego or a chef saying how much they took to cooking as a child. Sometimes you can look back and just see things that were always there.

How are you coping with lockdown?
I’m trying to keep as busy as possible. Doing lots with the family and also working on some new material. I’ve invested in a tripod as self-tapes are now the way forward for many castings and auditions. I think Mrs Bell finally got the hump with me asking her to hold the camera every time my agent got me a casting. All I need to do now is work out how to use the bloody thing! I’ve learnt some new skills, namely ZOOM and SKYPE. Danny and I are still writing together and sharing ideas.

Finally, what’s next for you?
Well, writer and co-collaborator Danny Prescott and I have a few projects on the go. All on hold due to the pandemic but we have the words on paper. We can’t really say much other than we have a thriller in development which is inspired by true events and will be rather disturbing. Oh, and a little six part sitcom for TV.

THE HEIRESS will be available to download from all major platforms including iTunes, Amazon & SKY Box Office, from Monday 15th March, 2021.

COMPETITION: Win Skin Collector on DVD

Skin Collector is released on DVD on 15 February

And to celebrate we have a great competition for you and 3 copies to give away.

Synopsis: 

The Gryphon (John Jarratt) is a serial killer with a flair for the dramatic - and a grisly trophy case of victims. But when he sets out to add young secretary Wendy Alden (Danielle Harris) to his macabre collection, he gets more than he bargained for. Always one step ahead of the pursuing Detective Delgado (Casper Van Dien) the brilliant psychopath penetrates police lines at will, circling ever closer to the target of his deranged fantasies. Until finally, the only thing standing between Wendy and the Gryphon's unthinkable desires is her own indomitable will to survive.

Buy From Amazon at

https://amzn.to/3rtIAgr

For your chance to win just answer the question below.

COMPETITION CLOSED

Terms and conditions
1. Closing date 22-02-21
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.

5. Entries that come directly from other websites will not be accepted.

Juliane Block’s & Wolf-Peter Arand’s zombie home invasion movie THE CURSE OF HOBBES HOUSE gets a March 8 UK release

4Digital Media will be releasing Juliane Block's gripping undead horror thriller THE CURSE OF HOBBES HOUSE on DVD and Digital download in the UK from March 8, 2021.

Pre-Order from - https://amzn.to/2O5DUiq

The zombie actioner, starring Mhairi Calvey and Makenna Guyler as rival sisters forced to team up to survive a zombie home invasion, will be available to purchase from ASDA, Morrisons, HMV Online and Amazon. It will also be available to download at iTunes, Amazon Video and from the Sky Store.

Directed by Juliane Block (8 Remains, 3 Lives), and written by Block and regular collaborator Wolf-Peter Arand, THE CURSE OF HOBBES HOUSE was shot entirely on location at Kings Weston House, Bristol.

Block and Arand said: "We're very excited about The Curse of Hobbes House being released in the UK. It's where the film was shot and where key members of our team are based, so the film's UK release feels a bit like a homecoming. Although a Zombie movie the film encapsulates thoughts and feelings people can relate to, especially right now. In times like these we have to realise we're at our best whenever we overcome our differences and work together."

Synopsis:

After the death of her Aunt, Jane Dormant travels to the family's remote, ancestral home hoping to receive a large inheritance. When Jane's estranged, half-sister Jennifer arrives at Hobbes House to claim her part of the estate, the sisters' simmering hate ignites. But then a violent, unexpected storm cuts the estate off from outside help and a wave of bloodthirsty undead lays siege. Now the sisters have to learn how to fight back together.

THE CURSE OF HOBBES HOUSE is directed by Juliane Block, written by Wolf-Peter Arand, and exec-produced by Malcolm Winter and Monika Gergelova. Producers are Juliane Block, Wolf-Peter Arand, Mhairi Calvey and Paul Dudbridge. Cast: Mhairi Calvey (Braveheart, Crystal's Shadow), Makenna Guyler (David and Goliath). Waleed Elgadi (Mosul, A Hologram of the King) and Kevin Leslie (The Rise of the Krays). Production Company: J Blockbuster Ltd

Interview with Natasha Kilip - Star of Paintball Massacre

Paintball Massacre star Natasha Kilip offers up her advice to those considering a pursue in acting, the importance of social media marketing, and her dream to work Quentin Tarantino.

When did you get involved in Paintball Massacre?

I was one of the last actors to be brought on board. I think they struggled to find the right person to play Lauren. The writer Chris contacted me and asked me to audition & shortly after I met up with Darren the director & then 2 weeks later, we started filming. 

Any noticeable differences between working on a smaller project like this to one of the earlier, bigger projects you’ve been involved in?

Usually with smaller projects there is a smaller team. But I love that because you all form a bond and become a little family away from home. 

I imagine there’s some real pluses being in an indie production. What would you say they are?

Things just feel more authentic when it’s an indie production. It’s raw, and you see the crew and producers and director bend over backwards to make it work. You really get to see the process of film making when it’s a smaller budget and team and I love that. Whereas with bigger projects, you don’t really get involved as much in my experience. You just do your job and wait for the finished product.

And you’re likely encouraged to get involved in a team-level too?

Yeah. When you see everyone working so hard, you can’t help but offer a helping hand. Although most of the time I would offer and they would politely tell me to just relax whilst they did the grafting. 

What makes your character tick?

I think anything makes her tick. Haha. She has a very low tolerance for anything. You might say she’s a bitch... 

Any similarities there?

Well... if you get on my bad side... maybe... 

I imagine you were  a pretty tight-knit bunch. Who did you form the closest relationship with during the shoot?

To be honest with you- as cliche as it sounds- I grew close with everyone. Every day on set was so much fun. 

You’re working at Blockbuster Video, back in the day, and this comes in - - which shelf do you place it on?

It’s tough because it’s a horror & a comedy. But I’d place it on the shelf next to Shaun Of The Dead & Zombieland.

If you were stranded on a desert island, and could only take one movie with you, what would it be?

I’d have to say David Fincher’s Seven. I never get sick of it.

And if you could only have one actor join you on that island, to keep you company, who would it be?

If you mean one actor from Paintball Massacre, I’d say Lockhart because he’s a bad ass and could hunt & gather for me. If it’s any actor, I would take Jennifer Lawrence. She would be an absolute hoot!

What are your future plans?

To continue grafting in the industry & put my name out there. 

Any advice for those looking to tackle the industry? 

Have thick skin. Don’t let anything or anyone get to you. Believe in yourself. 

Do you consider social media a ‘must’ for any entertainment professional, these days?

These days, it is an absolute necessity. I’ve found in recent years that some people won’t even book you unless you have a good following. It’s crazy. 

I’m not very good at the social media thing, but I try.

Dream gig?

To work with Tarantino would be the dream. I know he said he’s quit directing- but you never know. 

PAINTBALL MASSACRE is out now on Digital in the US and will be released in the UK on digital in April.