COMPETITION: Win The Original Monster Mash by Bobby "Boris" Pickett and The Crypt-Kickers

 

(Re) Introducing the iconic “The Original Monster Mash” album, the only studio album by Bobby (Boris) Pickett and The Crypt-Kickers. 

This iconic album has been lovingly remastered and pressed on mesmerizing glow-in-the-dark vinyl for the first time, breathing new life into these spooky classics. 

And to celebrate, we have a great competition for you and a chance to win a copy on Vinyl

Synopsis:

It was recorded and released in late 1962, following the success of Pickett's “Monster Mash” single. In addition to the hit single, the album features fun spin-off songs of "Monster Mash" as well as humorous horror-themed parodies of contemporary hits and dance trends.

Dive into the spooky devilish delights of classic hits like “Monster Mash” and “Graveyard Shift,” now with enhanced sound quality that will transport you straight to the haunted dance floor.

Perfect for Halloween or any time you’re in the mood for some ghoulishly fang-tastic fun, this album is an essential ‘must-have’ for vinyl collectors and fans of classic horror-themed music and timeless tunes. (Oh, and naturally this HAS to be released on a fiendish Friday 13th…..!)  Muah hahaha HAHHH!… Let the ‘ghoul’ times roll!

TRACK LISTING: SIDE A

1.             “Monster Mash” (Leonard Capizzi, Bobby "Boris" Pickett) 3:11

2.             “Rabian The Fiendage Idol” (Johnny MacRae, Pickett) 2:53

3.             “Blood Bank Blues” (Capizzi, Pickett) 2:46              

4.             “Graveyard Shift” (MacRae, Gary S. "Flip" Paxton, Pickett, Charles Underwood) 2:07

5.             “Skully Gully” (Capizzi, Pickett) 1:59          

6.             “Wolfbane” (MacRae, Pickett) 3:21             

7.             “Monster Minuet” (MacRae, Paxton, Pickett, Gary Owens) 1:51

SIDE B

1.             “Transylvania Twist” (MacRae, Paxton, Pickett) 1:35            

2.             “Sinister Stomp” (Capizzi, Pickett) 2:18    

3.             “Me & My Mummy” (MacRae, Pickett) 2:41

4.             “Monster Motion” (MacRae) 2:32 

5.             “Monster Mash Party” (Paxton) 2:52          

6.             “Irresistible Igor” (Capizzi, Pickett) 2:28    

7.             “Bella's Bash” (MacRae, Pickett) 2:48

8.             “Let's Fly Away” (Paxton, Pickett) 0:45

Order from Amazon - https://amzn.to/3znIm46

Enter now for a chance to win.

COMPETITION CLOSED

Quick Terms and conditions - For full T&C click here

1. Closing date 26-08-24

2. No alternative prize is available

3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.

4. Winners will be chosen randomly and will be informed via email.

5. Entries that come directly from other websites will not be accepted.

MOVIE REVIEW: Sting (2024 Film) - Starring Ryan Corr, Alyla Browne and Penelope Mitchell

 

"Sting," the 2024 horror film written and directed by Kiah Roache-Turner, delivers a spine-tingling tale that taps into our innate fear of spiders. The story follows 12-year-old Charlotte, played by Alyla Browne, who discovers a small spider emerging from a mysterious glowing object. As the spider—named Sting—grows rapidly, the film escalates into a suspenseful nightmare, turning Charlotte’s run-down apartment building into a deadly trap.

Browne's portrayal of Charlotte is a highlight, capturing the spirit of a rebellious yet resourceful child caught in a terrifying situation. The strained relationship between Charlotte and her overworked stepfather Ethan, played by Ryan Corr, adds emotional depth, although the family drama sometimes overshadows the core horror elements. Penelope Mitchell as Heather and Noni Hazelhurst as Helga also offer strong performances, grounding the supernatural horror in a relatable family setting.

The visual effects, particularly the design and growth of Sting, are impressive. The transformation of the spider from a tiny creature to a massive predator is handled with meticulous detail, enhancing the film’s creep factor, especially in the early stages when Sting lurks in unexpected places. These moments deliver some of the film's most effective jump scares, guaranteed to unsettle even seasoned horror fans.

However, "Sting" does have its limitations. While it serves as a decent creature feature, it lacks the enduring impact of films like Arachnophobia (1990) or the fun absurdity of Big Ass Spider (2013). The movie occasionally struggles to balance its tone, missing chances to infuse humor into its outlandish premise. An exterminator character, briefly providing comic relief, is underused, and more humor could have enhanced the overall experience.

In conclusion, "Sting" is a solid low-budget horror film, perfect for a Saturday night watch. Though not groundbreaking, it offers enough thrills and spider-induced scares to satisfy creature feature enthusiasts. Despite its flaws, the film delivers a few memorable moments, earning a safe 7 out of 10.

Out Now on Digital

https://apple.co/4dWqigd

MOVIE REVIEW: Imaginary (2024 Film) - Starring DeWanda Wise

 

"Imaginary," directed and produced by Jeff Wadlow and brought to life by the genre experts at Blumhouse, is a chilling exploration of childhood innocence and the dark horrors of repressed memories. Set in a childhood home in Louisiana, the film presents a gripping premise: what if imaginary friends are not just figments of youthful imagination, but sinister entities lurking in the shadows?

DeWanda Wise delivers a standout performance as Jessica, a woman haunted by the resurfacing of an imaginary friend from her past. Pyper Braun also shines as Alice, Jessica's stepdaughter, whose playful interactions with a seemingly innocent stuffed bear take a dark and dangerous turn. Dane DiLiegro adds a layer of menace to the character of Chauncey Bear, a figure who straddles the line between whimsical and malevolent.

As Jessica’s buried memories begin to resurface, the tension builds, driven by cryptic stories from her mysterious elderly neighbor Gloria, portrayed with unsettling realism by Betty Buckley. The film skillfully blends family dynamics, psychological suspense, and supernatural terror to keep viewers on edge.

One of "Imaginary's" greatest strengths is its pacing and character development. Every twist is carefully timed, pulling the audience deeper into the mystery. The effective use of jump scares, paired with a suspenseful score, intensifies the experience, while the creature designs add a layer of palpable dread.

However, the film isn't without its shortcomings. Some plot twists may seem predictable to seasoned viewers, slightly diminishing their impact. Even so, "Imaginary" still manages to deliver a satisfying combination of familiar horror elements and unexpected surprises.

In the end, "Imaginary" stands as a solid supernatural horror film, delivering on its promise of creepy toys, haunted characters, and eerie apparitions. While it may not reinvent the genre, its skillful execution and well-timed scares make it an enjoyable experience for horror fans. Earning a strong 8.5 out of 10, "Imaginary" takes audiences on a suspenseful journey where childhood fears and forgotten memories collide with terrifying consequences.

Out Now on Digital

Apple TV - https://apple.co/4ao8OaF

Amazon - https://amzn.to/3Vs13fs

BOOK ANNOUNCEMENT: Goths by David Kempf

 

Our very own David Kempf has a new short story out, and he asked me if I could write the foreword for the book, you can read the foreword I wrote below, and check out his book on Amazon using the following link. https://amzn.to/3XrIQOs

MOVIE REVIEW: Snow Valley (2024) - Starring Barbara Crampton, Cooper van Grootel and Tom Williamson

"Snow Valley," directed by the late Brandon Murphy, is a 2024 psychological thriller that follows a newly engaged couple's terrifying weekend at a luxurious ski lodge. Heath Johnson, played by Cooper van Grootel, and his fiancée Laura, portrayed by Rachel Michiko Whitney, arrive at Heath's family-owned resort for a peaceful getaway. Their plans take a dark turn when Ellen (Barbara Crampton) appears, claiming to work for Heath and live at the lodge. This unsettling encounter marks the start of a harrowing ordeal.

The film's remote, snow-covered lodge setting creates a tense, atmospheric backdrop ideal for a thriller. The early scenes focus on the couple's romantic exchanges and scenic ski footage, which might feel drawn out for those awaiting the suspense. However, once the eerie events begin, the story shifts into a more captivating and chilling narrative.

Barbara Crampton’s portrayal of Ellen is a highlight. Though her screen time is limited, her unsettling presence adds significant depth to the film. The supernatural elements, ghostly apparitions and a mysteriously shifting photograph, offer genuine scares and enhance the film's eerie tone.

However, "Snow Valley" struggles with pacing, especially in the first half-hour, and the characters lack sufficient development, making it harder for viewers to fully engage with their fate. The film teases darker, more sinister mysteries but rushes through its climax, delivering a sudden twist and an abrupt ending that leaves several plot points unresolved.

Despite its flaws, "Snow Valley" provides an enjoyable experience, especially for fans of B-movie horror and psychological thrillers. With its mix of tension, fun moments, and supernatural thrills, it never takes itself too seriously. While not groundbreaking, the film serves as a fitting tribute to Brandon Murphy's creative vision, earning a solid 7 out of 10.

Watch on Apple TV - https://apple.co/4etfYNx

MOVIE REVIEW: Arcadian (2024 Film) - Starring Nicolas Cage

 

"Arcadian," directed by Ben Brewer and starring Nicolas Cage, delivers a gripping mix of action and horror in a post-apocalyptic setting. The story follows Paul (Cage) and his twin sons, Thomas and Joseph, as they navigate a perilous world where terrifying creatures hunt survivors by night.

A standout feature of the film is its emotional authenticity, portraying a family dynamic that feels real amidst the chaos. Cage's performance is restrained yet powerful, portraying a father fiercely determined to protect his children. Jaeden Martell and Maxwell Jenkins also give notable performances as the teenage twins, adding depth to their characters.

The creature design in "Arcadian" is a highlight, presenting audiences with a fresh, terrifying interpretation of post-apocalyptic monsters. These creatures, paired with stunning visuals, create an atmosphere filled with tension and dread throughout the film.

However, despite its strengths in character development and inventive creature design, "Arcadian" falters with pacing and reliance on familiar tropes. Some may find the plot predictable, especially as it falls into a more conventional chase-and-fight structure in later acts.

The film’s heavy use of nighttime scenes also poses a challenge, with some moments becoming visually unclear, which may detract from the viewing experience.

In the end, "Arcadian" is a strong addition to the action-horror genre, offering enough tension and scares to engage viewers. While not without its flaws, the film's standout performances and creative monster design make it a worthwhile watch for fans of post-apocalyptic tales. With its mix of emotional depth and intense scares, "Arcadian" earns a solid 7.5 out of 10.

Out now in cinemas and on digital

Apple TV - https://apple.co/4dt8xFs

Amazon - https://amzn.to/3WrFfRA

NYX UK Unveils Thrilling September 2024 Channel Premieres and Celebrates Dario Argento’s Legacy

 

Horror fans in the UK are in for a treat this September as NYX UK, the dedicated horror channel, announces a spine-chilling lineup of primetime premieres. The highlight of the month is the channel premiere of Larry Fessenden’s critically acclaimed Depraved (2019), which will air on Friday, September 27th, at 9 PM. This modern retelling of Mary Shelley’s Frankenstein brings a contemporary, psychological twist to the classic tale, offering viewers a stylish and unsettling experience that reimagines the “Modern Prometheus” for the 21st century.

Depraved 

September’s schedule is packed with a diverse selection of horror gems that showcase the genre’s versatility. Among the most anticipated premieres is Woodlands Dark and Days Bewitched (2021), screening on Thursday, September 26th at 9 PM. This comprehensive documentary delves into the evolution of folk horror, tracing its origins from British television in the 1970s to its various interpretations across different cultures, including American, Asian, Australian, and European horror. Directed by Kier-La Janisse, this documentary is a must-watch for anyone interested in the cultural and historical context of the genre.

For those fascinated by the behind-the-scenes world of horror, The Texas Chainsaw Massacre: The Shocking Truth (2000) will air on Thursday, September 19th at 9 PM. Directed by David Gregory, this documentary offers an in-depth look at the making of Tobe Hooper’s 1974 classic The Texas Chainsaw Massacre, revealing the challenges, controversies, and enduring impact of the film that redefined horror.

NYX UK continues to deliver fresh scares with the channel premiere of Mercy Black (2019) on Friday, September 20th at 9 PM. Produced by the team behind the Insidious franchise, this film tells the unsettling story of a woman haunted by a sinister figure she believed she had banished in her childhood. With its blend of psychological horror and supernatural elements, Mercy Black promises to keep viewers on the edge of their seats.

Fans of horror-comedies will not want to miss She Never Died (2019), airing on Tuesday, September 3rd at 9 PM. This Canadian horror-comedy, directed by Audrey Cummings, serves as a companion piece to the 2015 film He Never Died and offers a fresh take on the concept of immortality with a darkly humorous twist.

Other premieres include All Hallows’ Eve 2 (2015), a gripping anthology of Halloween-themed tales, airing on Thursday, September 12th at 9 PM, and The Chair (2016), a graphic horror film based on the comic book mini-series from Alterna Comics, showing on Tuesday, September 10th at 9 PM. Rounding out the month’s offerings is Blood Covered Chocolate (2022), an homage to Nosferatu directed by Monte Light, airing on Thursday, September 5th at 9 PM.

Blood Covered Chocolate

In addition to these premieres, NYX UK will celebrate the birthday of Italy’s legendary horror filmmaker and the King of giallo, Dario Argento, on September 9th. The channel will honor Argento with a double feature of two of his most iconic films: Phenomena (1985) at 9 PM, followed by Deep Red (1975) at 11 PM. Argento’s unique blend of suspense, vivid imagery, and psychological horror has left an indelible mark on the genre, making this celebration a fitting tribute to his legacy.

In an important announcement, NYX UK has confirmed its move from Freeview 289 to Freeview 271, effective from August 21st. Viewers can continue to enjoy the channel on the new platform, as well as on other listed services. Corrine Furgeson, CEO of NYX Media Corporation, expressed excitement about the move, stating, “This move is part of a plan for bigger and better things ahead, and even more exciting ways for horror fans to watch. Meanwhile, thank you for your support!”

NYX Corporation, based in Canada, is a global media content distribution network that specializes in the horror genre. Since its UK launch in late 2022, the channel has quickly become a favorite among horror enthusiasts for its carefully curated selection of films and TV series. With plans to expand into the US market in 2024, NYX is poised to bring its unique brand of horror to an even wider audience, all while maintaining its commitment to delivering high-quality, accessible content for free.

This September, NYX UK invites you to tune in and experience the best of horror, from classic thrillers to modern masterpieces, as it continues to push the boundaries of fear and entertainment.

Interview with Dean Kilbey

Jon: So, Dean, you have three films in this year's FrightFest. That’s quite an achievement. Tell us about the films and your involvement.

Dean: Yes, I’m very happy about it, especially as it’s the 25th anniversary. It’s such a massive festival, and I feel very privileged. I play the lead, Alan, in Members Club by writer-director Marc Coleman, which is the Saturday night main screen feature film. It sold out all 800 tickets in 30 minutes! We’re all still pretty shocked about it, to be honest.

It’s a comedy horror about an over-the-hill male stripper group that ends up in a working men’s club and somehow gets involved in a plot to bring a 16th-century witch back from the dead. Yes, it’s mad, gory, and very, very funny. The cast is incredible, packed with top actors, including Perry Benson, Marc Monero, Steve Oram, Juliet Cowan, David Schaal, and even Peter Andre pops up. Plus, the rest of the cast from Marc’s first film, ManFish, Liam Noble, Emma Stannard, and David Alexander, are like family now.

I’m very excited for people to see this. Marc, the director, is a mad genius, and it was such fun to shoot.

Jon: You’re also the male lead in the feature film Charlotte, playing Roy, a completely different character from Alan in Members Club.

Dean: Well, yes, very different. Alan is a happy-go-lucky type, whereas Roy has a very dark side with many mood changes. Is he a good guy or a bad guy? You’ll have to watch to find out. Without giving too much away, Charlotte has many twists and turns and really messes with your head.

Jon: Charlotte has been recommended as one of the top five terrifying films to watch at FrightFest this year. How does that feel?

Dean: Very proud, but I’m just part of the team. Writer-director Georgia Conlan and co-writer, DoP, and editor Martin Hardwick deserve all the credit. Those two literally did everything between them, and I’m so pleased that their hard work and talent have been recognised. I really hope this serves as a calling card for their talent.

Jon: Can you tell us about the story?

Dean: It’s difficult to talk about this one without spoilers, so I’ll just say it’s about a young schoolgirl who has run away from an abusive household and has been taken in by an older man who is trying to help get her back home. Yes, he has a past, but that doesn’t make him a bad man, or does it? Seriously, it’s a very clever story, just watch it!

Jon: And finally, your third film, Derelict. This looks like a gritty and atmospheric feature, shot partly in black and white. What can you tell us about it?

Dean: This film is a cinematic masterpiece. Director and writer Jonathan Zaurin has woven together such a breathtaking and heartbreaking revenge thriller with some of the most beautiful shots you’ve ever seen on film.

You may think I’m biased. Well, yes, I am, but I’m not the only one. He is already receiving rave reviews and being described in the same vein as Shane Meadows and Ben Wheatley films.

Jon: That’s a pretty strong statement. So, what makes this film so impressive?

Dean: Honestly, it’s a work of art. To be so visually stunning while also being so bleak is a skill in itself. The story is about a girl, played by the brilliant lead Suzanne Fulton, who loses her father, me, to a senseless attack and goes on a journey to find those who were responsible and help find peace within herself.

She really draws you in, and you feel every pain she is experiencing. The rest of the cast, too many to name them all, Micky Combes, Pete Bird, Darren King, Ayvianna Snow, all put in amazing, gritty, nuanced performances, and I feel very lucky to be part of this great film. I truly believe this is something very special.

Oh, and I haven’t even mentioned the original score by Michael Sanchez. It’s a totally immersive experience that is as beautiful as it is tragic.

Jon: Well, I can honestly say they all sound fantastic. Dare I ask, do you have a favourite film?

Dean: You can ask, but I can’t answer that. They are all so different, it’s impossible to compare. I will say that they are all at the top of their game in terms of their own genres, whether it’s comedy horror, psychological drama, or revenge thriller. I’m very proud to be involved in all three, playing totally different characters.

Jon: So, after FrightFest, what’s next for you?

Dean: Well, hopefully, the films will all do well in the big wide world and bring me more opportunities, but also get these filmmakers and other actors the recognition they deserve. Remember their names, you will definitely be hearing more from them.

Jon: Thanks for chatting, Dean. Good luck with the films, and have a great FrightFest!

Dean Kilbey still has films in post-production, including the horrors The Crucifix and The Shug, and can currently be seen on TV in Supacell and Top Boy for Netflix, ManFish on Amazon, plus Boiling Point the series on BBC One.

COMPETITION: Win The Walking Dead: The Ones Who Live on Blu-ray

All hail The Walking Dead: The Ones Who Live as Rick Grimes (Andrew Lincoln – Guillermo del Toro’s Cabinet of Curiosities, This Life) and Michonne (Danai Gurira – Black Panther, Avengers: Infinity War), the iconic zombie-slaughtering fan-favourites, return. Will the couple be reunited after many years apart in this hotly anticipated new chapter of one of TV’s best-loved franchises?

And to celebrate we have a great competition for you and a copy on Blu-ray to give away.

Synopsis:

Post The Walking Dead finale, lovers Rick Grimes (Lincoln) and Michonne (Gurira) have been separated for many years by an unstoppable force. Five years after being taken by the Civic Republic Military, Rick has desperately been trying to escape to find his love. Michonne, too, has been travelling far and wide while fighting horrors far worse than the dead in her unwavering, dangerous quest to be reunited with her soulmate.

Despite being deeply changed by the ever-evolving and increasingly brutal world around them, one thing remains true: they haven’t stopped searching for each other. The duo will stop at nothing for their homecoming. But as they’re thrust into new landscapes and the increasingly difficult challenges of new factions committed to waging war against zombies and humans, a peaceful reunion seems like an impossibility.

As human and zombie conflict thrillingly intertwine, the couples’ story continues.  Will they still have the bond they once had? Are they enemies, lovers, victims or victors? And, most crucially, will they be able to survive The Walking Dead…?

Order from Amazon at https://amzn.to/3X0dkIs

Enter now for a chance to win.

COMPETITION CLOSED

Quick Terms and conditions - For full T&C click here

1. Closing date 26-08-24

2. No alternative prize is available

3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.

4. Winners will be chosen randomly and will be informed via email.

5. Entries that come directly from other websites will not be accepted.

FrightFest 2024: A Feast of Genre Short Films

Images: Frightfest Press

By Jon Donnis

Since its inception in 2004, FrightFest has been the premiere destination for aficionados of genre cinema, offering a platform for the boldest and most innovative short films from across the globe. The 2024 edition, held at the iconic ODEON Luxe West End, continues this tradition with an exceptional lineup that showcases the best in horror, thriller, and dark fantasy shorts. This year’s selection includes fourteen World Premieres and spans an impressive array of themes, styles, and perspectives, affirming FrightFest's status as a hub for both emerging talents and established filmmakers.

Pre-Feature Shorts: A Glimpse into the Dark

One of the highlights of this year's festival is the collection of pre-feature shorts that will set the stage for the main features in both the Main and Discovery screens. Among these is the UK Premiere of Bella Thorne’s directorial debut, UNSETTLED. This haunting tale, based on a true queer revenge saga, delves into the horrors lurking within the conservative Bible Belt of Oklahoma. Other standout pre-feature shorts include Brea Grant’s MLM, a darkly humorous take on the perils of multi-level marketing, and Thom Newell’s FULL MOON GLORY HOLE, a twisted vampiristic tale that promises more than just a cheap thrill.

Adam Mason’s HOTLINE, which pays homage to the 70’s horror classic When A Stranger Calls, and Zach Parker’s BARISTA, a gory love letter to 70s exploitation cinema, further elevate the lineup. Each of these shorts, with their unique narratives and striking visual styles, perfectly primes audiences for the full-length features that follow.

Showcase Line-Ups: A Global Perspective on Genre Cinema

The short film showcases are where FrightFest truly shines, presenting a rich tapestry of stories from around the world. The first showcase features a range of international premieres, including FOREVER YOURS from Germany, a disturbing exploration of obsessive love, and THE COST OF FLESH from France, a visually stunning piece that immerses viewers in a tale of dark mysticism. The showcase also includes VHX, a U.S. entry that cleverly reimagines the horror potential of forgotten home movies.

From the surreal to the visceral, these films push the boundaries of conventional storytelling. Colin Minihan’s TRIP, for instance, uses groundbreaking VFX to create a hallucinatory journey into the unknown, while SHADOW by Kamell Allaway employs atmospheric horror to tell a chilling tale of maternal terror. Meanwhile, FOMO/ARMAGEDDON from Denmark offers a poignant reflection on family illness and societal neglect, culminating in a moving and apocalyptic narrative.

Daniel Mays in THE AWAKENING

UK Shorts: Homegrown Horrors

The UK is well-represented this year with twenty-two entries, showcasing the diversity and talent within the local genre filmmaking community. THE AWAKENING, starring Daniel Mays, stands out as a highlight, bringing a chilling story of nocturnal mystery to life. Returning FrightFest directors like David Yorke (SAFE) and Tony Hipwell (BODY WORN VIDEO) continue to impress with their latest works, demonstrating a mastery of tension and psychological horror.

These UK shorts cover a wide range of themes, from the macabre DIY dentistry in THE VAMPIRE THEORY to the supernatural terror of NYCTOPHOBIA. The darkly comedic BREAKFAST and the eerie DELIVERANCE explore the horror that can lurk in everyday situations, proving that even the most mundane moments can become nightmarish in the hands of skilled filmmakers.

BREAKFAST 

A Celebration of Genre Diversity

FrightFest 2024 is not just a showcase of horror—it’s a celebration of genre filmmaking in all its forms. From the deeply unsettling to the darkly humorous, the films selected for this year’s festival reflect the broad spectrum of styles and stories that genre cinema can encompass. With filmmakers from around the world contributing their unique voices to this year’s lineup, FrightFest continues to be a vital platform for both up-and-coming talents and established genre masters.

As audiences gather at the ODEON Luxe West End, they can expect to be thrilled, terrified, and utterly captivated by the imaginative storytelling and cinematic craftsmanship on display. Whether it's through the psychological terror of a World Premiere or the gruesome fun of a pre-feature short, FrightFest 2024 promises to be a feast for fans of the genre.

Full Line-Up Details

For those eager to dive into the specifics, the festival offers a meticulously curated schedule. From the unsettling tension of UNSETTLED to the haunting beauty of OPEN YOUR EYES, each short promises a unique experience, ensuring that this year’s FrightFest will linger in the minds of its audience long after the credits roll.

Pigeon Shrine FrightFest 2024 runs from 22–26 August at ODEON Luxe Leicester Sq & ODEON Luxe West End. Don’t miss your chance to witness the future of genre cinema unfold on the big screen.

For full programme details & tickets: www.frightfest.co.uk