Interview with Stephanie Rosengrant of The Haunted Horrorstorian Podcast - By David Kempf

When did you first become interested in ghost stories?

I have been an avid reader for as long as I can remember. By the time I was in high school, I was on a first-name basis with my school and local librarians (as you may have gathered, I was also kind of a dork).

I read every fiction, sci-fi, and fantasy book the library had to offer. As I started running out of fiction books at my small school library, I gravitated towards authors like Dean Koontz and Stephen King, and from there, it snowballed into who I am today.

How did you get involved in fantasy/horror? 

I’ve always enjoyed reading and watching fantasy and horror, so it seemed natural to try writing my own stories. I started writing just for myself, as a creative outlet. Then, my husband (aka Producer Joe) encouraged me to start telling them as a podcast.

I liked the idea of doing a narration-style podcast, where I controlled the stories I told, but I knew it couldn’t be all original work; I just didn’t write fast enough!

Right now, the only way to hear these stories is on my podcast, The Haunted Horrorstorian. However, in time, I hope to publish these stories, specifically the Naomi story, which is still in production and should come out later this year.

Tell us about your first podcast. 

The Haunted Horrorstorian is my first podcast! It started as a way for me to express my creativity. I do all voice work myself and tell a variety of spooky stories. Some are my personal writings and others I’ve cultivated from various sources, including public works by authors like Poe and Dickens and friends I’ve made in the creative writing space. All of my stories include links or credit to the authors.

We came up with the word Horrorstorian ourselves. We wanted to convey the vibe of an old, haunted library, and the word librarian just didn’t seem to fit. The word historian was close but didn’t capture the spooky elements enough. Thus, Horror-storian was born, then Horrorstorian.

How would you classify the stories you write? 

Spooky and spine-tingling! My stories tend to focus on a less is more mentality. I don't use gore because I am not a huge fan of over-the-top gore. I prefer psychological and supernatural scares; it's what I lean towards in my books and movies and what I tend to write.

I also like to keep it pretty PG. I loved stories like Goosebumps when I was younger, and I want this show to be a good starting point for younger listeners to be able to get spooked without hearing R-rated language and violence.

Why do you think horror and fantasy books remain so popular? 

I believe everyone can see a piece of themselves in the heroes or antiheroes of horror and fantasy. These genres also provide an escape from the mundane, and allow us to fully immerse ourselves in another world. What would we do, how would we survive? They make us think, plan, and dream.

What inspires your stories? 

Most of my stories start out with a small piece of the real world. I often lay in bed at night imagining, ‘What if this happened when that happened?’ For example, the story I’m currently working on, Naomi (part one currently available in my podcast) is based on an adventure my best friend and I had together several years ago, where we explored an old abandoned building.

Of course, the scariest thing that happened while we were there was that the floor was rotting, and I nearly fell through the kitchen into the basement, but hey, that’s why it's fiction, right?

What do you think the difference between American horror and British horror is? 

From a movie perspective, I have found that British horror tends to focus more on the storyline, on the people, and the place. In contrast, many American horror movies tend to jump from one big cinematic moment to the next, trying to get the most jumps and the biggest reaction. Sometimes, this works, but it often sacrifices the story to get to the scare.

What are your favorite horror books? 

Shirley Jackson's The Haunting of Hill House is a personal favorite. I’ve also enjoyed Stephen King’s works and Dean Koontz's since I was a teen. I would be remiss not to mention Poe, as he’s been my favorite poet since childhood.

And, of course, you can’t forget the Goosebumps books! I still have quite a collection of them on my shelves, and I’ve been known to go back and reread them when I need something light.

What are some of your favorite horror movies? 

There are so many! Hell House LLC, Insidious, Psycho, Scream, You’re Next, The Ritual, and The Descent, just to name a few. I don’t think I’ve ever met a supernatural horror film I don’t like.

What do you consider your greatest accomplishment as a podcaster? 

Before we started The Haunted Horrorstorian, my producer (also known as Producer Joe) and I tried a different type of interview-style horror show, and we had a virtual sit-down with Andrea Perron.

She was amazing to chat with and really told us a lot about the actual history of her family and the hauntings they were plagued by. I always think it's fascinating to get to the truth behind the story.

Do you have any advice for new writers? 

There is no wrong way to write. Not every day will result in you writing a hundred pages, but something is always better than nothing. Make an outline, then build out from there. Attend workshops and ask others for their opinions, but don’t take every critique to heart; reading is subjective.

What is your opinion of the self-publishing trend? 

Self-publishing tremendously lowers the barrier of entry for aspiring authors. However, you have to commit to getting yourself out there and ensuring your work is ready for publishing. This can be risky if you’re not entirely confident in your editing skills! Be sure to have a team you trust.

What are your current projects? 

Right now, I’m working on more short stories for the podcast and a longer-form written version of the Naomi story. Producer Joe and I are also working on a different podcast, where we will discuss procedurals and true crime shows!

Please, in your own words, write a paragraph about yourself and your work. 

First and foremost, I’m a nerd. I like words, and I like movies. When I’m not working on my writing and podcasting, I’m probably playing a game or watching a movie with Producer Joe and our three cats. In my free time, I also enjoy crocheting.

As for my podcast, it really came about as another way to express creativity. I’ve always enjoyed telling stories, and I thought it would be fun to put some out there for others to hear. I would love to be a voice actor or read audiobooks!

You can find me on Facebook at Haunted Horrorstorian.

Subscribe to the podcast on Spotify

NYX UK Unveils Thrilling Channel Premieres for May 2024

 

NYX UK, the prime destination for horror aficionados, has unveiled its spine-chilling lineup for May 2024. With an array of premieres and special events, the channel promises a month of thrills, shocks, and celebrations.

The month kicks off on May 2nd at 9 pm with the channel premiere of the psychological horror classic, "WILLARD" (1974). Directed by Daniel Mann and starring Bruce Davison, the film follows a lonely young man who finds solace and companionship among rats, training them to carry out his vengeful desires.

As the month progresses, viewers can look forward to a mix of horror classics and contemporary gems. On May 7th at 9 pm, NYX UK presents the channel premiere of the cult Spanish horror film, "DR JEKYLL AND THE WEREWOLF" (1971).

A highlight of the month is the celebration of the birthdays of four horror icons: Simon Rumley, Vincent Price, Peter Cushing, and Christopher Lee.

On May 22nd at 9 pm, NYX UK presents the channel premiere of Simon Rumley’s "FASHIONISTA" (2016), followed by a special screening of his debut feature, "THE LIVING AND THE DEAD" (2006), and an exclusive interview hosted by FrightFest’s Alan Jones.

The celebration continues with a special birthday tribute to Peter Cushing on May 26th. Viewers can enjoy a diabolical double-bill featuring "DR TERROR’S HOUSE OF HORRORS" (1965) at 9 pm and the channel premiere of "THE LEGEND OF THE SEVEN GOLDEN VAMPIRES" (1974) at 11.15 pm.

On May 27th, NYX UK honors the birthdays of Vincent Price and Christopher Lee with a lineup of classic films. The evening begins with showings of two Vincent Price classics: "RETURN OF THE FLY" (1958) at 5 pm and "SHOCK" (1946) at 7 pm. The celebration culminates with the channel premiere of "HORROR EXPRESS" (1972) starring Christopher Lee at 9 pm.

Throughout the month, FrightFest Saturday Scares with Alan Jones will continue, with the genial host introducing and discussing his favorite films.

For the full schedule and listings, visit NYX UK's TV Guide. https://www.nyxtv.co.uk/tv-guide

Don’t miss out on the thrills and chills this May, exclusively on NYX UK!

Freeview 289 / Channelbox App / TCL TVs / Distro TV

Pigeon Shrine FrightFest Unveils 25th Anniversary Celebrations at ODEON Luxe Leicester Square

Pigeon Shrine FrightFest, the UK's premier horror genre festival, has announced its 25th-anniversary celebrations with a move to the prestigious ODEON Luxe Leicester Square. Alongside this exciting transition, the festival revealed the stunning poster art by renowned artist Graham Humphreys, promising an unforgettable experience for horror enthusiasts.

Graham Humphreys, the mastermind behind this year's poster, expressed his enthusiasm, emphasizing the significance of the venue change. He drew parallels between the iconic ODEON Luxe Leicester Square and the legendary Art Deco Empire State Building in New York, highlighting the historical and architectural significance of the new location.

"In the 1933 movie 'King Kong,' the giant primate scaled the Empire State Building. It seems a fitting homage to have our own monster scale the Leicester Square landmark... the top of the world for the king of horror festivals," remarked Humphreys, capturing the essence of FrightFest's milestone year.

Co-director Ian Rattray echoed Humphreys' sentiments, acknowledging the bittersweet nature of leaving behind past successes while embracing the fresh opportunities afforded by the new venue. "As we celebrate 25 years, we look forward to welcoming FrightFesters to this exciting new chapter for the UK’s biggest, brightest, and most successful genre event," Rattray affirmed.

Rattray also commended Humphreys for his exceptional artwork, noting the artist's consistent ability to captivate and surprise audiences year after year. Humphreys' poster art has become synonymous with FrightFest, embodying the spirit of the festival with each new creation.

Bill Brock, Event Manager at ODEON Cinemas Group, expressed delight in hosting FrightFest's 25th-anniversary event at the iconic ODEON Luxe Leicester Square. "We share FrightFest’s passion for this genre and are honored to be hosting the event," Brock stated, emphasizing the venue's status as the home of UK premieres and its renowned luxury cinema experience.

The highly anticipated event is scheduled to take place at ODEON Luxe Leicester Square from Thursday, August 22, to Monday, August 26, 2024, coinciding with the annual Bank Holiday weekend. Attendees can expect five days filled with thrilling screenings, exclusive premieres, and immersive experiences, solidifying FrightFest's reputation as the UK's largest celebration of genre cinema.

The official lineup of films will be unveiled on Thursday, July 11, promising an eclectic mix of horror, fantasy, and suspense to enthrall audiences and commemorate FrightFest's remarkable journey over the past quarter-century. As horror finds its new home at ODEON Luxe Leicester Square, fans eagerly anticipate an unforgettable celebration of the genre's most iconic moments and emerging talents.

www.frightfest.co.uk | FB: /FrightFestreal | Twitter: @frightfest | IG: @frightfestUK

REVIEW: No Way Up (2024 Movie) - Starring Sophie McIntosh, Will Attenborough, Jeremias Amoore, Manuel Pacific, Grace Nettle, Phyllis Logan and Colm Meaney

 

"No Way Up" is a survival thriller from 2024, directed by Claudio Fäh and written by Andy Mayson, presenting a combination of drama, tension, and peril beneath the waves. The story follows a diverse group of characters stranded in the Pacific Ocean after a plane crash, battling not only the elements but also the looming presence of a shark.

The film begins with a gripping scenario: a bird strike forces the plane down, leaving only a handful of survivors struggling for survival in the submerged wreckage. Led by Ava, the daughter of a prominent politician, and her boyfriend Jed, the group must navigate perilous waters while contending with internal strife and the ever-present threat of the shark.

One of the film's strengths lies in its performances, with the cast delivering believable portrayals of individuals pushed to their limits. Sophie McIntosh shines as Ava, conveying both vulnerability and determination in the face of adversity. Will Attenborough and Jeremias Amoore also deliver solid performances as Kyle and Jed, respectively, adding depth to their characters' arcs.

Visually, "No Way Up" surpasses expectations, particularly given its low budget. The underwater sequences are well-executed, immersing viewers in the characters' harrowing struggle for survival. Additionally, the brief runtime of just over an hour and a half ensures tight pacing, maintaining tension throughout.

For fans of the killer shark genre, "No Way Up" offers a thrilling ride reminiscent of B-movie classics. The film doesn't shy away from its genre roots, embracing the absurdity of its premise while delivering the requisite thrills and chills. However, it falls short in fully capitalising on its potential for campy fun, occasionally taking itself too seriously and missing opportunities for humour.

Furthermore, the film isn't without its flaws, with some plot holes and lapses in logic detracting from the overall experience. Certain moments may leave viewers scratching their heads or shouting at the screen in frustration.

In summary, "No Way Up" is a solid addition to the killer shark genre, offering a satisfying blend of suspense and action. While it may not reach the heights of genre classics, it delivers an entertaining experience for audiences seeking a thrilling ride. With decent performances, impressive visuals, and a brisk runtime, it earns a fair score of 7 out of 10.

Out now on digital at
Apple TV - https://apple.co/3Ubudxp
Amazon Prime - https://amzn.to/49ui0t1

REVIEW: Ghostbusters: Frozen Empire (2024 Movie) - Starring Mckenna Grace, Paul Rudd, Bill Murray, Dan Aykroyd and Ernie Hudson

 
"Ghostbusters: Frozen Empire" heralds a delightful return to the iconic franchise, seamlessly blending the familiar with the fresh in a supernatural adventure that lives up to expectations. Directed by Gil Kenan and co-written by Kenan and Jason Reitman, the film stands as a worthy sequel to "Ghostbusters: Afterlife," carrying forward the legacy while introducing novel challenges and characters.

Set two years subsequent to its predecessor's events, the plot commences with a mysterious incident in 1904 that sets the stage for the contemporary chaos. The seasoned Ghostbusters, accompanied by new recruits, find themselves confronting a chilling threat as they endeavour to rescue New York City from the clutches of a deathly-cold deity and his spectral army.

One of the film's notable strengths lies in its finely crafted plot, deftly interweaving elements of mystery, comedy, and supernatural intrigue. The narrative unfolds with a perfect equilibrium of nostalgia for long-standing fans and fresh twists to sustain the story's allure. From the captivating backstory of the enigmatic orb to the unveiling of the ancient demonic god Garraka, every narrative element contributes to the film's overall thrill.

The cast delivers standout performances all-round, with Mckenna Grace particularly shining as Phoebe Spengler. Finn Wolfhard, Paul Rudd, Carrie Coon, and the ensemble cast each breathe life into their characters with charisma and wit. It's a delight to witness the original Ghostbusters, portrayed by Bill Murray, Dan Aykroyd, and Ernie Hudson, back in action, although some may find themselves wishing for more screen time for Murray's beloved Peter Venkman.

Visually, "Ghostbusters: Frozen Empire" dazzles with its top-tier special effects and CGI. From the spectral entities to the chilling frozen landscapes of New York City, the film immerses viewers in a world where the supernatural feels both eerie and captivating.

Whilst the film effectively pays homage to its predecessors, some viewers may find it slightly reliant on past glories. However, this does not significantly detract from the overall enjoyment of the film, which offers plenty of thrills and laughter to satisfy both longstanding and new fans alike.

In summary, "Ghostbusters: Frozen Empire" earns a commendable 8.5 out of 10. With its stellar cast, thrilling action, and seamless blend of old and new, the franchise is in good hands, promising an exhilarating future for Ghostbusters enthusiasts.

Out Now in Cinemas.

Apple TV - https://apple.co/3Tsrgb2

Amazon - https://amzn.to/3IW0zqA

REVIEW: Imaginary (2024 Movie) - Starring DeWanda Wise

"Imaginary" presents a spine-chilling exploration of childhood innocence and the lurking horrors of repressed memories. Directed and produced by Jeff Wadlow and brought to life by the genre-defining masterminds at Blumhouse, the film is set against the backdrop of a Louisiana childhood home. It grips viewers with its sinister premise: what if imaginary friends aren't just products of youthful imagination but manifestations of something far more sinister?

DeWanda Wise delivers a compelling performance as Jessica, a woman haunted by the return of an imaginary friend from her past. Pyper Braun shines as Alice, Jessica's stepdaughter, whose innocent games with a seemingly harmless stuffed bear take a sinister turn. Dane DiLiegro breathes life into the enigmatic Chauncey Bear, blurring the lines between childhood whimsy and malevolent force.

As Jessica's memories resurface, fueled by cryptic tales from her elderly neighbor Gloria, portrayed with eerie authenticity by Betty Buckley, the tension escalates. The film expertly weaves together a narrative of family dynamics, psychological terror, and supernatural intrigue, keeping audiences on the edge of their seats.

One of the film's strengths lies in its pacing and character development. Each twist and turn feels deliberate, drawing viewers deeper into the mystery. The judicious use of jump scares and tension-building music heightens the immersive experience, while the creature designs add an extra layer of dread to the proceedings.

However, "Imaginary" isn't without its flaws. Some plot twists may feel telegraphed to astute viewers, detracting slightly from the overall impact. Yet, even with its occasional predictability, the film manages to deliver a satisfying blend of horror tropes and unexpected revelations.

In summary, "Imaginary" emerges as a solid supernatural horror film that delivers on its promises of creepy toys, possessed protagonists, and demonic apparitions. While it may not break new ground in the genre, its competent execution and effective scares make it a worthwhile watch for horror enthusiasts. With a fair rating of 6.5 out of 10, "Imaginary" offers an engaging journey into the dark recesses of the human psyche, where childhood fears and forgotten memories collide with terrifying consequences.

Out Now on Digital

Apple TV - https://apple.co/4ao8OaF

Amazon - https://amzn.to/3Vs13fs

   

Thrills, Kills, and The Blob: LEGEND's April Film Lineup

 

As spring unfolds, the airwaves are set to sizzle with a riveting lineup of cinematic treats courtesy of TV channel LEGEND. This April, buckle up for a rollercoaster ride through action-packed thrillers, spine-chilling horrors, and cult classics as LEGEND unveils eleven channel premieres, promising an electrifying viewing experience for movie aficionados.

Leading the charge are the UK TV premieres of two adrenaline-fueled action flicks featuring the indomitable Bruce Willis. First up is "HARD KILL" (2020), where Willis stars as billionaire tech CEO Donovan Chalmers, who enlists a team of mercenaries to safeguard a piece of world-threatening technology. The stakes escalate when Chalmers' daughter is snatched by a ruthless terrorist group, setting the stage for a high-octane showdown.

Following hot on its heels is "AMERICAN SIEGE" (2021), which sees Willis donning the sheriff's hat as Ben Watts, a small-town lawman thrust into a desperate race against time to thwart a gang of thieves holding a wealthy doctor hostage. With tension simmering and action aplenty, Willis delivers a masterclass in gritty heroism.

But the adrenaline rush doesn't stop there. LEGEND is set to transport viewers into the heart of the action with a diverse array of premieres. From the dystopian dystopia of "DEATH RACE 2000" (1975), where contestants vie for victory by mowing down pedestrians in a brutal cross-country race, to the gritty crime drama of "VILLAIN" (2020), starring Craig Fairbrass as a former convict drawn back into the criminal underworld, the lineup promises edge-of-your-seat thrills at every turn.

For those with a taste for the supernatural, LEGEND has unearthed some spine-tingling gems. Sink your teeth into "THE SATANIC RITES OF DRACULA" (1973), the eighth installment in Hammer's Dracula series, featuring the iconic Christopher Lee in his final outing as the legendary vampire. Or why not delve into the surreal horrors of "BEWARE! THE BLOB" (1972), a quirky sequel to the cult classic creature feature that sees the titular gelatinous menace wreaking havoc once more?

And let's not forget the timeless classics making their LEGEND debut. Alan J. Pakula's "THE DEVIL’S OWN" (1996), starring Harrison Ford and Brad Pitt, offers a gripping tale of loyalty and betrayal set against the backdrop of Irish-American gang warfare. Meanwhile, "A REASON TO LIVE, A REASON TO DIE" (1972), a spaghetti Western starring Telly Savalas and James Coburn, serves up a hearty dose of frontier justice as a disgraced army officer seeks redemption on the battlefield.

Rounding out the lineup is the critically acclaimed "BUTTERFLY ON A WHEEL" (2007), a tense psychological thriller starring Pierce Brosnan and Gerard Butler, which explores the lengths one man will go to save his family from a sadistic tormentor.

With a lineup this electrifying, April promises to be a month to remember for LEGEND viewers. So, grab your popcorn, dim the lights, and prepare for a cinematic journey like no other, as LEGEND delivers thrills, kills, and everything in between.

TV: Sky 148 / Virgin 149 / Freeview 41 / Freesat 137

REVIEW: Spaceman (2024 Film) - Starring Adam Sandler

 

Normally, I'd watch a film and promptly write my review. Yet, "Spaceman" was different. It lingered in my mind, prompting me to let it simmer for a few days. Unexpectedly, it left a profound impact on me, especially given its surprising source: an Adam Sandler film.

Directed by Johan Renck and penned by Colby Day, "Spaceman" is a mesmerizing fusion of retro-futuristic aesthetics, set in an alternate 1990s, and profound psychological drama against the backdrop of space exploration. Adam Sandler, in a departure from his usual roles, delivers a stunning portrayal of Czech astronaut Jakub Procházka. His raw emotional depth adds layers to Jakub's character as he embarks on a daring mission to explore the Chopra cloud beyond Jupiter, grappling with the solitude of space and his strained relationship with his wife Lenka, played with poignant sincerity by Carey Mulligan. Alongside, the haunting voice of Paul Dano breathes life into Hanuš, a telepathic extraterrestrial creature resembling a three-foot-long tarantula.

Sandler's transformative performance as Jakub stands out, shedding his comedic persona to delve into a man haunted by his past, navigating loneliness, guilt, and the consequences of his choices. The narrative unfolds non-linearly, intertwining Jakub's present struggles with glimpses of his past, unveiling layers of trauma and regret. Renck's direction creates a dreamlike ambiance, complemented by stunning visual effects that capture the awe and isolation of space. The film's retro-futuristic setting adds a unique touch, blending nostalgia with speculative futurism.

At its essence, "Spaceman" is a contemplation of human vulnerability and resilience in the face of existential challenges. Its ambiguous ending invites interpretation, sparking post-viewing discussions. While some may find the narrative ambiguity vexing, others will relish the opportunity for introspection.

In summary, "Spaceman" defies genre norms, offering a bold and immersive journey. With powerhouse performances, evocative visuals, and thematic depth, it emerges as one of the year's most compelling films. While it may not appeal to all tastes, those willing to embrace its unconventional narrative will find themselves rewarded with a profound exploration of space and the human condition.

Personally, I found "Spaceman" captivating. Sandler's performance resonated deeply, and despite Hanuš being an unconventional companion, it strangely fits. I give "Spaceman" a resounding 9 out of 10. It's a film that will linger in my thoughts for weeks to come, and that's high praise indeed.

Out now on Netflix - https://www.netflix.com/gb/title/81301595

Did you know that this film is based on Spaceman of Bohemia by Jaroslav Kalfař, which is available at https://amzn.to/3TtprvX

REVIEW: Double Blind (2024 Film) - Starring Millie Brady

 

"Double Blind," helmed by director Ian Hunt-Duffy, emerges as a gripping sci-fi thriller entwined with horror elements, plunging viewers into the harrowing aftermath of a botched drug trial.

The film's premise is as intriguing as it is chilling. The notion that sleep equals certain demise injects a palpable urgency and dread into the narrative. Set within the confines of an isolated medical facility, the claustrophobic backdrop amplifies the characters' sense of isolation and desperation.

Ian Hunt-Duffy adeptly harnesses the limited setting to ratchet up tension. The cinematography deftly captures the facility's eerie ambiance, intensifying the prevailing unease.

The cast delivers commendable performances, with Millie Brady shining in the role of Claire. Pollyanna McIntosh exudes menace as Dr. Burke, adding an extra layer of tension to the already fraught scenario. While character depth may be lacking, the actors imbue their roles with enough nuance to keep audiences captivated.

The film maintains an unrelenting pace, keeping viewers teetering on the edge of their seats as the tension mounts. The specter of impending doom looms over each scene, propelling the characters to desperate measures in their struggle to stave off sleep and survive.

"Double Blind" earns praise for its innovative premise and striking visual flair. The fusion of suspense and body horror elements enriches the narrative, elevating it beyond a conventional thriller. While the plot may veer into predictability, particularly after the initial act, it still delivers ample twists and turns to hold audience interest.

Despite its strengths, "Double Blind" isn't immune to criticism. Character development remains somewhat shallow, and the 90-minute runtime feels stretched, suggesting potential for trimming to maintain a tighter pace without sacrificing narrative depth.

Overall, "Double Blind" stands as a commendable endeavor, fulfilling its promise of tension and suspense. While not flawless, it offers a compelling cinematic experience guaranteed to keep viewers on edge. With its inventive premise and strong direction, it heralds a promising debut for Ian Hunt-Duffy and screenwriter Darach McGarrigle. I'd assign "Double Blind" a respectable score of 7 out of 10, recommending it to aficionados of sci-fi thrillers and horror aficionados alike.

Out now on digital at

Apple TV - https://apple.co/49DMtFQ

REVIEW: Lisa Frankenstein (2024 Film) - Starring Kathryn Newton

 

"Lisa Frankenstein" takes viewers on an exhilarating journey through horror and hilarity, masterfully crafted by Diablo Cody and Zelda Williams. Set in the nostalgic 1980s, the film follows Lisa, a teenage girl grappling with her mother's tragic death, and her unconventional romantic interest, the reanimated Victorian-era corpse known as the Creature.

The film excels in seamlessly blending horror and comedy, from the whimsically eerie circumstances of the Creature's resurrection to the sharp and witty dialogues sprinkled throughout. Kathryn Newton's performance as Lisa adds a captivating presence, while Cole Sprouse and Liza Soberano deliver solid supporting roles.

Despite its campy humor and nostalgic charm, "Lisa Frankenstein" occasionally stumbles with pacing issues and a disjointed narrative. Yet, its colorful visuals, clever humor, and memorable characters ensure an entertaining experience. While not flawless, it's a delightful homage to classic horror with a fresh twist.

In conclusion, "Lisa Frankenstein" offers a nostalgic and entertaining ride through 1980s horror comedies, filled with laughs and thrills. Despite its imperfections, its charm and creativity warrant a watch, earning it a solid 8 out of 10.

Out on Apple TV now at - https://apple.co/3STtbVY