'To Fire You Come At Last' from Sean Hogan Premieres at FrightFest 2023 on 26th August

Step back in time to 17th century rural England for a wickedly enthralling folk horror, To Fire You Come At Last, from writer-director Sean Hogan (Little Deaths, The Devil’s Business). This mini feature is an atmospheric homage to the great tradition of British supernatural television from the 1970s and gets its world premiere at FrightFest 2023 on Saturday, 26th August at 6pm.

A group of men have been entrusted to walk a coffin to the local graveyard for burial. However, the path they must tread is no ordinary route... it’s steeped in ancient folklore and superstitions that make many hesitant to walk it after dark.

Convinced to take on the challenging journey, the group – Squire Mallow (Mark Carlisle – The Crown), Ransley (James Swanton – The Thing That Ate the Birds), a drunken peasant, thuggish manservant Pike (Richard Rowden – Survive) and Holt (Harry Roebuck), the best friend of the deceased – set out on their trek.

As they venture forth, their mission turns dark and they find themselves entangled in quarrels, violence and a series of inexplicable and strange occurrences... As darkness surrounds them, disturbing revelations reveal that things are not as they seem. A malevolent force is after them, but its nature and motive remain shrouded in mystery. Will any of them survive the night?

The screening will be followed by a panel discussion on the film and its relationship to the history of folk horror and British genre television, featuring writer/director Sean Hogan and actor James Swanton, as well as renowned horror writers Kim Newman and John Llewellyn Probert.

Eerie, haunting and stunningly shot – To Fire You Come At Last will take you on a journey that you might not be expecting, a must-watch.

To Fire You Come At Last gets its Premiere at FrightFest on 26th August at 6pm

REVIEW: Insidious: The Red Door (2023)

Insidious: The Red Door embarks on a chilling odyssey into the depths of supernatural horror, deftly guided by director Patrick Wilson in his debut at the helm. As the fifth installment in the esteemed Insidious franchise, the film masterfully crafts a sinister narrative of forgotten memories, familial discord, and the malevolent specters lurking within the shadows.

Set nine years subsequent to the events of Insidious: Chapter 2, the story introduces us to a fractured realm where Josh Lambert's haunting history remains concealed within his suppressed recollections. Patrick Wilson's portrayal of Josh navigates a life scarred by divorce, bereavement, and strained relationships. The passing of his mother, Lorraine, marks the commencement of unsettling encounters that plunge into the core of unresolved family dynamics.

The plot gains momentum as Josh's son, Dalton, embodied by Ty Simpkins, unwittingly sketches an ominous depiction of the eponymous red door—a portal to the disquieting realm known as The Further. As spectral phenomena unfurl, the magnitude of the red door's legacy transcends mere superstition. Josh's clash with the vengeful spirit of his estranged father reveals layers of emotional turmoil, melding the supernatural with deeply ingrained familial discord.

In parallel with his father's journey, Dalton's path takes a foreboding twist as he wrestles with his burgeoning ability to astral project. The fusion of contemporary technology, such as YouTube videos expounding astral projection, with the sagacity of Elise Rainier from preceding films ensures a seamless continuity within the franchise. The juxtaposition of a frat party scene—blending the mundane with the paranormal—amplifies tension as Dalton and his friend Chris stumble upon a ghastly presence.

The film thrives on meticulously choreographed sequences that ratchet up suspense, leaving audiences perpetually on edge as maleficent forces tighten their grip on the characters. The return of the red-faced demon, a specter haunting both Josh's past and Dalton's present, serves as a chilling reminder that certain horrors defy the confines of time.

The intricate interplay between Josh, Dalton, and the supernatural culminates in a climactic showdown within The Further. Josh's veiled memories resurface, paralleled by Dalton's escalating astral projection proficiency, as past trauma and paranormal dread coalesce in an exhilarating confrontation. The hellish lair of the red-faced demon serves as a visceral backdrop, heightening the dread enveloping the characters.

Insidious: The Red Door adeptly pays homage to its franchise's legacy while forging a distinctive trajectory. Patrick Wilson's dual role as both director and actor adds nuanced depth to the film's eerie ambiance, while the screenplay by Scott Teems and Leigh Whannell delves into the psychological terrors of suppressed memories and fractured bonds. The film's adept fusion of the mundane with the supernatural underscores the filmmakers' commitment to the genre's evolutionary progression.

Positives:

Outstanding visual effects and makeup design evoke an unsettling unease. The script is well-crafted, buoyed by a compelling performance from Patrick Wilson.

Several well-executed jump scares contribute to the film's tension, adding to its allure.

Negatives:

Occasionally, the film takes itself too seriously, and its PG-13 rating limits the gore that horror enthusiasts might anticipate.

Overall:

Insidious: The Red Door emerges as a commendable addition to the Insidious saga, offering a spine-chilling narrative that lingers long after the final credits. While it may not align with the tastes of more discerning critics, general aficionados of horror will undoubtedly relish it.

While it may lack the gore sought by some, it maintains a sufficiently eerie ambiance to satisfy.

I rate Insidious: The Red Door a respectable 7.5/10.

Now playing in theaters!

In cinemas now!

And also available on Apple TV at https://apple.co/3KvRoOJ and Amazon at https://amzn.to/3OHVaak

REVIEW: Quicksand (2023)

 

Under the direction of Andres Beltran and penned by Matt Pitts, Quicksand immerses viewers in a compelling odyssey through the emotional and physical trials faced by an American couple ensnared in the lush wilderness of Colombia.

At its core, the film revolves around healthcare professionals Sofia (Carolina Gaitan) and Josh (Allan Hawco), a couple grappling with the brink of divorce. This strained relationship forms the backdrop for a gripping narrative of survival and self-discovery. Sofia, a doctor, returns to her homeland after an extended absence to deliver a conference lecture. Accompanied by Josh, who experiences Bogotá for the first time, they leave their children behind in the United States. Will this journey offer them an opportunity to mend their fractured marriage, or will it lead to their literal undoing?

A pivotal twist unfolds during a fateful rainforest hike, where their encounter with a car thief and a subsequent gunpoint confrontation leave them trapped in a pit of quicksand. Their desperate escape attempts lead to immobilization, and in the process, they must grapple with their inner demons while battling the relentless jungle elements. Amidst their struggle, a looming giant snake adds an extra layer of danger to their dire predicament.

Carolina Gaitan and Allan Hawco deliver decent performances, they portray well the complex emotional journey their characters are forced to endure. The chemistry between the two actors is strong, making their struggles and revelations all the more believable. As the plot unfolds, the quicksand becomes a powerful metaphor for the couple's deteriorating relationship, forcing them to confront their grievances and rediscover the value in one another.

Andres Beltran's direction shines as he expertly balances the heart-pounding suspense of the survival aspect with the intimate, character-driven moments of introspection. The lush cinematography captures the beauty and treacherousness of the Colombian wilderness, intensifying the sense of vulnerability felt by the characters.

Throughout the film, a great deal of effort is made to keep the viewer on the edge of their seat, unsure of whether the couple will succumb to the perils of the jungle or find strength in each other to overcome their challenges. This gripping uncertainty adds layers of tension and depth to the plot, keeping the audience engrossed until the final moments.

Quicksand serves as a thought-provoking exploration of marriage, redemption, and the human spirit. It delves into the complexities of relationships and the transformative power of life-threatening situations. The film's powerful message reminds us of the importance of valuing our loved ones and finding strength in unity when confronted with life's most daunting obstacles.

The Good

Despite the low budget, everything looks and feels real and believable. I liked both the performances of Allan Hawco and Carolina Gaitan, and there is a true feeling of peril when they ultimately end up trapped.

The film is a beautiful 80 minutes long, which for a horror/thriller is about the perfect length.

The Bad

Some of the arguments between Sofia and Josh are very cliche. The film is called Quicksand, but it is more mud that they are trapped in.

Overall

Quicksand is a decent horror/thriller film that does a fair job in both its storytelling and performances.

Another decent release from the good people at Shudder, and available now at the following links.

I score Quicksand a fair 7/10

Amazon - https://amzn.to/3rQpkPM

Apple TV - https://apple.co/3OhJI3F

REVIEW: Resident Evil: Death Island (2023)

 

Resident Evil: Death Island elevates the Resident Evil animated series to new heights of excitement and terror, delivering an action-packed experience that will not disappoint fans of the franchise. As an avid follower, I can confidently affirm that this film captivates from start to finish, immersing the audience in its gripping narrative.

The plot skillfully intertwines various timelines and characters, seamlessly taking us back to the intense events of 1998 during the Raccoon City incident. This sets the stage for the high-stakes action that unfolds in the present day. Familiar faces from the Resident Evil video games, including Leon S. Kennedy (Matthew Mercer), Jill Valentine (Nicole Tompkins), and Chris Redfield (Kevin Dorman), evoke a sense of nostalgia for long-time enthusiasts, while newcomers swiftly become engrossed in the compelling storyline.

The animation quality in Death Island is truly exceptional. The meticulous attention to detail in portraying the infected creatures, biopunk technology, and intense action sequences is commendable. Each frame plunges the audience into the perilous world of Resident Evil, where danger lurks around every corner.

The film adeptly strikes a balance between horror and action, keeping viewers on the edge of their seats with terrifying zombie encounters and gripping showdowns. The fight scenes are exhilarating, and the incorporation of advanced T-virus strains and drone technology adds a fresh and intriguing dimension to the biopunk horror genre.

The climax of the film is a true spectacle, featuring a heart-pounding battle against the formidable Dylan, who becomes one with a bio-organic weapon. The teamwork and camaraderie among the protagonists as they confront this overwhelming threat embody the spirit of the Resident Evil series.

In summary, Resident Evil: Death Island is essential viewing for franchise enthusiasts and a thrilling cinematic experience for animated action-horror aficionados. Its masterful storytelling, stunning animation, and well-crafted characters establish it as a standout installment in the Resident Evil series. This film showcases the enduring popularity and creativity of the franchise, leaving audiences eagerly anticipating future chapters.

Whether you're a devoted Resident Evil fan or simply seeking pulse-pounding entertainment, this film is guaranteed to leave you thoroughly satisfied and craving more.

Rating: 8.5/10

Apple TV - https://apple.co/44ShqnG
Amazon - https://amzn.to/3KlZOYR

Watch the first 8 minutes below.

Ayvianna Snow takes center stage in a slew of upcoming movies:

The versatile performer and reigning queen of horror, Ayvianna Snow, known for her roles in films like "LOLA," "White Colour Black," "Black Lake," "Barun Rai And The House On The Cliff," "Hollow," and "The Lockdown Hauntings," is set to make a triumphant return with a lineup of highly anticipated new movies. Among them are "How To Kill Monsters" and "Punch," both set to premiere at this month's FrightFest, as well as the upcoming film "Wrath of Dracula."

In "How to Kill Monsters," Ayvianna takes on the character of Velma. The film, directed by Stewart Sparke (known for "Book of Monsters"), pays homage to the horror movies of the 80s and 90s that influenced the director's upbringing. This thrilling and humorous movie follows the lone survivor of a gruesome massacre as she joins forces with a motley crew of rookie cops and miscreants to protect a police station from an invasion of Lovecraftian monsters from a different dimension. The movie's practical effects bring an array of monsters to life, accompanied by copious amounts of fake blood and gore, satisfying the craving of horror aficionados for classic popcorn horror entertainment.

Director Stewart Sparke says, “Ayvianna brings a sinister allure to the role of Velma, a character whose devious actions unleash monstrous horrors”.

"Punch" narrates the tale of a young woman's decision to have a final night out in her coastal hometown. However, her departure isn't opposed solely by friends, family, and ex-partners; the local boogeyman, Mr. Punch, is lurking, ready to carry out his sinister intentions. As chaos ensues, Frankie and her companions must fight for survival in this end-of-the-pier slasher with a seaside-gothic twist. Ayvianna's appearance is noteworthy as she plays a striking yet unfortunate party guest who falls victim to Mr. Punch's horrors.

In "Wrath of Dracula," Ayvianna assumes the role of Maria, the primary Bride of Dracula. Led by Professor Van Helsing, Mina Harker (played by Hannaj Bang Bendz) embarks on a brave journey to rescue her beloved husband, Jonathan, from the clutches of the ominous Castle Dracula. As they navigate the shadows and uncover the castle's hidden secrets, they are resolute in their mission to free Jonathan from the clutches of the infamous vampire. However, Maria aligns herself with the Count's efforts to entice Mina into joining them at Castle Dracula.

Director Steve Lawson said, "I was delighted to be able to work with Ayvianna again (following Ripper's Revenge), and this time in a much more substantial role - as Maria, Dracula's favourite bride."

Konstantinos Koutsoliotas' new monster movie "Minore" gets European Premiere at FrightFest 2023

Prepare yourself for an unparalleled creature feature experience with Minore, the latest masterpiece from the acclaimed director and visual effects virtuoso, Konstantinos Koutsoliotas. Known for his exceptional work on blockbuster films like Guillermo del Toro's Cabinet of Curiosities, 1917, West Side Story, and Guardians of the Galaxy, Koutsoliotas brings his artistic brilliance to this extraordinary Greek monster movie.

Infused with local flavor, a captivating old-school style of special effects, hauntingly melodic music, nightmarish creatures, and copious amounts of gore, this enthralling horror flick is set to have its European premiere at FrightFest on Saturday, August 26, followed by an additional screening on Monday, August 28.

The story unfolds on a sultry summer night in Greece when sailor William (played by Davide Tucci from Napoleon and Barbarians), on a break from his duties, arrives in a charming coastal village in search of his long-lost father. The town is alive with music and revelry, and in a bustling taverna, William is captivated by the waitress Aliki (Daphne Alexander from The Ghost and The Fourth Kind). However, what starts as an enjoyable evening quickly takes a sinister turn as a mysterious mist envelops the town, and unearthly monsters from the deep begin to invade, luring the locals into the sea with disturbing and eerie dreams.

As things take a freakish turn, William and Aliki shift from flirting to fighting, teaming up with the vibrant locals, including the bar owner Pantelis (portrayed by Eurovision contestant Christos Callow), to take on the menacing beasts. From musicians to bodybuilders, tourists to criminals, and even a priest and a granny, everyone must stand united to defend their tranquil town, leading to non-stop clashes and exhilarating gore-filled battles.

Seamlessly blending Greek authenticity, mesmerizing special effects, and an enchanting rebetiko soundtrack, Koutsoliotas weaves a tapestry of fantasy, blood, gore, and folklore, infused with intense action and the darkest of humor.

With a harmonious mix of everyday life and the extraordinarily extreme, brace yourself to confront the monstrous beasts from beyond in Minore, and you'll undoubtedly be embracing Greek cinema this summer.

On Discovery Screen 3 on Saturday, August 26, at 5.50 pm and Monday, August 28, at 3.20 pm.

More info at https://www.frightfest.co.uk/2023FrightFestLondon/minore.html

Interview with George Baron, director of the murder thriller THE BLUE ROSE

Ahead of the World Premiere of THE BLUE ROSE, which he made whilst still at school, George Baron talks about overcoming self-doubt, the concept of ‘pastel-noir’ and the influence of David Lynch as a male role model.

George, THE BLUE ROSE marks your feature film debut. What would you say were the biggest challenges in getting it off the ground?

The biggest challenge was probably overcoming my own doubts and anxieties I had about the project. Getting the right people on board for the cast and crew actually fell into my lap pretty easily.

When you started shooting the film in 2021 you were only sixteen years old, joining a very select band of teenage feature film makers. How did you find coping with all the pressures at the time?

Yeah, I don’t think there are many of us out there. I’ve only heard of like two others, so it feels nice to be spearheading this new generation of filmmakers. I literally shot the film over my summer break and then went back to school like two days after we wrapped. I think the biggest pressure I had to cope with was the feeling of being underestimated.

The film is based on an immersive theatre Art Show you directed in 2020. What was it like making the leap from theatre to film? Did it feel like a natural transition?

Well, I think the film itself is very theatrical. And my roots are grounded in theatre. I think the most challenging part was trying to bring over those immersive, obscure, and intimate elements into a film. The transition was definitely just that, a transition.

THE BLUE ROSE is visually stunning and dazzlingly provocative and inspired by David Lynch in particular. Why?

Davd Lynch is kind of the only male role model I’ve ever had. I always had these far-fetched ideas and surreal stories that I thought were just things that interested me and no one else, and then I saw “Blue Velvet” for the first time, and I was like “Oh my god, there’s a market for this!”. There are obvious inspirations from David Lynch throughout the film.

What other directorial inspirations did you draw upon?

Well, there's classic noir inspirations like Hitchcock and films like “Mildred Pierce” and “Sunset Boulevard”. Another film inspiration of mine would probably have to be Melanie Martinez. Seeing her film “K-12” made me realize that you can write, direct and act in your own film. And that you can make a movie with visual emphasis and an excess of colour theory. I would also say that I’m very inspired by pop-surrealism artwork. My childhood best friend’s surrealist artwork is featured throughout the film, and she’s always been a longtime collaborator of mine, so it was fun to weave the story around her paintings.

You describe the film as ‘pastel-noir’. Can you elaborate?

Yeah! So essentially the concept of a “pastel-noir” is that you take the structure or general idea of a noir film, but you don’t make it look like a noir film. So, I was really influenced by shades of pastel pink and green and blue. All of these really soft yet vibrant colours that you just never want to take your eyes off of. So, it creates this really interesting juxtaposition where the content of the film is dark, but the visuals are the complete opposite. There was a brief time when I thought about making the film in black and white, but I think that would have been a very different movie.

Although THE BLUE ROSE is set in the fifties, it feels very contemporary with its themes of gender fluidity. Is it important to you that the film is embraced by the post-millennial generation?

Well, I mean obviously, I’m Gen Z so that Gen Z voice is gonna come through somehow. I didn’t want the story to be about gender fluidity or sexuality, and it’s not a really big part of the story either. I do however think that the film has many queer elements and I think a lot of LGBTQ+ people (and even those who are not) are going to find things they resonate with in this film no matter what generation they come from.

The horror elements of the film have a dark splash of deviance about them. Have you always embraced the horror genre and who are your greatest influences?

I’ve been a horror fan since I was a little kid. I think all of the films I plan to make in the future will have horror elements. Some of my favourite horror movies would probably have to be “House Of 1000 Corpses”, “Carrie”, and “Sleepaway Camp”. There’s actually a really small “Sleepaway Camp” reference in the movie and I’m curious to see if anybody notices it. But when it comes to horror literature, I am a huge fan of Stephen King and VC Andrews.

The casting is terrific. There is a real team spirit. Did the process fall naturally into place?

Thank you! I have to hand it to our casting director, Michelle Lewitt. She’s incredible. The process definitely fell naturally into place. I’m very grateful and thankful to our cast members for their performances.

You also star in the film. What was it like playing opposite Olivia Scott Welch?

Olivia is great! She’s really fun to work with and she brought a lot to the table. She’s the perfect partner in fighting crime.

The film has its World premiere at FrightFest 2023. Excited or what?

I literally cannot express how thrilled I am! Although I do have to say that I am very anxious about it though.

Can you tell us about future plans for the film?

Honestly, no, I just hope the distribution gods are kind to me.

And looking ahead, what new projects are you working on?

-I have the script completed for my second film. So that’s definitely something I’d like to do soon. But what I really want is to act in something that I have no directorial influence in.

THE BLUE ROSE is showing online on Sunday 27 August, 6.25pm, in Discovery Screen 1, as part of Pigeon Shrine FrightFest 2023.

Talk To Me (2023) - New Clip Released

Introducing the highly anticipated horror film, "TALK TO ME," which premiered in the UK and Irish cinemas on July 28. This spine-chilling masterpiece has taken the industry by storm, smashing box office records for Altitude with an astounding opening weekend gross of over £640,000. Critics have showered the film with acclaim, declaring it the scariest and best-reviewed horror movie of 2023, making it an impressive directorial debut for Michael and Danny Philippou.

"Talk to Me" has captivated audiences ever since its premiere at the Sundance Film Festival, drawing them into its electrifying story. The plot follows a group of friends who stumble upon the ability to summon spirits using an embalmed hand. Initially drawn in by the thrill, their fascination takes a dark turn when one of them unknowingly unleashes terrifying supernatural forces by pushing the boundaries.

To celebrate the film's immense success, Altitude has released an exclusive clip, further fueling excitement around this terrifying tale. In a groundbreaking marketing move, Altitude collaborated with the popular video game Fortnite, creating a first-of-its-kind horror movie tie-in. Now, players can immerse themselves in the eerie world of "Talk to Me" within the Deadpines Zombie Survival game, intensifying the suspense and horror for fans everywhere.

The stellar cast includes Sophie Wilde, Joe Bird, Alexandra Jensen, Otis Dhanji, Miranda Otto, and Marcus Johnson, who have brought life to the gripping characters in this unforgettable cinematic experience.

LEGEND unveils a sizzling summer line-up of action & classic horror premieres for August 2023

 
In August, LEGEND is delivering an action-packed lineup that caters to a wide range of tastes and interests. Viewers are in for a treat with a thrilling mix of shows and premieres. From gritty crime thrillers and electrifying epics to classic horror double-bills from the fifties, there's something for everyone.

One of the most anticipated premieres is the UK TV debut of JIU JITSU, a martial arts meets-sci-fi thriller featuring the renowned actor Nic Cage fighting off aliens. Another highlight is the much-awaited UK TV premiere of FREIGHT, a brutal Brit gangland heist thriller boasting a star-studded cast including Billy Murray and Craig Fairbrass.

The excitement continues with the Channel premieres of MOJAVE, a gripping cat-and-mouse mystery thriller starring Mark Wahlberg, and PRECIOUS CARGO, a Canadian heist thriller headlined by the legendary Bruce Willis. Fans of epic adventures are in for a treat with LAST KNIGHTS, starring Morgan Freeman and Clive Owen, and WAR PIGS, featuring Micky Rourke, Dolph Lundgren, and Luke Goss.

For classic horror enthusiasts, the popular THE VINTAGE VAULT strand celebrates timeless gems from the fifties, including the Channel premiere of THE CREATURE WALKS AMONGST US (1956), THE CURSE OF FRANKENSTEIN (1957), and DRACULA (1958).

And if you're feeling nostalgic, take a trip back to the seventies with the Channel premiere of the beloved and Emmy-nominated series, THE SIX MILLION DOLLAR MAN. Relive the excitement as Series 1 and 2 run throughout the month. Get ready for a month filled with action, suspense, and timeless classics, only on LEGEND!

Full film details in transmission order:

Fri 4 August @ 22:55 – FREIGHT (2010) *UK TV Premiere

Gabe (Billy Murray) is thrown into a turf war when his daughter (Laura Aikman) is brutally kidnapped by a group of Eastern European human traffickers. A battle of survival ensues as Jed (Craig Fairbrass) helps Gabe try to save his daughter and the city from chilling mafia boss Cristi (Danny Midwinter).


Sat 5 August @ 21:00 – WAR PIGS (2015) *Channel Premiere

Disgraced World War II army captain Jack Wosick (Luke Goss) is given the opportunity for redemption when asked to lead a rag-tag unit of misfits known as the War Pigs on a secret mission to go behind enemy lines. With the help of Captain Hans Picault (Dolph Lundgren) and Colonel A.J. Redding (Mickey Rourke), Jack sets out to salvage his reputation.


Sun 6 August @ 21:00 – THE MOLE PEOPLE (1956)
*Part of The Vintage Vault

John Bentley (John Agar) leads a Middle Eastern expedition in search of a lost tribe of Sumerians. He and his cohorts follow a tunnel deep below the surface of the earth, coming across a tyrannical tribe of albino Sumerians, who use the semi-human Mole People as slaves. Aware of the danger the scientists pose, the subterranean High Priest wants them eliminated.


Sun 6 August @ 22:30 – TARANTULA (1955)
*Part of The Vintage Vault

This classic science fiction film featuring screen legend Clint Eastwood tells the story of a scientist who, while researching the effects of a new synthetic nutrient, releases a giant spider. Directed by Jack Arnold and starring John Agar, Mara Corday and Leo G. Carroll.


From Tues 8 August @ 19:00 – THE SIX MILLION DOLLAR MAN (1973)
Season 1 *Channel Premiere

This Emmy-nominated series was one of the highest rated programs of the 1970s. Lee Majors stars as Steve Austin, a U.S. astronaut who is critically injured upon re-entry, and whose damaged limbs are replaced with bionic, atomic-powered appendages. Now equipped with impressive physical capabilities, Austin uses his powers to fight international villains, mad scientists, and alien monsters. This series ranks as a cultural touchstone and one of the greatest superhero serials of all-time. Guest stars include Farrah Fawcett, Lindsay Wagner, and Louis Gossett, Jr.


Sat 12 August @ 21:00 – MOJAVE (2015) *Channel Premiere

A violent artist, Thomas, (Garrett Hedlund) has an ominous encounter in the desert with a homicidal, chameleon-like drifter (Oscar Isaac). This absorbing American crime thriller film is written and directed by William Monahan and also features Mark Wahlberg.


Sun 13 August @ 21:00 – THE CREATURE WALKS AMONG US (1956)
*Channel Premiere
*Part of The Vintage Vault

The final instalment of the "Gill Man" trilogy finds the prehistoric creature far from his Amazon home, kept under close scientific scrutiny in a special facility in Florida. After a laboratory fire severely damages the creature's gills, the head of the research team (Jeff Morrow) initiates an operation that will allow their subject to breathe through a set of latent lungs. But soon Morrow’s rehabilitation plans are destroyed, leading to a violent confrontation.

Sun 13 August @ 22:35 – THE MONOLITH MONSTERS (1957)
*Part of The Vintage Vault

A meteor crashes in the desert, leaving behind huge black chunks. While being analysed in a science lab, the crystalline stones are accidentally drenched with water and begin to grow to gargantuan dimensions. A sudden rainstorm further exacerbates the situation, causing the monoliths to grow to hitherto unimagined heights. Can the world be saved by the saline solution which the scientists are hurriedly developing in the lab?


From Wed 16 August @ 19:00 – THE SIX MILLION DOLLAR MAN (1973)
Season 2 *Channel Premiere

Further adventures of Steve Austin (Lee Majors), a U.S. astronaut who is critically injured upon re-entry, and whose damaged limbs are replaced with bionic, atomic-powered appendages. His machine parts enable him to have superhuman strength and speed. With these powers, Steve goes to work for the Office of Scientific Information, battling evil for the good of mankind.


Thurs 17 August @ 21:00 – JIU JITSU (2020) *UK TV Premiere

The future hangs in the balance as a being from another world returns to Earth to face off against the best warriors the human race has to offer. From special ops soldiers to the best in MMA, this epic battle for the survival of Earth will place humanity on the brink of extinction. An all-star action-packed cast lead the fight, including Nic Cage and Frank Grillo.


Sat 18 August @ 21:00 – PRECIOUS CARGO (2016) *Channel Premiere

International thief Jack (Mark-Paul Gosselaar) and his highly trained team get a run for their money when Karen (Claire Forlani), Jack's gorgeous femme fatale ex, shows up and drags him into a dangerous billion-dollar heist. Little does Jack know they’re stealing from Eddie, (Bruce Willis) Karen’s ex-boss.


Sun 19 August @ 21:00 – THE ABOMINABLE SNOWMAN (1957)

*Part of The Vintage Vault
An adaptation of a drama by Nigel Kneale, creator of the Quatermass series, this horror fantasy stars Peter Cushing as scientist John Rollason, who, ignoring his wife's objections, joins an expedition lead by brash American Tom Friend (Forrest Tucker). They are searching for the legendary yeti in the high Himalayas - a quest with deadly consequences.


Sun 19 August @ 22:45 – THE DEADLY MANTIS (1957)
*Part of The Vintage Vault

When a giant insect attacks several people in a remote Arctic region, Col. Joe Parkham (Craig Stevens) swings into action. Parkham and his associates, Dr. Ned Jackson (William Hopper) and Ned's assistant Margie Blake (Alix Talton), track the predatory mantis as it heads southward to Washington DC.


Sat 26 August @ 21:00 – LAST KNIGHTS (2015) *Channel Premiere

In an age of honour and justice by the sword, Raiden (Clive Owen) is a fallen warrior who must rise up against a corrupt and sadistic ruler to avenge Bartok (Morgan Freeman), his dishonoured master.

Sun 27 August @ 21:00 – THE CURSE OF FRANKENSTEIN (1957)
*Part of The Vintage Vault

Scientist Victor Frankenstein (Peter Cushing) will stop at nothing in his quest to reanimate a deceased body and assembles a hideous creature (Christopher Lee) out of dead body parts. He succeeds in bringing it to life, but the monster is not as obedient or docile as Frankenstein expected…


Sun 29 July @ 22:35 – DRACULA (1956)
*Part of The Vintage Vault

This horror classic stands as the most famous and celebrated film version of the popular vampire story. Bela Lugosi delivers a star-making performance as the titular villain – his erudite, refined Dracula is at once alluring and terrifying. While director Tod Browning an effectively and haunting atmosphere. Also stars Edward Van Sloan as Dracula’s arch enemy, vampire-hunter Van Helsing.

Masters of Horror Review: The Flood (2023) - Starring Nicky Whelan and Casper Van Dien

The Flood attempts to revive the genre of Alligator/Crocodile type films, reminiscent of classics like Lake Placid. The movie follows Sommer (Devanny Pinn) and Clarence (John Garrett Mahlmeister), who seek shelter from Hurricane Clarence in an abandoned building, only to encounter a more perilous threat than the storm itself.

Simultaneously, a group of dangerous criminals, including Big Jim (Eoin O'Brien), Floyd (Mike Ferguson), Jox (Randall J. Bacon), Angelo (Bear Williams), and Russel Cody (Casper Van Dien), seeks refuge in a small town jail, overseen by Sheriff Jo Newman (Nicky Whelan). As the storm floods the town, it also brings a horde of ravenous alligators, turning the situation into a deadly struggle for survival.

The Flood delivers a straightforward creature horror experience, using the familiar alligators as menacing adversaries. Despite the low budget, the film manages to maintain an engaging storyline and runtime of about 88 minutes, keeping audiences entertained.

Acknowledging the budget constraints, the film's CGI and some alligator attack scenes might appear lacking, but the actors, particularly Nicky Whelan as the Sheriff, give commendable performances.

The Good:

The film effectively utilizes the alligators as recognizable and threatening creatures, providing the expected horror experience. A simple and easy-to-follow story keeps the audience engaged. Despite limitations, the actors perform well, and Nicky Whelan stands out as the Sheriff.

The Bad:

The low budget hampers the visual quality, particularly in the alligator attack scenes. Overall, The Flood fulfills its promise of being a creature horror film centered on alligators, even with its budgetary limitations. While some aspects may not be top-notch, the film delivers on its intended thrills.

Considering the constraints, I would rate The Flood a generous 7/10. It provides an entertaining watch, especially for fans of creature horror, despite its shortcomings."

Review by Jon Donnis

Out on Apple TV at https://apple.co/43ylJCO and Amazon at https://amzn.to/44pZgt0