Thursday, 14 January 2021

Sator (2021) UK Trailer - Starring Michael Daniel, Rachel Johnson, Aurora Lowe


This chilling and atmospheric slice of slow-burn horror is set in a desolate forest, where a broken family is being observed by Sator; a supernatural entity who is attempting to claim them.

Written, directed and produced over five years by first time director Jordan Graham, Sator enjoyed a successful worldwide premiere at Fantasia and UK premiere at Abertoir Horror Festival.

Starring Michael Daniel, Rachel Johnson, Aurora Lowe

Sator will be available on Digital Download from February 15th and on DVD from February 22nd.

Pre-Order from Amazon at https://amzn.to/3nJbTJt

Wednesday, 13 January 2021

BROIL - UK TRAILER 2021 - Starring Timothy V. Murphy & Jonathan Lipnicki

 

BROIL - UK TRAILER 2021 - Starring Timothy V. Murphy & Jonathan Lipnicki

From the Producer of IT FOLLOWS comes a killer family reunion not to be missed.

Chance (Avery Konrad) is looking to sever ties with family for good. Easier said than done when your family is a clan of immortals run by a bloodthirsty patriarch (Timothy V Murphy). With a reunion on the cards, head of the family August finds himself in the crosshairs as his scheming wife and relatives attempt to dethrone him.

A meal 5,000 years in the making and the most dangerous person in the house may be the one everyone least suspects.

Tuesday, 5 January 2021

The Movie Partnership set to release Chris Bell’s supernatural chiller THE HEIRESS in the UK

The Movie Partnership, in association with Old Way Film & Television, will be releasing the powerful and haunting supernatural thriller THE HEIRESS, both in the UK and across the world, excluding US and Canada.

It will be available to download from all major platforms including iTunes, Amazon, SKY Box Office, Sony and Google from Monday 15th March, 2021.

The female-driven story, blending the occult with contemporary familial issues, stars Candis Hergaard as Claire and Jayne Wisener as Anna, cousins who share a mysterious connection to a dark family secret. Following the death of Clare's grandmother, ancient spirits are unleashed and the women must do battle with 'Lilith', a malevolent female spirit who has returned to claim possession of Anna's unborn child.

Directed by Chris Bell and written by Danny Prescott, Jezz Vernon, Chris Bell and Kelly Prescott, THE HEIRESS is an Old Way Film & Television production, produced by, Richard Turner, Terry Stone, Jezz Vernon & Danny Prescott. It stars Candis Nergaard (Call the Midwife, Grantchester) , Jayne Wisener (Sweeney Todd, Jane Eyre), Jonny Phillips (Titanic, Outlaw King), David Schaal (The Inbetweeners, Frontier), Denise Stephenson (St Trinians, Swimming with Men), Mark Arden (Agatha Raisin, Teenage Kicks) and Flip Webster (Harry Potter, The Alienist).

Producers Terry Stone & Richard Turner said today: "This film is a supernatural, thematic genre piece that's focused on the centuries-old conflict between religion and science. It's also firmly a post #metoo film, examining the issues with male hierarchies and assumptions from a feminist perspective. We're thrilled that, alongside 4Digital Media, we can bring this film to a global audience".

THE HEIRESS, is also being released on Tuesday March 16th 2021 in the US and Canada courtesy of 4Digital Media.



Monday, 4 January 2021

COMPETITION: Win The Call on DVD


Dazzler Media presents The Call on DVD & Digital Download 11th January 2021

And to celebrate we have a great competition and 3 copies on DVD to give away.

Synopsis
From the creator of Final Destination, horror icons Lin Shaye (Insidious franchise, Dead End) and Tobin Bell (Saw franchise, The Flash) star in this terrifying tale of death from the fall of 1987.

After a tragic accident, a group of small town friends must survive the night in the home of a sinister couple. One by one, their worst nightmares quickly become reality as they enter the realm of “The Call”. Four friends. One phone call. 60 seconds. Stay alive.

Also starring Chester Rushing (Stranger Things, Monster Party) and packed with supernatural scares and psychological twists, The Call is a must-see horror uniting two of the genre’s best-loved stars.

Buy from Amazon at
https://amzn.to/3rQOMjo

For your chance to win just answer the question below.

COMPETITION CLOSED

Terms and conditions
1. Closing date 18-01-21
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Only entries from this page will be accepted, the competition question is changed regularly, and entries from other websites are not allowed and will mean your email address will be disqualified.

Tuesday, 15 December 2020

Horror Channel ushers in New Year with monstrous Saturday night premieres



Horror Channel gets the New Year off to a horrifying start with three thrilling primetime Saturday night channel premieres, including John Schlesinger’s gripping psychological thriller PACIFIC HEIGHTS, starring Melanie Griffith, Matthew Modine and Michael Keaton. Plus, there’s Clive Barker’s dark monster fantasy NIGHTBREED, starring David Cronenberg, and Anthony DiBlasi’s claustrophobic, intensely creepy LAST SHIFT.

Other highlights for January include Bernard Rose’s FRANKENSTEIN, a stylishly smart update of the classic myth, starring Xavier Samuel, Danny Huston, Carrie-Anne Moss and Tony Todd, Scott Stewart’s compulsive alien home-invasion thriller DARK SKIES, SERENITY, the big screen continuation of Joss Whedon's 2002 television series Firefly, Christopher Smith’s BLACK DEATH, a brooding, bloody plague-ridden action horror, starring Eddie Redmayne, Leigh Janiak’s acclaimed HONEYMOON starring Harry Treadaway and Rose Leslie and Caroline Labrèche & Steeve Léonard’s unusual and compelling sci-fi thriller RADIUS.


Full film details in transmission order:

SATURDAY NIGHT PREMIERES

Saturday 9 January @ 21:00 – PACIFIC HEIGHTS (1990) *Channel Premiere

Patty (Melanie Griffith) and Drake (Matthew Modine) want their downstairs tenant, Carter Hayes (Michael Keaton), to pay the rent. He won't. They want him to leave. He won't. And Hayes, a sociopathic scam artist, has made sure he has the law on his side. As he tries to drive them out of their own home, the couple must take drastic measures to fight back.


 
Saturday 16 January @ 21:00 – LAST SHIFT (2014) *Channel Premiere

Rookie police officer, Jessica Loren (Juliana Harkavy), has been assigned the last shift at a transitioning police station and must wait for a hazmat crew to pick up biomedical evidence. Ordered not to leave the station under any circumstance, Jessica comes to learn that it's more than just an outdated station, it is home to the ultimate embodiment of evil and his devoted blood thirsty followers. Jessica is left to fend for herself in the Devil's playground.



Saturday 23 January @ 21:00 – NIGHTBREED (1990) *Channel Premiere

Boone may be a troubled young man, but his troubles are just beginning. Set up as the fall guy in a string of slasher murders by a serial-killing psychiatrist (David Cronenberg), he decides he'll hide by crossing the threshold that separates "us" from "them" and sneak into the forbidden realm of Midian. Boone will live among the monsters. They are the Nightbreed, denizens of a world beyond death.



OTHER FILM HIGHLIGHTS


Tuesday 5 January @ 21:00 – RADIUS (2017)

Liam wakes from a car crash with no memory of who he is. As he makes his way into town to look for help, he finds only dead bodies, all with strange pale eyes. Liam's first assessment is that a virus is present in the air but he soon discovers the terrible truth: anyone who comes within a 50-foot radius of him dies instantly.

 
Sunday 10 January @ 21:00 – FRANKENSTEIN (2015)

Adam (Xavier Samuel) is artificially created with a revolutionary 3D printer by married research scientists. But when bodily malfunctions relegate him to the scrapheap, Adam faces nothing but aggression and violence from the world around him as he discovers the true nature of humanity. Told from the Monster’s perspective and showcasing a stunning performance by Twilight’s Xavier Samuel, this brilliant adaptation gives horror icon Tony Todd his best role in years as blind hobo Eddie.




Thursday 14 January @ 21:00 – HONEYMOON (2014)

Young newlyweds Paul (Harry Treadaway) and Bea (Rose Leslie) travel to a remote, romantic lake country for their honeymoon, Shortly after arriving though, Paul finds Bea wandering in the forest for no apparent reason. As her behaviour gets increasingly peculiar, He begins to suspect something more sinister than sleepwalking took place deep in the woods.


Thursday 21 January @ 21:00 – DARK SKIES (2013)

The Barrett family start to experience an escalating series of disturbing phenomena occurring around their suburban home, leading them to believe that they are being targeted by an unimaginable deadly force. They soon realise that they must uncover this deadly mystery, by any means necessary, before it’s too late.


Sunday 24 January @ 21:00 – SERENITY (2015)

From the mind of Joss Whedon (TV's Buffy the Vampire Slayer) comes this edge-of-your-seat adventure about a renegade crew who agree to hide a fugitive with a deadly secret aboard their ship.


Saturday 30 January @ 21:00 – BLACK DEATH (2007)

Plague-ridden medieval England: the country is in a death-ridden turmoil. One hope remains - rumours of a village that is unaffected by the deadly disease. As God's ambassador, young monk Osmund (Eddie Redmayne) is tasked in leading the fearsome knight Ulrich (Sean Bean) and his group of mercenaries to the remote village. Their quest is to hunt down a necromancer - someone able to bring the dead back to life. It’s a quest that will put their faith to the ultimate test…



Tuesday, 17 November 2020

Horror Channel unwraps its slate of seasonal shockers



Xmas hauntings, festive nightmares, sadistic serial killers and warrior priests…Be prepared for seasonal shocks a-plenty on Horror Channel this December, with a selection of prime-time movies including an Xmas Day screening of Frank Khalfoun’s boundary-pushing Christmas crime slasher P2, starring Wes Bentley and the George Clooney / Steven Soderbergh produced WIND CHILL, in which Emily Blunt spends Christmas Eve fighting off a horde of menacing apparitions.

Also unwrapped are John Carpenter’s classic car-rage chiller CHRISTINE, vampire action thriller PRIEST, starring Paul Bettany, the high velocity sci-fi drama SKYLINE and the supernatural twister SINISTER, starring Ethan Hawke, Plus, there Daniel Radcliffe battling with a vengeful ghost in James Watkins’ spine-chilling remake THE WOMAN IN BLACK, and a cunningly murderous David Tennant in BAD SAMARITAN.

Full film details in transmission order:

Saturday 5 December @ 21:00 – SKYLINE (2010)

The residents of Los Angeles are awakened in the dead of night by an eerie light which is hypnotically drawing people outside before they suddenly vanish into thin air. As the world unravels, a band of survivors soon discover they must fight against the onslaught of a mysterious alien horde. Who or what are these extra-terrestrials and how long before mankind succumbs to their overwhelming power?


Saturday 13 December @ 21:00 – SINISTER (2012)

Desperately in need of a best seller to revive his struggling career, true crime writer Ellison (Ethan Hawke), moves his family to the scene of his most recent story; the unsolved, gruesome murder of a loving, happy suburban family. Shunned by the local community and strained by his obligations to his family, the discovery of a batch of home movies in the attic offers Ellison shocking proof to the crime he is investigating and the terrifying realisation that his investigation may be putting his family in mortal danger.


Friday 18 December @ 21:00 – BAD SAMARITAN (2018)

A small-time crook, who runs a valet parking scam, robbing rich client’s houses while they dine at a fancy Italian restaurant, inadvertently stumbles upon a far more dangerous criminal - a sadistic serial killer played by ‘Doctor Who’ star David Tennant - earning a chance to redeem himself. An audacious throwback to such 90s thrillers as AMERICAN PSYCHO, THE SILENCE OF THE LAMBS, CAPE FEAR and THE VANISHING, this crazy and outrageous jump-scare exploiter piles on the suspense and rips along at a nonstop pace to mind-chilling contemporary paranoia.


Sunday 20 December @ 21:00 – THE WOMAN IN BLACK (2012)

Based on the classic ghost story, The Woman in Black tells the tale of Arthur Kipps (Daniel Radcliffe), a lawyer who is forced to leave his young son and travel to a remote village to attend to the affairs of the recently deceased owner of Eel Marsh House. Working alone, Kipps begins to uncover the town’s tragic secrets and his fears escalate when he discovers that local children have been disappearing under mysterious circumstances. When those closest to him become threatened by the vengeful woman in black, Kipps must find a way to break the cycle of terror.


Monday 21 December @ 21:00 – CHRISTINE (1983)

High school geek Arnie Cunningham falls in love with "Christine", a bright red 1958 Plymouth Fury which has seen much better days. Setting himself the task of restoring the car to its original condition, Arnie has become consumed with passion for the sleek, rounded, chrome-laden car. His friends are horrified but it’s too late - anyone seeking to come between them becomes the victim of Christine's horrifying wrath.


Thursday 24 December @ 21:00 – PRIEST (2011)

Based on a popular comic book series, Paul Bettany stars as a warrior priest who disobeys church law by teaming with a young sheriff (Cam Gigandet) and a priestess (Maggie Q) to track down a band of renegade vampires who have kidnapped his niece.


Friday 25 December @ 21:00 – P2 (2007)

It's Christmas Eve. Angela Bridges (Rachel Nichols), an ambitious executive, is supposed to be at a family gathering working late. When she gets down to the parking garage, she discovers that her car won't start. Thomas (Wes Bentley), a friendly security guard, offers to help, but when he also invites her to share a small Christmas dinner he's preparing, she doesn’t realise the invitation is not optional. If Angela wants to live to see Christmas morning, she must find a way to escape from level P2 of the parking garage.


Saturday 26 December @ 21:00 – WIND CHILL (2007)

It’s Christmas Eve. Two college students share a ride home for the holidays. When they break down on a deserted stretch of road, they're preyed upon by the ghosts of people who have died there. Emily Blunt stars in her first horror movie from George Clooney and Steven Soderbergh’s joint production company, Section 8 Productions.

Monday, 26 October 2020

Interview with Michael McCarty by David Kempf


When did you first become interested in writing?

I’ve been writing for a very long, long time. 

I started writing for the school newspaper The Jaguar News in sixth grade. My first pro sale was in 1983 for a regional music magazine, The Prairie Sun I did a record review of Pink Floyd’s “The Final Cut.” My first national sale was in 1993 to Starlog magazine. And my first book was in 2003. I’ve written hundreds of articles and interviews in newspapers and have over 45 published books.


How did you get involved in fantasy/horror?

When I was a kid, I use to watch a local horror show called Acri Creature Feature that showed all the classic horror movies and I really loved them. I started reading the books, which the movies were based on sometime in Junior High School, Dracula by Bram Stoker and Frankenstein by Mary Shelley. After that I was hooked.


Tell us about your first publisher.

I spent close to a decade writing and trying to get my first book, the vampire novel LIQUID DIET published. I tried everywhere. At that the time the suits said, “Vampire books are dead. Everyone loves a serial killer story. Can you change your vampire into a serial killer instead?”Vampire books have been popular since Bram Stoker wrote DRACULA over a century ago.” This was long before TWILIGHT or TRUE BLOOD.

One day I was talking to Bentley Little and he gave me some excellent advice. He said it was time to put my vampire novel in the trunk and begin another. A lot of writers never get their first books published, including Mr. Little. I started working on another horror novel, called MONSTER BEHIND THE WHEEL, but figured that might take a lot of time to get published. In the meantime, I needed a new game plan. I was talking with my friend Mark McLaughlin about this and he suggested I do a “best of your genre interviews” type book.

I sent a query to a small publisher who specializes in collectible books. The editor wanted to publish the book, but in the end, I decided my book wasn’t right for this house. Next, I sent it to a publisher in Spain. The editor also wanted to publish the book, but ultimately, it didn’t work out there either. During the World Horror Convention in Chicago, I talked to William F. Nolan about the book project; he was enthusiastic, saying if two publishers liked it, a third was probably around the corner very soon. And he was kind of correct about that. About ten minutes after meeting with Nolan, I talked with Neil Gaiman about the book. He suggested that publisher John Betancourt at Wildside Press might like it. So I sent a query and three chapters about my new book idea called GIANTS OF THE GENRE to Mr. Betancourt. He read the three chapters and outline and politely rejected it.

A couple of weeks later, on the fourth of July weekend, 2002, I was thinking about Betancourt’s rejection. He said a lot of nice things in the rejection. So that Monday, I wrote back to the publisher saying something like, “Hey John, you’ve been in the publishing business for awhile, who would you recommended I send my book to.”

John wrote “You know, funny thing is — I’ve been bugged by GIANTS since I turned it down. This usually means I’m convinced on some level that I’ve made a mistake. If you are still interested in having me publish it, I’ll do it next year.” And that is how I got my first book published. Mark McLaughlin wrote the introduction.

Since that time, I have had other books published with Wildside Press including MORE GIANTS OF THE GENRE, A LITTLE HELP FROM MY FIENDS and DRACULA TRANSFORMED & OTHER BLOODTHIRSTY TALES (co-written with Mark McLaughlin).


How would you classify the genre you write?

I call myself a Gumbo Genre Writer, because I write in so many genres and styles. I do nonfiction, horror fiction, science fiction, vampire fiction, vampire comedy fiction, short stories, novels, novella, YA books, kid’s books.

Maybe that is the reason I have had over 45 books published. Here is a link to a listing to all my books:
https://monstermikeyaauthor.wordpress.com/2016/01/31/michael-mccartys-book-publications-1-40/


What is your favorite kind of monster in dark fiction?

I’m going to cheat and name two: vampires and Frankenstein’s monster. Big fan of both of and wrote two books about them as well. FRANKENSTEIN’S MISTRESS: TALES OF LOVE & MONSTERS published by Grinning Skull Press and DRACULA TRANSFORMED & OTHER BLOODTHIRSTY TALES by Mark McLaughlin & Michael McCarty published by Wildside Press.

Other vampire novels I’ve written or co-written: LIQUID DIET & MIDNIGHT SNACK published by Simon & Schuster, the BLOODLESS series co-written with Jody LaGreca: BLOODLESS, BLOODLUST and BLOODLINE also on Simon & Schuster. And another short story collections as well.

The reason I think people like vampires over other monsters is they seduce their prey. And Frankenstein’s monster is so popular because he is an outcast of society and only wants to be loved and how can’t relate to that?


Tell us about your collaborations.

A collaboration is like a marriage; if it is good - it is a good marriage; if it is bad - it is a bad marriage. Writing wise, I’ve had good and bad marriages.

I wrote a great article about this very topic in ESOTERIA-LAND and the ebook is only .99 cents. Check it out.


Tell us about your Stoker experiences especially the poetry book.

Scott Edelman once gave me a big pin that says, “5-Time Stoker Award Loser.” That pretty much sums it up.


What do you consider your greatest accomplishment as an author?

Getting 45 books published is a major accomplishment. Actually starting and finish a book is major accomplishment these days.

The writing business is a rough roller coaster ride of highs and lows. You have to hold on for dear life and pray for the best sometimes.

Other accomplishments, having Jimmy Fallon hold a copy of my book CONVERSATIONS WITH KRESKIN on his show.

And of course, having the fans, they are the bright rays of sunshine in this dark fiction profession.


Do you have any advice for new writers?

My advice is this: writing what I call a “blindside” book. Which means, you hit the reader and they don’t see it coming. They spin around and say, “Where did that come from? I wasn’t prepared for that.”

My best advice and I hate to do self-promotion here – is to read MODERN MYTHMAKERS: 35 INTERVIEWS WITH HORROR & SCIENCE FICTION WRITERS AND FILMMAKERS by Michael McCarty, available on Amazon, Barnes & Noble and at your favorite bookstore or library (if they don’t have it, have them order it).

The reason I wrote MODERN MYTHMAKERS in the first place was to talk with the likes of Ray Bradbury, Dean Koontz, Richard Matheson, John Saul, Whitley Strieber, Neil Gaiman and other 29 others – about the craft and art of writing.

I can give all kinds of advice. But wouldn’t you like to hear advice from Bradbury or Koontz instead?
Plus the ebook is only .99 cents.


What is your opinion of the new self-publishing trend?

The majority of my books, 40 or so have been by book publishers. Half a dozen or so, I’ve done myself. I am a writer. I like to write. I don’t like to do layout and design. I really don’t like to edit, especially edit my own work (it is a necessary evil, like voting).

I like just to write and let others worry the other crazy stuff in the publishing business. That’s show business. 
 

What are your current projects?

I just finished up FRANKENSTEIN’S MISTRESS: TALES OF LOVE & MONSTERS which was recently published by Grinning Skull Press (the same publisher who put out LOST GIRL OF THE LAKE by Joe McKinney & Michael McCarty, a few years ago).

I am currently writing a sequel to GHOSTS OF THE QUAD CITIES by Michael McCarty & Mark McLaughlin and published by Haunted America (Arcadia Publishing / The History Press). Which was an Amazon bestseller. Here is a little about the first book:

Divided by state lines and the Mississippi River, the Quad Cities share a common haunted heritage. If anything, the seam that runs through the region is especially rife with spirits, from the Black Angel of Moline's Riverside Cemetery to the spectral Confederate POWs of Arsenal Island. Of course, the city centers have their own illustrious supernatural residents – the Hanging Ghost occupies Davenport's City Hall, while the Phantom Washwoman wanders Bettendorf's Central Avenue. At Igor's Bistro in Rock Island, every day is Halloween. Michael McCarty and Mark McLaughlin hunt down the haunted lore of this vibrant Midwestern community.

For the sequel, I am collaborating with John Brassard Jr. this time (whom I interviewed a lot in the first book). It is going to be a little different than the first book, but also a lot bigger and more photos and it should be out Fall of 2021. For the most updated news, please check: Facebook website:
https://www.facebook.com/Ghosts-of-the-Quad-Cities-103021898053505


Please in your own words, write a paragraph about yourself & your work. 
 
I have been a professional writer since 1983 and the author of over forty-five books of fiction and nonfiction, including FRANKENSTEIN’S MISTRESS: TALES OF LOVE & MONSTERS, ESOTERIA-LAND, DARK CITIES: DARK TALES, A LITTLE HELP FROM MY FIENDS, DRACULA TRANSFORMED AND OTHER BLOODTHIRSTY TALES (with Mark McLaughlin), LOST GIRL OF THE LAKE (with Joe McKinney) and GHOSTS OF THE QUAD CITIES (also with Mark McLaughlin).

My mega book of interviews MODERN MYTHMAKERS: 35 INTERVIEWS WITH HORROR AND SCIENCE FICTION WRITERS AND FILMMAKERS which features interviews with Ray Bradbury, Dean Koontz, John Carpenter, Richard Matheson, Elvria, Linnea Quigley, John Saul, Joe McKinney, the cast and crew of “Night of the Living Dead” and many more.

I live in Rock Island, Illinois with his wife Cindy and pet rabbit Latte. 

I’m on Twitter as michaelmccarty6
My blog site is at: http://monstermikeyaauthor.wordpress.com
Facebook! Like me on official page: http://www.facebook.com/michaelmccarty.horror

Or snail mail me at:
Michael McCarty
Fan Mail
P.O. Box 4441
Rock Island, IL 61204-4441

Tuesday, 20 October 2020

Interview with Najarra Townsend, star of FrightFest's THE STYLIST

Ahead of the UK premiere of Jill Gevarguzian’s THE STYLIST, lead actress Najarra Townsend talks about being drawn to dark characters, loving film festivals and swapping LA for the English countryside


In THE STYLIST, you play Claire, a murderous hairstylist who doesn’t just cut hair! It’s a very restrained yet chillingly emotive performance. What research did you do in order to understand the mind of someone who is, essentially, a serial killer?

The majority of my research for Claire was actually building her backstory. I started with our Writer/Director Jill Gervargizian’s backstory notes on the character and then filled in all the blanks. I always approach a role by creating a life history for them. Memories are vital for me to have for every character. Jill also suggested I read “House of Psychotic Women” by Kier-La Janisse, which is about the exploration of female neurosis in horror and exploitation films.

I actually did only a small bit of research on real female serial killers. I looked a few up, read about them and their lives, including the psychology behind why people think they did what they did, but in the end I felt the most valuable research for me was creating a full life for Claire and understanding why she does what she does.

The film is based on director Jill Gevaragizian’s short feature, which played at FrightFest in 2016. How different was your approach to playing Claire then?

Originally I had given Claire a few select memories from her life as well as fleshing out her closest relationships (like with her mom). When it came to making the feature I was able to look back on my notes and take things I thought still applied whilst elaborating on the rest of her life, which really made her a much fuller character. It’s a dream come true as an actor to be able to take this person that I found so fascinating from the short and be able to really sink my teeth into her for the feature.

You became first known to horror fans, and the FrightFest audience, for playing Samantha in the compelling zombie body horror CONTRACTED. The film garnered some notoriety for its sexual slant on the victimology of rape. What was it like playing such a demanding role?

Contracted was an extremely fun experience. It was my first time working with such intense practical effects. I would be in the makeup chair for hours before our shoot day started, having veins painted on my whole body, prosthetics applied and contacts lenses put in. It was demanding emotionally but also physically and really helped me grow as an actor. I trusted myself and my choices a lot more after that role.

Another challenging character you took on was the title role in the dark road movie WOLF MOTHER (2016), which has been described as the ‘bloodied non-horror film ever made’. Would you say you’re drawn to playing complex and dark characters?

Absolutely, I’ve always been attracted to characters that have a lot of emotional baggage and have gone through life events unlike my own. It’s always enjoyable researching things about a character’s life that makes you view things in new ways. The main goal with any character I play is to not judge their actions but try to understand and justify them - which can be tricky when playing a character that has done things that you would never do and think are wrong.

You first came to public attention playing sassy teenager Rebecca in the award-winning ME AND YOU AND EVERYONE YOU KNOW. The LA Weekly named your portrayal of Rebecca as one of the ‘Top 10 Great Small Performances’. Looking back, how do you think that film shaped your career?

I will always be so grateful I got to be a part of that film as I really loved the movie. It opened up the indie world to me. I was really too young to understand the success the film had and what that could have meant for my career - I was just happy to be working! - but it definitely did open some doors for me. I also think it may have put me down more of an indie film road. “Me and You…” gave me my first taste of film festivals because I went to Sundance with the film. The electricity in the air and all the movie lovers in one place discussing films was fantastic to me. I was hooked.

You made your first appearance in a horror movie at 10 years old, co-starring in Amir Mann’s MENACE. Did this spark an interest in the genre?

It definitely did. Seeing special effects brought to life really changed how I viewed horror movies. I was a bit scared of them before that but after seeing behind the curtain and experiencing the intensity that comes with shooting a horror film, I had a new appreciation and fascination for them.

Can we look forward to seeing you in any genre movies in the future?

Definitely! I have three feature films currently in post-production, all of which are in the horror genre. It’s usually the characters I’m drawn to which makes me choose the films I want to do. I find that good genre films so often have the most intense complicated characters that are the most fun to take on. Plus the horror community is so much fun to be a part of. I will always try to find roles in the genre.

You were born and raised in California but now reside in the UK. What drew you away from your roots?

Yes, I’ve lived in Los Angeles most of my life but have always loved traveling. I shot a TV show in Qatar for five months in 2017 and met my now husband on the show! He’s British and after I fell in love with him I visited England and fell in love with the country as well. So it was an easy decision for me when we decided to get married and move to the UK. I now live in the English countryside and it feels like a fairytale all the time. I adore it here.

How have you been dealing with life under COVID?

I have to say for me personally the first few months of lockdown I found very enjoyable and I know that makes me extremely lucky. I adore where I live and getting the chance to just enjoy my home every day and spend extra time with my husband was a dream. It also felt like a very creative time because I used a lot of my time to read and create music and relax. Of course, the longer it’s gone on the more antsy I am about getting back to work but overall I’ve been very thankful for my experience this year.

Finally, what’s next?

Times are still so uncertain. I’m attached to various projects but am not sure when or if they’ll still be happening. Plus due to the current travel restrictions I’ve been focusing more on things I can do from home, mainly dedicating my time to my band, ARCHWAY, and developing a few projects to produce. I’m enjoying this slower paced year but really looking forward to what next year brings.

THE STYLIST is showing online on Sunday 25 October, 11.45am in the Horror Channel screen, as part of the Arrow Video FrightFest October Digital event. 



Thursday, 15 October 2020

Demons, devils and the occult…Horror Channel gets possessed in November

Saturday nights in November belong to the vice-like grip of POSSESSED SEASON on Horror Channel, with Channel premieres for EXORCIST: THE BEGINNING, the prequel to The Exorcist, starring Stellan Skarsgård as Father Merrin, the demon-beleaguered priest, and THE EXORCIST III, written and directed by William Peter Blatty. There is also a UK TV premiere for Chad Archibald's chilling occult fantasy THE HERETICS, and Scott Derrickson's supernatural chiller DELIVER US FROM EVIL completes the devilish line-up.

Full film details in transmission order:

Saturday 7 November @ 21:00 – EXORCIST: THE BEGINNING (2004) *Channel Premiere

Having abandoned his faith, Father Merrin joins an archaeological excavation in Kenya, where an ancient church has been unearthed - and beneath it, something much older waits to be awoken. As madness descends upon the villagers, he watches helplessly as the blood of innocents flows. But, the horror has only just begun and in the place where Evil was born, Merrin will finally see its true face.


Saturday 14 November @ 21:00 – EXORCIST III (1990) *Channel Premiere

Police Lt. Kinderman (George C. Scott) notices similarities between his current murder investigation and the methods used by the "Gemini" killer (Brad Dourif) - who was executed 15 years before. He soon discovers a hospitalized mental patient (Jason Miller) claiming to be the dead serial killer, but who looks uncannily like a priest Kinderman knew who died during an exorcism. As more bodies are found, Kinderman looks for connections between the two supposedly dead men.

 
Saturday 21 November @ 21:00 – THE HERETICS (2017) *UK TV Premiere

Five years ago Gloria survived a terrifying ritual at the hands of a demonic cult. Tied to an altar she awoke in the morning caked in blood, surrounded by corpses but seemingly unharmed. Putting the traumatic events behind her she tried to move on with her life. But what happened that night was just the beginning. There is one who has been waiting for the right time to return and complete what was started. Gloria will be taken again…


Saturday 28 November @ 21:00 – DELIVER US FROM EVIL (2014)

New York police officer Ralph Sarchie (Eric Bana), who is struggling with personal issues, begins investigating a series of disturbing and inexplicable crimes.  He joins forces with an unconventional priest (Edgar Ramírez), schooled in the rituals of exorcism, to combat the frightening and demonic possessions that are terrorising their city.

Tuesday, 13 October 2020

Interview with Marc Price

DUNE DRIFTER is a big departure from your other films. Have you always wanted to make a sci-fi actioner?

I've always loved sci-fi and have the best time working on action sequences. Putting those things together has been a lifelong ambition. For a long time I've felt that it's important to walk through the doors that open for you. The opportunity cropped up to do a sci-fi with a modest budget; I thought we could make something fun and personal. So we dove in!


Who / what are the film's heaviest influences?

I'm probably quite mainstream with my tastes. I definitely borrow a lot from Star Wars. The number 47 pops up as a little nod to Star Trek and we also called the Terran command ship "Valiant" as a little nod to what the Defiant from DS9 was nearly called. But the biggest influences are definitely Roger Corman and Charles Band. I grew up watching their films and at the time I couldn't distinguish the difference in quality between Star Wars or Battle Beyond the Stars. I just saw fun adventure movies with lasers!

When I got old enough to spot a difference, the kit bashed aesthetic and cobbled together charm of Corman and Band's sci-fi sets left a strong impression. That style of film making fit kinda perfectly with our film, because budget-wise it's exactly what we had to do.
 
It wasn't only films from my childhood. Modern film makers were a huge influence. I pitched the 7 day shoot in Iceland as a venture similar to what Gareth Edwards did for Monsters. Finding great locations and taking advantage of them with an adaptable script that we could tweak and mould to maximise our use of what was available.

 
Were you concerned about the budget, given the ambition and scale of the movie?

Our route to getting this film made was a bit unorthodox. Michelle Parkyn (Producer of Dune Drifter and Nightshooters) had locked in the budget before I'd written anything. So I was able to write based on what I felt we could realistically achieve. As usual I pushed it a bit further. But with people like David Ross working on the space battle, George Davies on sound design with Ben Baird mixing and a stunning score from Adam Langston. I was confident our post would be in safe hands.

We could only afford a small crew, which made the brief Icelandic shoot a bit tricky to get through comfortably. But they adopted an inspiring attitude of "If we can do this, every other film will feel easy as fuck!"  How can that not be inspiring? From costume to sets to practical effects, we stretched the budget as far as we could. The starfighter set was constructed in my living room and stayed there for 6 months.


The action and fight sequences are very tense and entertaining. How important was the editing process?

The action sequences are usually my favourite scenes to shoot and I got a kick out of the variety of action the film allowed for. I'd send our miniature guru (David Ross) previsualised sequences that I'd cobble together in front of a green reflector using an A-Wing for the starfighters and a Cylon Raider for the Drekk Cruisers. Then I'd sit with Dave over a few drinks and work out the shots more specifically on his laptop.

The fights on the planet were choreographed by Marcus Shakesheff who designed the action for Wonder Woman and Krypton. Whilst he was working on Season 2 of Hanna, he invited me to this room filled with boxes and built on the sequences from there.


Did COVID get in the way of the production process?

It did force our hand in a few areas. We had to make the film in a way that would minimise the number of post-production VFX shots. We printed a backdrop of Iceland for any shots we needed to get around my flat, used rear projection for everything in the flying sequences. The monitors and holograms in the film were all shot practically or using a sort of "Pepper's Ghost" technique. It definitely helped. We ended up with only two green screen shots. The knock on effect, particularly with projection is that we need the VFX seen outside the window of a starfighter to be done before we shoot the actors. So those were left till last. And that's when the UK went into lockdown!

We had to rethink a few critical moments, but the post-production team also found themselves with enough time to help things along. Phil Wray and Ollie Pajtra were able to spend more time on their shots, George Davies had time to create even more interesting sound effects for engines or laser blasts.


You first came to everyone's attention (including Martin Scorsese) with your shoe-string budget zombie horror COLIN. Did its success take you by surprise and what was the effect it had on your career?

It was a complete surprise. The press attention was confusing, because from my side of things I hadn't done anything different to other filmmakers. I just looked at what I had available and made the most interesting film with what I had.  Career wise, Colin always helps. Michelle is grateful for the Scorsese quote! It's slathered all over our pitch decks and enough people remember Colin to pay a little more attention to our ideas.

We had a budget this time, but Dune Drifter was made in much the same way as Colin. We had to build a starfighter set in my living room. By the time Covid restrictions were in place we were deep in post, which meant everything was done in my bedroom again. It was nostalgic and also a bit frightening to look inward and say "I'm in the same spot as I was 10 years ago!"


You have a very strong historical connection to FrightFest. Does that mean a lot to you?

Absolutely! Frightfest had seen Colin before a lick of press cropped up about the film's budget. Ian (Rattray) said right away that they would be happy to screen it that summer. I couldn't understand why! It was just a small bedroom-movie, so that support was a huge surprise.


Was it at FrightFest that you met Dominic Brunt, who went on to produce your film MAGPIE?

I met Dom at his own Horror Festival in Leeds. He was screening COLIN and invited me to introduce the film and wrap up with a quick Q&A with beers in between. It was an absolute blast. I got along with Dom and Mark Charnock. I got to meet Jo Mitchell and we bonded over a love for film.

I was waiting on finance for another project. Dom and Jo offered to throw something into that pot and I knew any money would get swallowed up without any guarantee we'd have a film at the end of it. So I suggested using it to make MAGPIE and their response was lovely It's a rare generosity that you just don't encounter in film.

I remember now that Dom asked if I'd direct Before Dawn. But I could see how excited he was for the film so I suggested that he think about directing. I'm not sure I had any influence though. I'd love to think I did, but the reality is that you could see that spark in Dom's eye whenever he talked about it. That clarity of vision. There's no alternate dimension where Dom DIDN'T direct it. And he's been far more successful at pulling projects together than I have.

 
How have you been dealing with life under COVID?

It's mainly been juggling post for Dune Drifter or more recently pulling pitch decks together for new projects. I spent a week writing a script after an exciting opportunity dropped in our laps after Michelle's diligent producing, but it's been guided by work. Only in the last month or so have I found myself sitting at home and twiddling my thumbs.

 
What's been your favourite horror film of the year so far?

I'm friends with Rob Savage, so I'm potentially biased when I say Host. But enough people love it to know that I was right about that one! Another film I've watched a few times on Netflix was Hole In the Ground which was made by another friend of FrightFest, Lee Cronin. I highly recommend that film! It's fantastic and tense and compelling. Lee's making the new Evil Dead movie and Hole in the Ground is a strong indicator that we're in for something special!


Finally, what's next?

Excitingly, I've put that question to Michelle! We have a few projects financed and ready to go. All I need to do is write them. I'm excited about all of them and whichever one is best to get started will be our movie. We have two action movies and a drama. After the logistical acrobats of making a sci-fi in my flat during a pandemic, they all feel like significantly easier projects!

 
DUNE DRIFTER is showing online on Saturday 24 October, 4.45pm in the Zavvi screen, as part of the Arrow Video FrightFest October Digital event.