Thursday, 4 October 2018

Arrow Video FrightFest announces line-up for Halloween 2018 event

 

Arrow Video FrightFest unleashes an intoxicating six-pack of horror, sci-fi and fantasy for their popular Halloween all-day event, now at the Cineworld Leicester Square on Saturday 3 November. The 12-hour monstrous marathon embraces four continents and includes two world premieres and four UK premieres

 

The day kicks off with Julian Richards' latest chiller REBORN, a Carrie for the Z Generation, starring the First Lady of FrightFest, Barbara Crampton, and featuring a stunning performance from rising newcomer Kayleigh Gilbert. Richards, famous for The Last Horror Movie, is with us for this World Premiere screening.

 

Next up is the UK premiere of PARALLEL, director Isaac Ezban's first English language horror fantasy after The Incident and The Similars. Be prepared for an ingenious killer alternate-universe concept, pitch-black thrills and a top-notch cast including Brit-star Georgia King.

 

You'll definitely keep your eyes wide open for the UK premiere of MARA, Clive Tonge's intensely tormenting psychological thriller about Sleep Paralysis, This demonic jolter stars the dazzling Olga Kurylenko, with sterling support from Craig Conway. Olga is planning to attend.

 

Technology has no boundaries in our next presentation - the world premiere of Paul Hyett's sinister and unsettling PERIPHERAL. Hyett's latest sci-fi horror fantasy boasts an astonishing performance from Hannah Arterton and both Hannah and Paul will be present, alongside co-star Elliot James Langridge.

 

This is followed by the UK Premiere of Swedish blockbuster THE UNTHINKABLE, a nail-biting disaster epic reminiscent of The Mist and the Cloverfield franchise, with jaw-dropping action sequences, a gripping plot and punchy performances that will leave you breathless.

 

Last but definitely not least, is the UK premiere of The Onetti Brothers' ABRAKADABRA, the final instalment of their fantastic giallo trilogy after Sonno Profondo and Francesca. This is definitely their wackiest, wildest and most twisted thriller yet, complete with film stock grain, a trippy Suspiria colour scheme and black-gloved maniacs!

 

Plus, we'll be showing two fantastic shorts, the London premiere of comedy horror DEEP CLEAN, starring Paul Kaye, and the world premiere of Zombie romance THE PREDICAMENT, And of course there will be intros, Q & A's, give-aways and a few special surprises…

 

Alan Jones, FrightFest co-director, said today: "After a hugely successful Arrow Video FrightFest at the Cineworld Empire Leicester Square this August, we are thrilled to be returning to such an auspicious venue for our annual sort-of-Halloween, all-screaming, all-entrancing Shriek Saturday. Team FrightFest searched long and hard for the most trenchant, traumatizing and trend-setting movies, which we hope you'll remember for a long time to come".

 

Day passes (£45) and single tickets (£15) go on sale at noon on Saturday 6th October. 

To book: http://www.frightfest.co.uk/tickets.html

(Online booking only)


Tuesday, 2 October 2018

Competition: Win The Hatred on DVD


The Hatred is out on DVD on October 8th.
And to celebrate we have a great competition for you and 3 copies to give away.

Synopsis
Reagan and three of her closest friends travel to her former professor and mentor's recently purchased country estate for a weekend of fun, house sitting, and watching the professor's young daughter, Irene. Unbeknownst to everyone, the house and grounds hold a dark secret and evil deeds perpetrated and buried within by its former malevolent owner, a former Nazi officer in hiding, who menacingly forbade anyone from entering his property.

Their arrival, the first since these secret acts of horror occurred, unleashes a night of terror and a fight for survival none of them could have ever imagined.

Stars: Sarah Davenport, Andrew Divoff, Darby Walker


For your chance to win just answer the question below.

COMPETITION CLOSED

Terms and conditions
1. Closing date 15-10-18
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.

Wednesday, 26 September 2018

Competition: Win Halloween 4K UHD Blu-ray


Revisit Haddonfield this Halloween as John Carpenter’s classic horror film is re-released on DVD, Blu-ray
and for the first time on 4K Ultra HD Blu-ray (which also includes 5 lobby-style artcards) to celebrate 40
years of terror.

And to celebrate we have a great competition for you and 3 copies on 4K Ultra HD Blu-ray to give away.



Synopsis
It may have been 40 years since Michael Myers returned to terrorise his hometown but the horror is as real
today…

Jamie Lee Curtis and Donald Pleasance star in the ultimate, original slasher movie HALLOWEEN… Escaped psychopathic child-murderer Myers returns to the home where he butchered his sister with a carving knife to torment and murder residents once again. Baby-sitter Laurie Strode becomes his new target in this creepy, evil and unforgettable film.

With a soundtrack to remember, a face mask you’ll want to forget and scares that stay with you beyond the 31st October - this is the only movie worth watching this Halloween.

HALLOWEEN is out for the first time on 4K Ultra HD Blu-ray from the 1st October.

Click here to buy from Amazon (Opens in a new window)

COMPETITION CLOSED


Terms and conditions
1. Closing date 08-10-18
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.


Tuesday, 25 September 2018

Film news (UK): 13-night Halloween Season haunts Horror Channel


Horror Channel presents its Haunted Halloween season this October, taking possession of the nation’s TVs for thirteen nights with a supernaturally spooky selection of premieres and classic favourites, including the UK TV premiere of Jesse Thomas Cook’s THE HEXECUTIONERS, a nerve-shredding American Gothic tale of terror. There are also network premieres for the gripping US-remake of THE GRUDGE starring Sarah Michelle Gellar, and Carles Torrens’s paranormal chiller APARTMENT 143. Amongst returning channel hits are James Wan’s supernatural stunner INSIDIOUS, John Carpenter’s iconic THE FOG, and Lluis Quilez’s Colombia-shot suspense thriller OUT OF THE DARK.


Full film details of season in transmission order:

Fri 19 Oct @ 21:00 – APARTMENT 143 (2011) *Network Premiee

A team of parapsychologists sets out to investigate a series of strange phenomena taking place in a newly occupied apartment. With the residents plagued by telephone calls with no caller, mysterious shadows and flying objects, the team attempts to contact the “other side” in order to bring peace to the apartment. However, the investigation grows increasingly dangerous as the team delve further into the apartments mysteries


Sat 20 Oct @ 21:00 – THE UNBORN (2009)
Sun 21 Oct @ 21:00 – THIR13EN GHOSTS (2001)
Mon 22 Oct @ 21:00 – DEAD SILENCE (2007)
Tues 23 Oct @ 21:00 – OUT OF THE DARK (2014)
Wed 24 Oct @ 21:00 – THE FOG (1981)
Thurs 25 Oct @ 21:00 – THE HAUNTING IN CONNETICUT 2

Fri 26 Oct @ 21:00 – THE HEXECUTIONERS (2015) *UK TV Premiere

In a future world where sanctioned euthanasia has become an industry, Malison is has just started a job assisting suicides for the Rite-To-Die company. After a distressing first call-out, she is paired with seasoned veteran Olivia, and they head to the remote estate of a man on his deathbed wishing to expire via a Tibetan death. Soon the shocking reasons why this arcane method has been chosen become clear, as the demise-inducing duo find themselves fighting vengeful spirits determined to stop it.



Sat 27 Oct @ 21:00 – THE GRUDGE (2004) *Network Premiere

In this remake of the original horror, also directed by Takashi Shimizu, the action moves to Tokyo, where where American nurse Karen (Sarah Michelle Gellar is exposed to a mysterious supernatural curse, one that locks a person in a powerful rage before claiming their life and spreading to another victim. Also starring Bill Pullman, Ryo Ishibashi (Audition) and Roswell’s Jason Behr.


Sun 28 Oct @ 21:00 – WIND CHILL (2007)
Mon 29 Oct @ 21:00 – CONFINED (2015)
Tues 30 Oct @ 21:00 – DEMONIC (2015)
Wed 31 Oct @ 21:00 – INSIDIOUS (2010)

There is also a small screen debut for Bruce McDonald’s atmospheric and impressive Halloween horror HELLIONS, and network premieres for Scott Derrickson’s terrifying THE EXORCISM OF EMILY ROSE starring Jennifer Carpenter and Tom Wilkinson, Peter Webber’s HANNIBAL RISING, Greg McLean’s ROGUE starring Sam Worthington, vampire action thriller PRIEST starring Paul Bettany, and found-footage monster horror EXISTS.


Plus Stephen King’s popular sci-fi adaptation UNDER THE DOME returns for Season 2 from Wed 10 Oct at 8pm, with Season 3 kicking off on Mon 29 Oct at 8pm.


Horror Channel: Be Afraid
TV: Sky 317 / Virgin 149 / Freeview 70 / Freesat 138

Thursday, 20 September 2018

Interview with Ruben Estremera

Ruben Estremera left “corporate hell” to work in the significantly more exciting world of film just three years ago. Since then, he and producing partner Gregory Wolk have produced several movies, including the sci-fi zombie movie Apocalypse Rising, Trump-Halloween spoof President Evil and A Lesson in Cruelty.


When did your producing career begin, sir?

Fairly late to the game, in 2015. Left the corporate world to do something I’ve been wanting to do for years. I’m finding that my years in corporate hell are coming in handy. Filmmaking is a business.


Was it always the dream to produce movies?

I wanted to be involved in making movies but producing them wasn’t in the initial plan. Once my partner and I experienced being ripped-off by a hired producer, we knew we had to do it ourselves.

How many films have you done now?

Four feature films


The one we’d like to discuss is your addition to the fantasy category. Is that a genre you’ve always been fascinated with or was it a matter of simply making a movie that you know would sell?

I’ve always loved dark fantasy. Would it sell? I knew it would appeal to a wide audience, even though some studios gave me the brush-off, saying that “zombies are done.” When someone tells me that I can’t do something, it makes me want to do it even more.


And how did APOCALYPSE RISING come to be?

My partner, Gregory Wolk, had written a novel called “The Dead Site” and we decided to adapt it into a film.


What came first? The script or the idea?

The novel came first, and then the script.


How did you pitch the film to your cast? What interested them?

If you like The Walking Dead, Star Trek, or Game of Thrones, you’ll love this. As if that wasn’t enough to have everyone wanting to be involved, saying that the film contained sex, violence, zombies and Jesus Christ, clinched the sale.


And the look of the film, based on the trailer, suggests a similar tone to the classics. That intentional?

Yes. There’s so much great material from what came before us. However, today’s audiences demand a fresh take on everything. There is no going back to the old days (tell our politicians that, please!) but we’re wise to keep what works and incorporate new methods, updated humour and sensibilities.


When did you watch your first cut?

Autumn of last year. Then it sold at AFM.


Did the distributor change anything when they came aboard?

They suggested that we change the title. We filmed it with the working titled of The Dead Site. I came up with a few alternates, one of which was Apocalypse Rising, and they loved it.



Thursday, 13 September 2018

Interview with David Kempf - By Jon Donnis


David Kempf has written over fifty short stories, many with themes of horror fiction. He has won several writing awards including first place in Millersville University's Lemuria magazine's short story competition. Two of his short stories were selected for the 2007 publication of The Grackle.

In 2014 he wrote The Horror of It All, featuring interviews with prominent figures in the horror community. All the proceeds from that book went to help those suffering from ALS.


So this is your fourth novel?

Yes. Dark Fiction, The Petsorcist, Travel Bug and now this one, Damned Fiction.


With a title like Damned Fiction, I assume this is finally the official sequel to Dark Fiction. 

Yes. This new noel Damned Fiction is an official sequel to my first novel Dark Fiction. Although one of the characters (Dr. Henry David Wells) is in The Petsorcist, it is not a sequel to Dark Fiction. Christopher and Dr. Wells (from Dark Fiction) are mentioned in Travel Bug but once again, it is not a sequel. Damned Fiction takes place about a few months after the events of Dark Fiction. This time out, Dr. Wells and Christopher do not have to deal with the evil wish masters known as the Jinn. They must deal with the Devil himself who is interested in finding a writer worthy to write his biography. Thus the title Damned Fiction.


Dr. Henry David Wells is the central character once again. Why?

I suppose because he is my most intriguing character. His Faustian bargain with evil forces in the first novel made him interesting. Now he is literally about to do a deal with Satan himself, with the Devil. He has unnaturally long life, the man fought with the British during The Revolutionary War. Now he is an American college professor and bestselling horror author. He is an extremely promiscuous man as well as a tragic hero and everyman. Wells is the opposite of Christopher who is essentially goodness incarnate. Christopher is the Christ figure, just like his name he is the Christ-bearer, the hero, the force of good. Not Wells. He is good and evil coexisting. There is simply no other character I enjoy writing about more than Dr. Wells.


Tell us about how you came up with the premise for this one. 

Well, I thought about how Dr. Wells has already made a Faustian deal with the Jinn so it would only be a natural progression to take the next step. To watch him deal with the Devil himself. I also assumed that if Satan returned to earth he would want to have the number one bestselling book on Amazon. I thought that would come natural to us just like it does to all of us. There is also another key element with the Sarah character and what she writes about. I want to keep that a secret for now. Christopher’s goodness and selfless nature also plays a key role in fighting against Satan’s plans but I hope people will read the book to find out for themselves what I mean.


How would you classify the genre you write?

I honestly don’t know. It’s fantasy, horror, science fiction, drama, comedy and tragedy all mixed in together. It’s whatever works and whatever I need at the time.


Why do you think people are so fascinated by the Devil?

Funny you should ask that. I was just watching The Exorcist again the other day. The movie never gets old. I mean people are afraid of the unknown and we don’t want to take full responsibility for the terrible evil that humans inflict upon each other. Men have been slaughtering each other for thousands of years. We don’t want to blame nature so we need to blame a supernatural being that influences us if we will it or obey it or whatever. Believing in the devil preys upon our deepest fears of an invisible world in this world and the one that is to come. The Devil is also a symbol of man’s vanity and this narcissistic culture is fascinated by fame more than fortune these days. So I can see many people who would sell their soul to him for glory. I know Dr. Wells would at least be willing to hear the Devil’s presentation!


What your favorite stories and books about Satan?

Well, Milton’s Paradise Lost, Dante’s Inferno, Faust, Christopher Marlowe’s Doctor Faustus, Washington Irving’s The Devil & Tom Walker, Ira Levin’s Rosemary’s Baby and William Peter Blatty’s The Exorcist.


What are some of your favorite films dealing with the Devil?

The Exorcist, Rosemary’s Baby, The Ninth Gate, The Devil’s Advocate, Angel Heart, The Omen, Bedazzled, Legend, John Carpenter’s Prince of Darkness, Spawn, Legend and Needful Things. The irony is that movies like The Empire Strikes Back, The Lord of the Rings: The Two Towers and The Dark Knight were bigger influences on this novel. That’s because these films were all important central parts of a trilogy or even sequels that could stand on their own. In that way I guess I hope this book is similar to The Godfather Part 2.


So the Devil wants to be the number one bestseller on Amazon?

I think that goes without saying.


Is this straight horror or a mixture of comedy and horror like your previous book The Petsorcist?

There is some tongue and cheek stuff, yes. I mean, come on, the Devil has been done to death. He has been done to terrify, enlighten, educate, warn and entertain. He has been used by religion to scare people into submission and by writers and playwrights as a punchline to make people laugh. I chose to walk a line in-between to make the reader laugh uncomfortably throughout the novel. That was my desired goal anyway.


Why the release date of May 5th?

I am superstitious so I just thought I would get it out on Smashwords anyway on May 5th. That is when Anne Rice published Interview with the Vampire in 1976, one of my favorite novels.


Why did you choose to write actual people as characters in this novel?

Oh, like real life writers and artists? Yes, I thought that would be a nice touch. Something interesting, you know. It’s a longstanding literary tradition like making fun of real life people who have wronged you as thinly disguised characters in your books. In this case, though, I use the actual names of real life people I admire and look up to. Jon Donnis, the editor of Masters of Horror U.K. comes to mind. As for thinly disguised characters with a different name used for petty vengeance, I think we know I am much too mature for that sort of thing.

   
Why are you choosing to make the novel permafree on Amazon?

It’s not like I am a household name or anything. A free book could possibly attract readers to my other work. It’s kind of my gift to readers of horror, fantasy and science fiction.


What are your current projects?

I will be working on promoting The Wisdom Tree, a children’s book about addiction I wrote with my eight-year-old Andrew this summer.


What’s next?

There is a laundry list, I think. I have a book that pays tribute to Arthur Machen, a very dark novella about a comedian on house arrest, a novel about a psychotic novel editor, lots and many unedited books. I wrote the first and second drafts but never actually bothered finishing getting the final edits done. In a weird way, I think I have already finished my life’s work; I just have to essentially get the stuff edited. Before I bother with that, I will finish up with the sequel to Damned Fiction, to really conclude the storyline of Dr. Wells, Christopher and all Faustian dark fiction literary bargains. The working title of the novel is The Wage of Sin.

Links:
Amazon
Official Website

Wednesday, 29 August 2018

Interview with Sean Bingham and Jeff Hall


We caught up with Sean Bingham and Jeff Hall, the duo behind the new horror release IT LIVES INSIDE, ahead of the DVD release of the film next week.


Why this film? Where did it all begin?

SB - Interesting story here. Jeff and I have been friends since high school in Columbus, GA. We grew up together.  We played in bands together but we lost touch with one another after he went into the Air Force and moved to Oklahoma. Years later, I moved from Georgia to Oklahoma myself and we re-connected. Come to find out we’d both come around to film-making as a creative outlet independent of one another but simultaneously. Neither of us had shot a film before but we were determined to do it somehow.

Jeff developed the original concept and wrote the script for It Lives Inside but we hadn’t planned on shooting that film first. We were working on several other film ideas when Jeff brought up the opportunity to film It Lives Inside in a small rental house. He had to talk me into it because I was really focused on another film idea at the time. It turned out to be a great learning experience for both of us.
And did you go through several drafts before ending on your final shooting script? Much change along the way?

JH - Yes, there are several draft.  However, the basic story has not changed.  This was one of those ideas that wrote itself.  As soon as I had the concept, I just rode the wave.  The only thing that changed in the drafts were lines and dramatic elements.   


Was it an easy movie to get up? Can you talk about the process involved in getting this film ready?

SB - There were a lot of challenges to shooting and completing It Lives Inside. Pre-production comprised photographing locations, diagraming scenes to understand blocking and camera positions, and scrambling to find props and building sets for the upcoming shots. Our crew primarily consisted of me and Jeff with the help of my daughter, Lexi when she was visiting from college. We all took turns doing make-up for the actors. We tried to maintain continuity from day to day, since we were shooting out of sequence but there are some shots where you can tell we went too heavy on the blood. The actors in our film were great to work with. They stepped in to help us when we were struggling. Most of them had already been in several films so they knew what they were doing.

Having no budget and being first-time film makers made it all the more challenging. Most of our equipment was DIY; the dolly, crane, car mount, and most of the lights we used. Not to mention that before It Lives Inside, I’d never shot anything beyond some test footage and some home videos. Big learning curve there!
With the exception of the VFX, I did all the post-production work. That was a monumental challenge for me, since I’d never done any post-production, outside of the aforementioned home movies. Another big learning curve there!


Tell us about the inspiration for the script? 

JH - I came across a small blurb about a Native American Cannibal spirit called “ATCHEN”.  I simply told a story as if it were to happen today.  As far as the visual, The phenomena of Shadow People played a huge role.  I wrote the first draft back in 2010 and I don’t believe the subject had been touched at that time.  So the spirit took the form of shadows and black smoke. 
They don’t make movies like these anymore do they?

SB - It definitely has a different feel than most modern films. There’s a lot of subtle foreshadowing that takes place. It might take a few times viewing it to catch them all. There’s an homage to The Shining in one of the paintings hanging on the bedroom wall. I won’t tell you which one but it also hangs on the bedroom wall in the Overlook Hotel. There are several other shout-outs to the genre that we baked in there for astute viewers. 


Did you sit down with the classics and rewatch them as part of your research into the script?

SB - We both watched quite a few movies when deciding how we wanted the film to feel. The Shining, The Thing, Return of the Living Dead were some of my influences among many others.
Where did you find your actors?

JH - Michelle De Long runs a superb acting school here in Oklahoma City.  All props to her and Jessica Pierson!


If one of them ends up a breakout star as a result of the movie, who do you predict it’ll be?

SB-That’s a tough one. One of the things I enjoyed most was working with our actors. When we had to re-shoot something it was mainly because of something we did to flub it, not the talent. I’m hoping that all the actors are able to continue doing what they enjoy.


And what do you hope the film does for your career?

JH - I only want the opportunity to keep telling stories.  We are blessed to have found distributorship with High Octane and hope to keep producing better and better films. 

SB - This film experience has already taught us a lot. After we shot It Lives Inside, we met Ryan Bellgardt, another very talented local film-maker. He put together a forum to help local film-makers, after several successful films of his own. Galen Christy, the founder of High Octane Pictures was there and they both gave us some great advice on getting started in the film industry. Our hope is that the film is successful so that we can continue to improve our craft.


What’s the best piece of independent filmmaking advice you can offer others reading this article?

JH - It is a marathon.  There will be many problems and issues that have to be solved.  Keep an open mind.  The story is the star, so do not let ego get in the way.  It could be the death of your project.

SB - First of all, if you want to make a film, go make a film. You may have to decide whether you want to make art or sell a product. If you’re good or lucky or both, you may not have to compromise. Study the films you like and the one’s you dislike. Find some like-minded people you can work with and form a team, a film crew. If you go it alone, your world is going to be very difficult.


Tuesday, 28 August 2018

Competition: Win Hatchet 4: Victor Crowley on DVD


Hatchet 4: Victor Crowley is out on DVD on 3rd September 2018. And to celebrate we have a great competition for you and 3 copies on DVD to give away.

Synopsis
In 2007, over forty people were brutally torn to pieces in Louisiana’s Honey Island Swamp.

Over the past decade, lone survivor Andrew’s (Parry Shen) claims that local
legend Victor Crowley (Kane Hodder, Friday the 13th series) was responsible for the horrific massacre have been met with great controversy. But when a twist of fate puts him back at the scene of the tragedy, Crowley is mistakenly resurrected, and Andrew must face the bloodthirsty ghost from his past.

Featuring Laura Ortiz (The Hills Have Eyes), Dave Sheridan (Scary Movie) and Brian Quinn (Impractical Jokers), writer/director Adam Green’s triumphant return to the helm of his beloved slasher series proudly assures an all-new, horrifying journey into the haunted, blood-drenched bayou.

Click here to buy from Amazon (Opens in a new window)

For your chance to win just answer the question below.

COMPETITION CLOSED


Terms and conditions
1. Closing date 10-09-18
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.

Monday, 20 August 2018

Interview with Kristian A. Söderström - Director of Videoman

Ten Questions with Kristian A. Söderström, director of VIDEOMAN


So Kristian A. Söderström, who are you, where do you come from and what’s your creative arts background?

I grew up in Gothenburg Sweden and was a film fanatic from the start. I got me an education in film directing from UCLA in Los Angeles, but I’ve studied film theory and psychology as well. For many years now, I’ve been making short films and commercials while trying to finance feature films. I write and direct.


What’s the Swedish horror movie scene like? Is it a vibrant culture? Or has it been very limiting and hard for you to break through?

I would say that the Swedish horror and genre scene is almost non existent. I’ve had a lot of problems financing films. Some years ago I was asked by a commissioner at the Swedish film institute if a script I submitted was supposed to be a horror film or a drama. I answered ”It’s supposed to be both.” That was something they could not tolerate. Anyhow, horror has never been a popular genre with the film financers in Sweden. Experimental stuff is also tough. At the moment it seems like you either must make a nordic noir, a comedy or an obviously ”important” film. There are always exceptions to this off course, but generally speaking, not.


Is the movie autobiographical, are you that central VHS collector, Ennio, and is that your house covered in fabulous Italian posters and wall-to-wall videos?

The main character, Ennio, is a combination of three people I know. One of them is me. So there are definitely autobiographical moments in there. It’s not my house depicted in the film, altough I own a lot of Italian movie posters. I collect them, as well as movies.


You are clearly a massive Italian horror/Giallo fan, so in keeping with the playful atmosphere of movie choose:  Dario Argento or Lucio Fulci?

That is a really tough adoration match…I will go with Argento though. He was the one that got me into italian genre cinema and his filmmaking inspired my desire to make movies.


The ‘stolen’ video is ZOMBIE, any reason why you picked that title?

In Sweden in the early 80s, we had a similar thing to the UK to Video Nasties. A distributor called ”Video Invest” put out 26 horror titles. After a debate on national telly, these films were quickly banned from the video stores. Many years later these titles, from this particular distributor, became a VHS collectors wet dream. Therefore I wanted it to be one of these. Zombie, which for some reason carry the cover of ”City of the Living Dead”, was chosen because of the cover art, which I love. It’s also a Fulci film. The main character has a thing for Fulci, the same goes for me.


Of course Ennio’s VHS obsession is yet another of the many addictions you depict. Is that what VIDEOMAN is really all about? 

On the surface it's a film about film fanaticism and 80s nostalgia. Thematically, it's a movie about loneliness, passion and addiction. The starting point of this film was me meeting a video store owner who had not taken a vacation for 14 years. He seemed to be imprisoned by his passion (films). The thought of how something you love can lead to loneliness and exclusion was something that really appealed to me.


Stefan Sauk from THE GIRL WITH THE DRAGON TATTOO (Swedish version), Lena Nilsson and Martin Wallstrom (‘Mr. Robot’) are your main stars and they are all terrific. How did you go about casting them?

When deciding on which script to make as my low budget feature debute, my path crossed with Stefan Sauk, whom I kind of forgot as an actor. I liked him very much many years ago when he was making a very far out thing on television. I realised that he could bring the black humour and desperation that I needed for the main character Ennio. Stefan being long time absent from feature film work also fitted Ennio, who is trying to make a comeback, life-wise.

Lena Nilsson was an up-and-coming star in the 80s. She also had not worked in movies for many years. Stefan told me I should see her as he thought she was great. I did and was blown away by her naturalistic presence. Simone, who Lena is playing, like Ennio, has gotten stuck in the 80s. Both these characters were succesful back then, that’s why they’ve gotten obsessed with trying to evoke these times anew. Life seemed to be imitating art a bit with these two actors.

Regarding Martin Wallström, I had been a fan long before MR Robot. In Robot he was so amazing and he got so much hype that I thought it impossible to get him in my small movie. He loved the script though and the rest is history.


Your poster tag line is ‘A Movie Can Change Your Life’, do you truly believe that?

Well yes, I think that’s possible. In the case of Ennio in ”Videoman”, the Zombie film becomes a financial life savior, like the bicycle in ”Bicycle thieves”. In real life I think that a movie can have a very strong impact. It can hit you in many different ways. It can make you question yourself and others, it can make you obsessed and so on. Sometimes you will never be quite the same after watching a particular movie. In a small way, or a big way…


Great score by Waveshaper and Robert Parker, how did that come about?

It’s great, isn’t it! John Carpenter is the reason that I wanted to have analogue synths  on the soundtrack of my first feature. I loved him and his scores since forever. I’ve been a fan of the neo analogue synth movement ”Synthwave” since Nicolas Winding

Refn’s ”Drive”. When I realised that Waveshaper, whom I adored, was actually Swedish, I had my producer track him down. Through Waveshaper I got to Robert Parker. These two side by side felt like a match in heaven, in order to reach the whole pallette of feelings in this genre bender of a movie.


You describe VIDEOMAN as “Dario Argento meets Mike Leigh”. Can you explain some more? 

Dario Argento and Mike Leigh are two of my greatest influences. I’d like to combine realistic filmmaking (Leigh) with genre elements (Argento). I love complex characters that feels like real human beings and I also love the mood and storytelling of horror films. I feel like there often exists a segregation between commercial and ”important” movies, such that it must be either or. I want to change this. I think people like Ben Wheatly, Alice Lowe and Peter Strickland are breaking down barriers like these. They are very inspiring to me. ”Kill List”, ”Prevenge” and ”Berberian Sound studio” are masterful and innovative filmmaking.


VIDEOMAN plays at Arrow Video FrightFest on Sun 26th August, Cineworld Leicester SQ.

Tickets: http://www.frightfest.co.uk/2018Films/videoman.html


Friday, 17 August 2018

Interview with Johnny Kevorkian - Director of Wait Further Instructions


What was it about Gavin Williams’s script for AWAIT FURTHER INSTRUCTIONS you liked so much, and what did you add to make it more personal to you?

Well, when I first read the script I thought: “How the hell am I going to make this!” It was like nothing I had ever seen before. I knew it was going to be a massive challenge in every way possible. Overall, this was a very unusual script and that also appealed to me. My main addition to the script was to push it in a much darker and serious tone overall, which is more my style of filmmaking. I’m pleased that I managed to retain the dark humour at the start but then move into a different and much more serious realm as things start getting nastier for the family.


GOD’S OWN COUNTRY producer Jack Tarling thought of you as director because the script is a solid character study in the same vein as your previous film THE DISAPPEARED. Can you see the similarities?

Yes, in some instances (apart from the VFX) there are lots of similarities to THE DISAPPEARED. For instance we are seeing our characters break down in front of us and observing how they subtly start to transform into someone else. Ultimately it’s all about characters for me when I make a film, if I don’t have a script which doesn’t have interesting or dynamic characters then its not something I’m interested in doing.


It’s extraordinary how the film’s subject matter has chimed with the current hot issues of misplaced authority and fake news?

The timing is pretty unbelievable, considering the script was written a few years ago! It’s really hit a raw nerve with the American audiences when screening it at Chicago. They are pretty much seeing what’s going on in the world played out in front of them. The family in my film are people who simply don’t know what’s real and what’s not in the news anymore!


Was it always a Christmas setting and what did that add to the horrific atmosphere?

Yes. Families tend to always argue when they get together over Christmas, it seems to generally bring out the worst in people. Now imagine locking those families together in one house and then dousing them with fear and paranoia. You’re left with the most extreme and horrible scenario imaginable, which is what AFI shows us.


There’s a definite David Cronenberg/John Carpenter vibe going on, how did you ensure to strike the right balance between homage and innovation?

Yes there are influences by such films as ‘The Thing’ and in particular ‘The Fly’ by Cronenberg, with the whole body horror elements. I was also very influenced by Hitchcock’s ‘The Birds’ as well as ‘The Twilight Zone’ episodes and 50’s paranoid sci fi films.


Seven people in one enclosed place like CUBE and the ensemble cast is amazing. Did the rehearsal period you insisted on before shooting engender that family-style cohesion?

Yes that was definitely a challenge for sure. Again, you want to be able to manage seven characters speaking at the same time but still keeping it as exciting and dynamic as possible. I was fortunate enough to be able to rehearse with the actors on the actual built sets, which really help with blocking and being able to play around with different ways to shoot it and for the actors to feel comfortable.


Dan Martin’s special prosthetic effects are wonderful. How important was it for you to do as much in camera as possible?

I had never met Dan before the film but I knew his wife Jen Handorf who introduced me to him and that’s how he became involved. The film uses old school SPFX techniques, prosthetics, animatronics, wires, puppeteers, shooting in reverse etc. and  finding someone these days who specialises in these is hard. Fortunately, Dan is one of them.  I presented Dan with a bunch of concept art, which I had worked on with my Creature Designer Steve Trumble and Dan immediately got the concept. It was then a matter of making them work, which he did!


How difficult is filming on interconnecting sets in one locked location?

We had the main stage as the living room and kitchen and dining area. I insisted on having that as one entire space so it would feel authentic and if the camera moved around that space then it could do so continuously. That’s where we pretty much shot most of the film, which made it easier. But we did have to shoot the bedrooms, bathroom and upstairs landing on the two other stages which did require careful planning,


Can you say something about Annika Summerson’s terrific lighting, how would you define the look?

Again I wanted it to look cinematic, rich and by her lighting style she achieves that excellently. By the second or third act in particular we played with colour a lot. Annika used a colour chart to map out the lighting colour changes throughout the film, For example, as we start to push the claustrophobia element then the house starts to darken and the dominant light source is the TV.


At the movie’s centre is an amusing concept regarding television’s last power push in this age of multi-visual platforms. But you play it completely straight. Was keeping the humour in check hard?

I think the humour is there at the start but then it dies away as things start to get more serious.  Yes, there is a challenge making this insane scenario as serious and feeling as real as possible. There was always a danger it could go the wrong way regarding tone. So by really going for a dark tone and by the serious way the actors play their parts does definitely help that!


AWAIT FURTHER INSTRUCTIONS plays at Arrow Video FrightFest, Prince Charles Cinema on Sun 26 August.

Tickets: http://www.frightfest.co.uk/2018Films/await-further-instructions.html