Five new horror talents shortlisted for second FrightFest Screen Genre Rising Star Award

Tom Paton, Dominic Bridges, Joanne Mitchell, Matthew Holness and Danny Morgan have all been nominated for the second Screen International Genre Rising Star Award, in association with Horror Channel FrightFest 2017 (August 24-28)

The award was established with in 2016 to celebrate the work of emerging UK genre talent, with the first recipient being Prevenge director Alice Lowe. This year’s winner will be announced on Monday August 28 in an event at the Cineworld Leicester Square at 6.30pm. It will be hosted by Screen contributing editor & critic Nikki Baughan and entry is free.

Tom Paton has been shortlisted for his feature debut Redwood, for which he also wrote the screenplay. Playing the Cineworld Discovery screen on FrightFest opening night, the film follows a couple who disturb a nest of vampires while hiking in the woods. Paton is currently working on his follow-up, Black Site.

Dominic Bridges is in the running for his feature debut Freehold (previously titled Two Pigeons), in which he subverts the home invasion thriller to make a chilling point about the urban class divide. Bridges previously directed documentary short Underdog, and episodes of TV series Shelfstackers.

Joanne Mitchell has been shortlisted for her work as an actress and producer on Attack Of The Adult Babies, which sees unwitting two teenagers break into a country house where high-powered men enjoy dressing up as babies, as well as previous genre projects including Bait and Before Dawn.

Matthew Holness has been nominated for his successful migration from the small-screen, where projects including Garth Marenghi’s Darkplace and Free Agents, to shorts such as Smuch (which screened as part of Sky’s Halloween Comedy Shorts) and upcoming feature debut Possum. Possum stars Sean Harris as a disgraced childrens’ puppeteer who returns to his childhood home to confront his vicious stepfather.

Danny Morgan has been nominated for his work on horror comedy Double Date, directed by Benjamin Barfoot. Morgan wrote the screenplay and also stars as hapless 30-year-old virgin Jim, whose desire to find love leads him and best friend Alex (Michael Socha) into danger. Morgan has starred in TV shows like Ideal and features including On The Road, and has written several shorts. Double Date is his first feature screenplay.

Screen International editor Matt Mueller said: “We are delighted to be partnering with Horror Channel FrightFest again this year for the Genre Rising Star award. Screen is always eager to support exciting new UK talent and we look forward to announcing the winner at this year’s festival.”

FrightFest co-director Greg Day added: “Identifying and promoting new UK talent is very rewarding and we’re so pleased to continue to do this in partnership with the UK’s leading film industry publication”.

Interview with Andersen Prunty by David Kempf

Andersen Prunty lives in Ohio. He writes novels and short stories.

When did you first become interested in writing?

Late middle school or early high school. My friends and I were mostly poor-ish kids living in a conservative rural town in Ohio pre-internet. We wrote for fun. Horror stories and a lot of stuff just to make each other laugh. We were kind of nerdy and really really bored. I started submitting stuff to magazines and ‘zines toward the end of high school and always managed to get a couple things published every year. I guess that was all the encouragement I really needed. I’ve never really thought too seriously about not writing. Despite a lot of life changes over the years, the writing is something that’s always been there. It’s not even really something I think about that much anymore. It’s just something I do whenever I can find the time. 

How did you get involved in fantasy/horror?

It probably goes back to the first time I ever read a Ray Bradbury story. I mean, I’m pretty sure he was the first. Then I remember my mom had some sort of Book-of-the-Month Club thing and I was looking at the catalogue and came across Stephen King’s Pet Sematary (the cover had that creepy cat on it) and I made her order it for me. I was probably only ten or eleven and it was probably not remotely appropriate and it probably took me way too long to read it. I also had an aunt who would let me watch things like The Texas Chain Saw Massacre that really had an effect. I don’t know. I grew up in the ’80s. Horror was kind of everywhere. I imagine a lot of people probably got burned out on it because of this but we didn’t have cable TV and my parents were gripped by the whole Satanic Panic religious fervor of that time so the movies weren’t really allowed in our house but it was so alien to them to have a kid who wanted to read that they never really restricted that so I would grab up cheap paperbacks from used bookstores by people like Stephen King, Peter Straub, Clive Barker, Skipp and Spector. Those guys were kind of my rock stars in middle school and early high school.

Do you think your books are too extreme for mainstream readers?

I don’t really think about that. Maybe so. I’ll start telling myself that to justify the lack of sales. That sounds better than just admitting my books suck, I guess. 

Which of your books would you most like to see made into a movie?

Oh man. I would be pretty overwhelmed if anybody wanted to put that much time and effort and dollars into anything I wrote. 

Why do you think horror and fantasy movies remain so popular?

There’s something in it for everybody. From quiet to extreme. G-rated to Unrated. From gripping explorations of difficult emotional territories to straight-up gore and camp. The only real limitations seem to be those the creator wants to impose on her/himself.

What inspires you?

My kids. My girlfriend. Family. Fiction. Film. Art. Nature. Travel. Food. The daily grind of existence. The world around me. It’s probably the same for most people. If I ever get sick of the writing thing (and I do, sometimes daily) I just think about how much pleasure and understanding of the world around me that fiction has given me. It’s also how I met my long-time girlfriend and every other friend I currently have. That’s enough to keep me going. It makes my world bigger.

Tell us about your typical workday. 

Oh boy. It’s a slog. I wake up around 9 and go to work in the same office where I’ve worked for the past decade or so. I sit in a chair and type things into a keyboard and listen to music and podcasts and audiobooks. It’s kind of a lot like writing only there’s no creativity. I eat trail mix and drink coffee and water, lots of water. Sometimes I have to pee a lot and the bathroom doesn’t always smell that great. Then I come home and eat dinner with my girlfriend. We eat a lot of Indian food. Then we take a nap, get up, and make coffee. My girlfriend is a writer too, so this works out because this is when I’ve been doing the bulk of my writing and editing. When we knock off writing we do couples’ stuff like read and watch movies. Then I usually go to bed around 3 or 4 and wake up and do it all again. In a good week, I’ll probably only write ten hours at best.

What do you think the differences between American horror and British horror are?

American’s say “trunk” and the British say “boot.”

I don’t know. This isn’t something I’ve given a lot of thought. I imagine the internet has blurred and will continue to blur a lot of geographic specifics. 

What are your favorite horror books?

I read a lot and probably have too many favorite books to name. Some of the most influential ones for me are:

It by Stephen King

The Books of Blood by Clive Barker

If You Could See Me Now by Peter Straub

Naked Lunch by William S. Burroughs

The first Splatterpunks anthology, edited by Paul M. Sammon

The Association by Bentley Little

Something Wicked This Way Comes by Ray Bradbury

American Psycho by Bret Easton Ellis

What are some of your favorite horror movies?

The Texas Chain Saw Massacre

Halloween

The Greasy Strangler

The Snowtown Murders

The Reflecting Skin

Eraserhead

Nekromantik

The Human Centipede

Trash Humpers

May

The Lost

Donnie Darko

Just watched a really good one called 68 Kill, based on the Bryan Smith novel. 

I’m sure I’m leaving a lot out. I watch a lot of movies and most of them are probably horror.

What do you consider your greatest accomplishment as an artist?

The next book! I’m always slightly amazed when it happens. Like, “How did I have time for that?”

Do you have any advice for new writers?

Look at what I’ve done and then do the exact opposite.

What do you think of the self-publishing trend?

I like it. I think it will probably replace (not completely, but to a large extent) the small press. Maybe it already kind of has. I think it will evolve as different groups of like-minded writers buy and read each other’s stuff and will be a little more organic and less forced than some genre cliques. Say what you will about the removal of gatekeepers but, especially in regards to the arts, I don’t see how this can be a bad thing. I’m pretty comfortable about making my own decisions about whether or not I like something. There are writers people have read for years and then their publishing house folds or their genre dies and their readers are like, “Whatever happened to that guy?” Now there’s not really any reason for this to happen. The bottom line is that it provides more people with more chances and that’s always good. 

What are your current projects?

I’m editing my latest book called Failure As a Way of Life. Should be out next year.

Please in your own words, write a paragraph about yourself & your work. 

I’m the author of over twenty novels and short story collections. I founded Grindhouse Press and Atlatl Press and still currently run Atlatl Press. My only real goal with my writing is to tell a compelling story and entertain myself and, hopefully, others as well. I currently live in Dayton, Ohio and need to sell a lot more books so I can move away. You can visit my website at andersenprunty.com and always feel free to send me an email or message me on whatever social networking site you happen to catch me on.

Links:
andersenprunty.com
https://www.amazon.com/Andersen-Prunty/e/B002BMGMJS/

Competition: Win The Transfiguration on DVD

The Transfiguration is out on DVD & Bluray on August 14th and to celebrate we have a great competition for you and 3 copies of the DVD to give away.

Synopsis:
Set in Queens, New York City, The Transfiguration is an atmospheric drama that focuses on 14-year-old Milo, a troubled outsider who takes refuge in the vampire mythology he studies to the point of obsession. When a chance encounter with equally lonely neighbour Sophie leads him to develop new, romantic feelings, Milo begins struggling to suppress his dark urges - and a terrible secret.

The directorial debut from indie filmmaker Michael O'Shea won plaudits at the 69th Cannes Film Festival for its bold and unusual take on the classic coming-of-age tale, with added bite.

Starring Eric Ruffin & Chloe Levine

Check out the release on Amazon by clicking the link below: (Opens in a new window)
The Transfiguration [DVD] [2017]



COMPETITION CLOSED


Terms and conditions
1. Closing date 21-08-17
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.

Interview with Marko Makilaakso - Director of "It Came From The Desert"

1. Tell us about “It Came from the Desert?”
”It came from the desert” is a live-action sequel to the legendary ICFTD games by Cinemaware and set in modern times. The movie has an independent story with new characters but we do live in the same universe with the games and the fans will recognise that. It’s a campy and fun movie with heart! Kind of mix of PG13 scary movies of the 80’s, as well as horror-scifi films of the 50s. It's a tribute to Roger Corman drive-in films, Steven Spielberg produced movies and series of the 80s and Cannon Films’ style of action flicks.

2. What led you to make this famous 80s video game into a film?
It started out as an idea which I presented to the producers. I wanted to make an motocross action film set in a desert with big spiders and in the 80’s vibe. Yes, I said spiders! Inspired by Eight legged freaks and I wanted to call the movie ”It Came From The Desert”, because I loved the game as a kid. So we started to develop the project. I wrote the first draft of the script which still had spiders in it and our producer contacted Cinemaware, the company which produced the ICFTD video game in the late 80’s. He asked if we could use the title of their game in our movie and to our big surprise, not only we got to use the title, but they wanted us to make adaptation of the game! So spiders changed to ants and we started re-writing the script to accommodate the game.

3. Where did you shoot the movie?
We shot it in Almeria, Spain and Turku, Finland in many, many locations. In Almeria desert we used the same locations where ”Indiana Jones and the last crusade”, ”Game of thrones”, ”Good, bad and the ugly” etc was shot. Amazing locations! Even though we didn’t have great deal of time to make the movie, we used the time wisely and managed to pull off lots of complicated scenes in various logistically difficult locations. It was great fun!

4. How was it shooting in Spain? Would you go there again?
Yes, absolutely! I would love to shoot in Spain again and I hope someday I will. I miss the locations and the spirit they gave me. Oh, and I saw Terence Hill while shooting there, which was too damn cool to be true! Hill & Spencer movies are part of my childhood and being there in those locations and actually seeing Mr. Hill.. Awesome!

5. Tell us about working with the actors?
I loved it! It’s tricky to find a cast who gets the tone of the movie like this, but I was lucky to have group of talented actors and actresses to go with me in this crazy ride. Comedy is hard and you can’t fake it. It either works or it doesn’t, but our cast did fantastic job! Of course we all have a different opinion what we consider to be funny, but this movie is funny at least for me!

6. What does this movie mean to you?
This is actually the most personal movie I’ve ever made. Sounds funny considering the genre, but it is! ICFTD is a love letter to the movies I grew up with and movies I love. It also have been wonderful to get support from the makers who inspired the movie, like Joe Dante and the Corman’s. Dreams do come true!

7. What can the audience expect from It came from the desert?
It’s fun and entertaining movie that gives a shout-out to the old drive-in flicks from the 50s and 60s as well as movies from the 80s. You can just kick back and enjoy the ride with six pack or something else! ;)

8. What is the status of the movie at the moment?
We have still a month of Post-production and then it’s ready. I can’t wait to show the movie to the world!

Links:
https://www.facebook.com/itcame/
http://www.rogerpictures.com
http://www.horror-movies.ca/2016/12/first-official-photos-came-desert/

Horror Channel FrightFest 2017 announces Short Film Showcase

With twenty-six films over three days, including ten World, four European and seven UK premieres, Horror Channel FrightFest’s short film showcase unleashes this year’s eclectic mix of the bold, brave, bloody and barmy with films programmed to entertain, frighten, enlighten and simply amaze.

Shaun Dooley & Sally Phillips in BLOOD SHED

There are twelve films from the United Kingdom, forming the centerpiece of this year’s line-up. These include James Moran’s BLOOD SHED, starring Shaun Dooley and Sally Phillips, where a man’s love of his garden shed takes a rather murderous turn. In JUDGEMENT, Neil Maskell stars as a single man looking for love in all the wrong places and Laurence R. Harvey shines as a mutated children’s’ toy in TEDDY BEAR’S PICNIC. Then there’s Katie Bonham’s MAB, about a girl who turns to witchcraft to teach someone a lesson.

The other home-grown offerings see people haunted by ghostly figures in HELD DOWN BY A SHADOW and MAYFLOWER, while humans are the threat in THE WELCOMING and MISDIRECTION. Other dimensions hold secrets and sway in EVENT HORIZON and HUM, while the house down the lane holds horror in the Cannes-selected REAL GODS REQUIRE BLOOD. And finally, SMEAR will make you laugh all the way to the most uncomfortable procedure at the doctors’ surgery.

Neil Maskell in JUDGEMENT 

Horror from around the world will creep up on you, first as a cat with a deadly secret in MEOW, then as a woman out for revenge in FOR A GOOD TIME, CALL…Being alone in a strange house is no laughing matter in DRIP DROP and ROTARY, while one should be careful of what lurks behind the doors in CRESWICK and FEEDING TIME, which stars Stacy Snyder and Graham Skipper. And if you think butterflies are just cute flying insects, VOCABULARY 1 might change your mind.

Love can tear you apart or set you free in the gorgeous fantasies of BAD HEADS and NIMMER, while the loss and search for loved ones becomes an obsession in MAN IN THE MOON and AN ELDRITCH PLACE. And the lure of power is too much for some people when the realm of science fiction makes the unbelievable seem real, in KEPT and TETHER.

In addition to the showcases, there are two special short film screenings. Preceding our opening night film ‘Cult of Chucky’ is THE DOLLHOUSE, a loving tribute to growing up in the world of the psychokiller doll, directed by Kyra Gardner. And our very own short film programmer Shelagh Rowan-Legg’s new film FLOW will have its European premiere preceding the screening of DHOGS..

Shelagh said today: "This year Horror Channel FrightFest's short film selection will take you from the darkest reaches of space to the darkest corners of the bedroom closet. With babysitters who are just a bit too inquisitive, manipulative men getting their just desserts, mothers trying to help their video-game addicted sons, security guards confronted by other-worldly monsters: these shorts from the UK and around the world offer the new wave of fantastic genre cinema”.

The full line-up
FRIDAY 25 AUG – SPLICE MEDIA DISCOVERY SCREEN 1 from 13:20
(Prince Charles Cinema)

THE WELCOMING (World Premiere)
Director: Russ Gomm. Cast: Isabel Calder, Ben Shockley. UK 2017. 7 mins.
A little girl goes wandering in the woods. But some who wander might end up lost in darker places.

ROTARY (World Premiere)
Director: Lorenzo P. Adams. Cast: Emma Fawkes, David M. Goldberg. US 2017. 11 mins.
This babysitter’s childminding nights are usually uneventful. But not this evening…

BAD HEADS (London Premiere)
Director: Rebekah Fieschi. Cast: Alice Dessuant, Diako Diakoff. France 2015.  14 mins.
Jenny wants love so much she is willing to create it from scratch. But what she creates might not be what she wants.

MISDIRECTION (UK Premiere)
Director: Nic Alderton. Cast: Lucy Cudden, Daniel Caltagirone. UK 2017. 9 mins.
Steph, a married but lonely woman, meets an intriguing stranger at a bar. His charm might be more deadly than she imagines.

FOR A GOOD TIME, CALL…(European Premiere)
Director: Izzy Lee. Cast: Sean Carmichael, Tristan Risk. US 2017. 12 mins.
A man who uploads a homemade sex video taken in secret gets more than he bargained for when he makes a pit stop.

TETHER (International Premiere)
Director: Tim Reis. Cast: Mark Ashworth. US 2017. 12 mins.
A soldier in battle. A surgical team remotely repairing him. Warfare just hit a new level.

KEPT (World Premiere)
Director: Jaime Gonzalez. Cast: Jairo Camargo,  Manuel Sarmiento. Colombia 2017.m18 mins.
Scientists have discovered a way to record dreams, and those with ulterior motives waste no time exploiting those whose dreams are the most powerful.

MEOW (European Premiere)
Director: Chris Jopp. Cast: Eleonore Dendy, Charles Hubbell. US 2016. 13 mins.
Samantha has a new apartment, and a cat she must keep hidden from the landlord. But that might be hard with all the bodies that keep appearing.

SUNDAY 27 AUG – SPLICE MEDIA DISCOVERY SCREEN 2 from 11:15

EVENT HORIZON (UK Premiere)
Director: Joséfa Celestin. Cast: Kate McLaughlin, Lori Stott. UK 2016. 10 mins.
Julianne is reluctant to leave childhood behind. But her fear of the future manifests in a strange celestial object that she must confront.

MAN IN THE MOON (UK Premiere)
Director: Monique Mulcahy. Cast: Pauline Grace, JC Innamorati. Australia 2016. 13 mins.
A single mother is concerned about her son’s obsession with a homemade video game. But her obsession turns to fear when she intercepts a strange transmission.

MAYFLOWER (World Premiere)
Director: Christopher Goodman. Cast: Jason Ryall. UK 2017. 7 mins.
A young engineer wakes up from cryo-sleep during a routine deep space flight. Was it due to a false alarm, or something more sinister?

VOCABULARY 1 (London Premiere)
Director: Becky James. Cast: Emma Roselle. US 2016.
Snakes are dangerous, and butterflies are cute. But is that really the case?

NIMMER (London Premiere)
Director: Lieven Vanhove. Cast: Geert Vandyck, Sarah Eisa. Belgium 2016. 16 mins.
A lighthouse. Two lovers. A dangerous cliff and the turbulent sea. Time is running out.

FEEDING TIME (UK Premiere)
Director: Matt Mercer. Cast: Stacy Snyder, Graham Skipper. US 2016. 13 mins.
When a young woman fills in for her friend on a babysitting job, she begins to suspect things are not as they seem.

REAL GODS REQUIRE BLOOD (London Premiere)
Director: Moin Hussain. Cast: Anna Berentzen, Kirsty Doyle. UK 2017. 20 mins.
A young woman does her neighbour a favour and looks after her young children. But something is lurking in the shadows.

BLOOD SHED (World Premiere)
Director: James Moran. Cast: Shaun Dooley, Sally Phillips. UK 2017. 13 mins.
Jack loves a bargain. And he loves sheds. But when he gets his very own dream shed, it might be a little more than he bargained for.

MONDAY 28 AUG – SPLICE MEDIA DISCOVERY SCREEN 2 from 11:15

TEDDY BEARS PICNIC (World Premiere)
Director: Thomas Hodge. Cast: Abby Miller, Laurence R. Harvey. UK 2017. 5 mins.
When this young mother and her daughter go out in the woods today, they are definitely in for a big surprise.

MAB (World Premiere)
Director: Katie Bonham. Cast: Maria Teresa, Lucy Clements. UK 2017. 15 mins.
Rosie makes strange daily deliveries to an isolated woman in the woods. But one day Rosie needs the woman’s services, which she never imagined.

AN ELDRITCH PLACE (UK Premiere)
Director: Julien Jauniaux. Cast: Ludovic Philips, Habib Ben Tanfous. Belgium 2016. 16 mins.
When Abdel accepts a night watchman job for Francis, he'll soon discover his obscure secret.

HUM (London Premiere)
Director: Stefano Nurra. Cast: Adam Shaw, James Bryce. UK 2017. 15 mins.
A grieving plumber seeks out a disgraced quantum physicist to rid himself of a tormenting "Hum".

DRIP DROP (UK Premiere)
Director: Jonna Nilsson. Cast: Siham Shurafa. Sweden, 2016. 8 mins.
A woman returns home to find there is no water in the house. Later that night, the water returns in the form of a steady drip.

JUDGEMENT (World Premiere)
Director: Sean Healy. Cast: Neil Maskell, Sura Dohnke. UK 2017. 5 mins.
Tom is getting on well with Ann, so well that she introduces him to her son, Jed. But Tom might be in for more than he had in mind….

CRESWICK (London Premiere)
Director: Natalie Erika James. Cast: Dana Miltins, Chris Orchard. Australia, 2016. 9 mins.
While a woman helps her father pack up his house, they are both increasingly aware of the presence that they always knew was there.

HELD DOWN BY A SHADOW (UK Premiere)
Director: Alex Peace. Cast: May Kelly, Katie Marie-Carter. UK 2017. 18 mins.
Scarlett hasn't gone to bed with the light off in a very long time. But every night, she wakes up in the dark unable to move...and she's not alone.

SMEAR (World Premiere)
Director: Kate Herron. Cast: Sophia di Martino, Isabella Laughland. UK 2017. 4 mins.
Chloe has to get a pap smear. Things are going to get messy.

SPECIAL SCREENINGS

THE DOLLHOUSE (World Premiere) Preceding CULT OF CHUCKY
Director: Kyra Gardner. Cast: Don Mancini, Brad Dourif. US 2017. 7 mins.
A filmmaker who grew up with the Chucky doll seeks out the other families surrounding the franchise to get their perspective on life with Chucky.

FLOW (European Premiere) preceding DHOGS
Director: Shelagh Rowan-Legg. Cast: Jamie Birkett, Lucy Clements. UK 2017. 5 mins.
When two women rebels are involved in a skirmish, they have more to argue about than the enemy...

Horror Channel FrightFest runs from 24th - 28th August 2017 at Cineworld Leicester Square and The Prince Charles Cinema.

Single tickets and passes are available to buy online:  http://www.frightfest.co.uk/tickets.html

For full programme details and timetables go to: www.frightfest.co.uk

Follow: @frightfest on Twitter.

FILM NEWS (UK): Horror Channel FrightFest 2017 reveals guest-list, kick-ass trailer and JACKALS joins the pack.

Kane Hodder, Joe Lynch, Adam Green, Don Mancini, Jennifer Tilly, Fiona Dourif, Barbara Crampton, Dominic Brunt, Jason Flemyng, Dexter Fletcher, Annette Crosbie and Steven Berkoff amongst monster guest-list.

Official festival promo trailer

The 150 plus guest-list this year is as vibrant and eclectic as ever, with nearly 40 of the films represented. It is a year when fan favourites are reunited and the new wave of genre talent is firmly embraced within the FrightFest fold.

It’s been five years since Don Mancini and Fiona Dourif raised the Empire roof with CURSE OF CHUCKY and this year they are joined by the irrepressible Jennifer Tilly for the opening World Premiere of CULT OF CHUCKY.  Also attending five years after his previous appearance will be the one and only Kane Hodder, Together with director Derek Dennis Herbert, Kane will be launching his remarkably honest and moving documentary TO HELL AND BACK: THE KANE HODDER STORY as well as supporting another returning favourite, director Adam Green, who will be here to launch his HATCHET redux.

You can’t have Green without Lynch, and ten years since they first put FrightFest on the international map with their brilliant ‘Road to FrightFest’ shorts, they are in the building, with Joe Lynch in town to big up his uber-exciting MAYHEM. And the bad boys of horror have something special planned – a live edition of their famous Movie Crypt Podcast.

Hollywood horror royalty Barbara Crampton lit up FrightFest in 2015 when she presented a record four of her latest releases and the popular icon is back with REPLACE, alongside the film’s director Norbert Keil. Barbara is also one of the NEW BLOOD mentors, alongside prolific 68 KILL producer Travis Stevens and ATTACK OF THE ADULT BABIES director and TV star Dominic Brunt. He will be joined for the film’s World Premiere by producer and actress Joanne Mitchell, and lead actress Sally Dexter.

Attack of the Adult Babies

FrightFest has shown all of their previous movies, so it’s a special honour to welcome directors Julien Maury and Alexandre Bustillo, who will be attending for the world premiere of their exceptional prequel LEATHERFACE, alongside cast members Vanessa Grasse, James Bloor and Jessica Madsen. Also welcome are director Tyler MacIntyre with his superb slasher satire TRAGEDY GIRLS and actor Graham Skipper with his directorial feature debut SEQUENCE BREAK. Another actor making his directorial debut is Jason Flemyng with his comedy horror EAT LOCALS, part of the ‘First Blood’ strand. Jason will introduce the film alongside the cast, including Annette Crosbie and Dexter Fletcher.

Homegrown talent will be present in abundance this year. Director Christian James will introduce the world premiere of FANGED UP with cast members including Stu Bennett, Dapper Laughs (aka Daniel O'Reilly), Steven Berkoff, Danielle Harold, Dan Palmer and Aaron Crascell, DOUBLE DATE has been making a real splash on the current festival circuit and we are delighted to say hello to director Benjamin Barfoot and stars Danny Morgan, Michael Socha, Georgia Groome, and Kelly Wenham. Director Simon Rumley will do the honours for FASHIONISTA, as will director Dominic Bridges and star Mim Shaikh for FREEHOLD, Director Matthew Heaven and lead actor Oliver Towner for ACCOUNTABLE and director Tom Paton with lead actor Mike Beckingham for REDWOOD. Plus, Jake West and Marc Morris will be introducing their lovingly restored version of proto-giallo DEATH LAID AN EGG.

Death Laid An Egg

The FIRST BLOOD strand goes from strength to strength and all the helmers will be around, supported by their cast and crews. Aside from Jason Flemyng, there will be Louis Melville for BOOTS ON THE GROUND, Peter Stray for CANARIES, Hendrik Faller for MOUNTAIN FEVER and Michaël Boucherie for WHERE THE SKIN LIES.

And the list goes on. Internationally, Horror Channel FrightFest welcomes DEAD SHACK director Peter Ricq, DIANE director Mike Mongillo, BAD MATCH director David Chirchirillo, GAME OF DEATH co-directors Sebastian Landry and Laurence Morais-Legace, IMITATION GIRL director Natasha Kermani and star Lauren Ashley Carter, KING COHEN; THE WILD WORLD OF FILMMAKER LARRY COHEN director Steve Mitchell, LOWLIFE director Ryan Prows, RUIN ME director Preston DeFrancis, RADIUS co-directors Caroline Labrèche and Steeve Léonard, THE TERROR OF HALLOWS EVE director Todd Tucker. 3RD NIGHT director Adam Graveley, THE END? director Daniele Misischia and producers the Manetti Brothers, THE GLASS COFFIN director Haritz Zubillaga, MINDHACK director Royce Gorsuch, FREDDY/EDDY director Tini Tüllmann, OUR EVIL director Samuel Galli and INCONTROL director Kurtis David Harder.

In addition, we will be welcoming many producers, writers, cinematographers, special/visual effects artists and composers who will also be supporting their screenings.

PLUS, we are pleased to announce that we will be showing JACKALS, Kevin Greutert’s potent blend of horror thriller, home invasion terror and murder cult chiller. Starring Stephen Dorff and Deborah Kara Unger, this is a tense and claustrophobic experience that will shatter your nerves to the bone. Thanks goes to Tommy Alastra Productions. The film is scheduled for Saturday 25th August, 4pm and 4.30pm in the main screens at the Cineworld Leicester Square.

And there’s more! Who will follow in the bloody footsteps of last year’s inaugural winner Alice Lowe? In its second year, The Screen International genre rising star award once again celebrates the work of an emerging UK genre talent, Hosted by film writer and Screen International contributing editor Nikki Baughan, this year’s five shortlisted nominees will be announced soon.

There’s also the launch of ‘The FrightFest Guide to Monster Movies’ by celebrated writer, editor & critic Michael Gingold, who will be present to sign copies of the book.  The book is exclusively on sale during the festival.

Horror Channel FrightFest runs from 24th -28th August 2016 at Cineworld Leicester Square and The Prince Charles Cinema.

Single tickets go on sale Sat 29 July at 9am and, alongside the few remaining Festival and day pass sales are available to buy online:  http://www.frightfest.co.uk/tickets.html

For full programme details and times go to: www.frightfest.co.uk
Follow: @frightfest @cloutcomcouk

Interview with Producer of WTF! - Steve Parker

From prolific producers Steve Parker and Jody Parker and director Peter Herro comes WTF!, a love letter to classic horror films arriving via Midnight Releasing on August 1.

Three years ago, twenty-two year old girl-next-door Rachel (Ott) barely survived a brutal massacre that left her friends in pieces. Time has passed, Rachel has moved on, but unfortunately history has a way of repeating itself. 

Her close friends are spending spring break in a secluded house in the woods, and they have cordially invited her to join. Little does she realize that another bloodbath will be showing up as plus one. Once Rachel and her friends arrive at the cabin, the partying, sex, and terror begins.

We caught up with Steve Parker to get the 411 on WTF!

How long of a journey has this been for the WTF! Producing team? How did it come about?

Over three years ago Peter brought us the script, and we sent him back to writing with a lot of notes. When he came back a year later, the script worked. Six months later we wrapped production, and then we spent two years in post. We were busy on major projects (Beverly Hills Lizard People, and the best-selling Belgian book series The Dark Numbers) and this was simple enough and Peter was going to do the line producing.

What was the appeal for you?

It was a cute little script, and had great potential.

Was it shot in your neck of the woods?

I’m the weirdo—I’m San Francisco-based. The production was in L.A., and even my business partner Jody Wheeler is based there.

Do you imagine a much different series had a major studio got hold of it?

I think they’d have re-written the details to fit marketing wisdom.

How would you describe the tone?

It’s a very Cabin in the Woods kind of setting where you gradually become aware how creepy and isolated a place you are.

Tell us about the cast….

We found a great cast of newcomers. Callie Ott (Rachel) has a previous feature credit, but for everyone else it was a first feature opportunity. They’re talented, attractive and you’ll be seeing more from the all. Andrea Hunt has a role in the up-coming Awaken the Shadowman, for example.

How has advances in technology opened up doors for filmmakers?

Shot on a RED Scarlet, there are really great cameras and the ability to do VFX and other post magic at low cost helps us make movies that look like a million dollars for a small fraction of that budget.

Can you tell us about your next film?

We’re planning to shoot Beverly Hills Lizard People in spring of next year in Vancouver. An extension of the L.A. subway into Beverly Hills disturbs the underground lair of the lizard people who live beneath it. It should be fun! Look for parodies of the current administration’s cabinet! Kelly-Ann lizard?

WTF! Is available August 1st on Cable VOD and Digital HD

Graham Humphreys' stunning artwork for Horror Channel FrightFest 2017

Horror Channel FrightFest is delighted to present Graham Humphreys’ stunning artwork for this year’s annual Bank Holiday event, the UK’s largest celebration of genre cinema, taking place at Cineworld Leicester Square and The Prince Charles Cinema between Thurs Aug 24 & Mon Aug 28, 2017.

Celebrating a return to one of FrightFest’s former homes (The Empire) and the revival of some familiar characters to the festival line up, such as Chucky, Victor Crowley & Leatherface. were inspirations behind the concept.

Graham reveals: “My image is an attempt to amalgamate the Gothic roots of horror with the 70s Monster revival that saturated the US and UK, inspiring generations of filmmakers that created some of the most successful film franchises and oddities of the last 40 years. Universal monsters meets 70s bubble gum pop. I also thought it would be fun to play with the idea of a FrightFest Phantom, the face behind the best in horror and added the scratches and dirt to make it look like old damaged film stock.”

Interview with Stephen Biro by David Kempf

Stephen Biro has been the President and founder of Unearthed Films Inc. A horror DVD label in the United States. He has written several novels, ghost writes on occasion and writes screenplays. Stephen has recently wrote the film adaptation for the underground comic book, "Bubba The Redneck Werewolf" and is working on the new American Guinea Pig Series. He directed the first film, "American Guinea Pig: Bouquet of Guts and Gore" and wrote and produced, "American Guinea Pig: Bloodshock", directed by Marcus Koch. AGP: The Song of Solomon is about to be unleashed as his second directed film. Stephen just moved to Los Angeles.

Interview with Stephen Biro by David Kempf

When did you first become interested in writing?

Back when I was in the 10th grade. I was atrocious at it though. Took me a long time to teach myself the ins and outs of writing. I will always need an editor though. 

How did you get your start in making independent movies?

Since I have distribution locked and handle international sales for a lot of other films and film makers. It is safer for me to make a movie then the average filmmaker. I have all the venues set in place and don't have to run around, sercing for distribution so it gives me a safer avenue to actually make this a business instead of an expensive hobby. 

How did you get involved in fantasy/horror?

I've always been a horror fan since I was under the age of five. I blame my mother for that. Instead of a quarter under my pillow when I lost a tooth, I would find a rubber frankenstein or monster instead.  I've always been attracted to the darker things in life but mostly I blame mom. 

Is horror a full time job?

Very much so. Handling Unearthed, distro, making my own films, writing books and screenplays all in the horror genre, I have little time to do anything else. 

How would you classify the genre you write?

Theological Horror is my bag. The afterlife, Heaven and Hell, demons, possession. I've been thru quite a lot of it. It's not often you talk to someone who admits they have met the Lord and the Devil and have been to Hell... but I can. So, i write from the heart and soul of my experiences. It's what Hellucination is all about. 

Why do you think horror and fantasy books remain so popular?

People need an escape or they need to have questions answered about who they are and why they exist, so I figure were all searching for something and horror and fantasy can make us ask those questions and keep it hidden within the confines or a fantasy story while horror can delve into our nightmares and show us who we really are as people. 

Why do you think people are so fascinated by the Devil?

The ultimate turn away from all that is Holy. The other side of good... everyone thinks they are good, but are we really? Lucifer is the opposite of the Lord and is used as a scapegoat many times over in this world but then again, the war between Heaven and Hell has been raging since the beginning of time and while we are stuck in the middle, pawns in the ultimate game of chess we don't see but can feel. He is a fascinating character and has been given many attributes, some false and others, on the nose. 

If you remember, “He Man and the Masters of the Universe”, everybody loved Skeletor... I didn't like He Man at all. I always wished Skeletor won, just once. Now this doesn't mean I want Lucifer to win the battle for Armegeddon because he does win his share of battles because the pawns, really don't know the arena they are stepping into. 

I could go on and on... 

Demonic possession. Are you a believer or a skeptic?

Believer, but it's totally different than what movies portray but yet, the same in many ways. That person who killed their family and said that the voices told them to do it... very much so. Some people have the Id and Superego, angel or demon on your shoulder. Some people do not. Psychologically there is the Id and Superego... so when science has a term for the angel and demons on our shoulders... that should give us all pause. 

What inspires your stories?

God, Satan, Heaven and Hell... My trip to Hell would change any man or woman. My dealings with things from the other side has changed my perspective and I cannot write about anything else now... Even my screenplay, Bubba the Redneck Werewolf, a goofy horror comedy has the Devil show up to down and begin his sheenanigans. So yeah, imbeded into my soul so to speak. 

What do you think the difference between American horror and British horror is?

British is more classy, gothic while American is more in your face. That could change but Hammer Horror really did change the landscape that I don't think you can ever get away from. 

What are your favorite horror books?

Early Clive Barker, early Poppy Z Brite, Dantes Inferno (You knew that was coming) Paradise Lost by Milton and Hp Lovecraft. Some King and of coarse, William Peter Blatty.

What are some of your favorite horror movies?

Guinea Pig Films, (Original) Hellraiser, Frontiers, A Serbian Film, Salo, Cannibal Holocaust, Opera and Tetsuo the Iron Man

What do you consider your greatest accomplishment as an author?

Getting that late night message from a reader who says they haven't been able to sleep well after reading one of my books. I actually get a lot of them since my books usually push the boundaries of what a book actually is. Their more of a thought experiemnt and I usually force the reader to answer questions in their own minds about what life is about, what do you believe and who you are as a person. Some people are not ready for those sort of questions when they pick up a book to escape from the normal realities, of our reality. 

              

Do you have any advice for new writers?

That's a hard one since the industry is flooded but this is my best advice. Write what you know. What affects you as a human being and make your voice stand strong and proud and allow the characters to envelop your mind and give them the room to grow so they can explore the boundaries of your own mind and don't ever stop them from going to places you don't want to go to. That is the magic of writing. 

      

What is your opinion of the new self-publishing trend?

Flooded the market and makes it hard to find the diamonds in the rough. I love it, since it gives everyone a voice but if everyone has a voice, it's hard to hear the actual ideas and novels you want to find and read. It just made everyone choosier so a lot of talent is falling to the wayside.  

What are your current projects?

Finalising the sound design on The Song of Solomon, working on A Serbian Documentary, working on the Extended cut of A Serbian Film, Working on The Unnamable full restoration, color correction and working on several releases thru Unearthed Films

Please in your own words, write a paragraph about yourself & your work. 

My name is Stephen Biro. I used to be a comic book collector and I am still a ravenous horror hound. I got to a point in my life as to were I had to search for God using anything I could to accomlish that goal. I have. I have used enough LSD and nitrous oxide to peel back the layers of reality to find the Lord, the Devil and I have been to Hell, and I have achived Salvation. Not all was drug induced mind you.  Since then, I have used films, books and visual interpretations to spell out the war between Heaven and Hell and I have done it in a way that has never turned anyone away. I'm a theologian and I am a gorehound and I understand what you must be thinking as you read this. Luckily, I am who I am and I no longer fear death and I will embrace it.

Stephen Biro Links

Unearthedfilms.com

Interview with Justin Price - Writer-director of ALIEN : REIGN OF MAN

Is it hard to write scares into a screenplay? We wanted to find out so we sat down with Justin Price, writer-director of ALIEN : REIGN OF MAN, out this August to find out.


Writing, directing and producing – quite a workload for one person.  But would you have it any other way?

Times they are a changing! What is so great about the times we are living in is people are more receptive to other ways of creative expression. That is exciting. I believe in order to break down barriers it takes a collective of people recognizing that they can be infinite. No borders or constraints on their creativity! That is what I have pieced together at my company Pikchure Zero Entertainment. The world is filled with people who have dreams and then decide for one reason or another that time has passed them bye and it has been a blessing to be able to discover great hidden talent.

We worked with a phenomenal actor who was spending most of his time running pageants and working in the medical field. All great things, but as an actor Johnny Llanes truly shines! It is because I am free to create that I am allowed to have my hands on all aspects of the vision. That is what is so liberating about wearing a lot of hats. I also think that if you have the talent to do it, then why not? I used to concern myself with being a jack of all trades and a master of none, but as time has progressed I think it’s far worse to be a phenomenal dreamer of ideas that end up in the graveyard. I am excited for my first foray into sci-fi with Alien Reign of Man which is releasing August 01, 2017 on VOD and all digital platforms!


Are these films easy to get up that you do? All privately financed I imagine? 

I don’t think any film is easy to do. All films are a collaborative effort and regardless of what people may assume, there aren’t many cheap films. It takes a lot of work to make a supposed “bad” film.  A lot of time and money. There are levels to this. We always begin with what we want to say and we check the temperature of the audiences. I may want to tell a story about a famous serial killer but if at the time the world is really in the mood for family and coming together, it wouldn’t be a good idea to create “the Jeffrey story”.  And then my producing partners KHU and Deanna Grace Congo and I sit and either look through scripts we have an affinity for or think of things we want to see made and weigh the DIGAD process. Which stands for “do I give a damn” because ultimately time is our most valuable resource. And then we go from there. Again no film that is released to the scale that we release them are just put out to youtube unchecked and at our convenience.

Just going through the QC process alone costs thousands. And those guys don’t put films out because they like them, there has to be technical things passed in order to ensure it even makes it through to the major outlets. So most of the time there are things cut and moved that may have changed what a film looked like.  What has happened with this great explosion of technology and access is people have come to learn only part of process and stages of things and in an attempt to sort of understand quickly, no one does research. Anyone that is in a position to release a film or interview talent, didn’t just wake up and hit enter and all things were easy. So for everyone reading just think about a movie taking eight months of multiple people’s lives to create and it was all for one hour and thirty minutes of entertainment for you. We do this because we love the craft. And no amount of money or budget will ever usurp that no matter what. A lot of people uplift people working with large budgets and studio resources and I would challenge you to bring those people to our playing field and see how long that mind set lasts. As in pound for pound I believe it takes just as much skill to figure out how to light talent in Iceland with limited resources as it would to build an Icelandic stage and VFX ect ect for 10 million.

Did the script change much before it went before the cameras?

 Yes, every time I write a story I have to be open to the possibility that things will change. Alien Reign Of Man started out as this shoot em up bang bang film with a creature lurking in the shadows. But it just felt formulaic and we thought it would be much more interesting to invest our time and money into actually exploring places not seen in film. To let it be more of a character driven film about discovery. I think it made the film more intimate.  There are locations in this movie that are just lensed beautifully.  And being able to have a company that sees beyond the normal paradigm in Uncork’d Entertainment has proven to be paramount in the success of this creative freedom.


How did you pick your cast? 

Angela Griffith and Mary Smith do a great job in finding talent for most of our projects. We are all multi-hyphenates so we sort of jump from behind the camera to in front of the camera as well. KHU does a great job as the lead in this film. As I mentioned up above, this creative freedom allows us to say to hell with stereotypes. This film is 80% female and there are African American people in space doing more than plotting courses or mapping out shuttle trajectory. I am excited to have that opportunity. Every movie we do it truly is about who fits the character and what makes the film better. It is my great joy to have the privilege to cast this way.

Is it hard to write scares into a movie? 

Yes! Again I have to make sure I say this twice. Movies are hard. Audiences are watching films as if they are preparing for a 401k retirement. There are stats and critic comments and IMDB ratings. You could surmise that every movie goer is there making a small investment into your future. So thank you! I mean it’s that hard to grab attention now a days, so I never take it for granted when someone wants an interview or people rent or buy our movies. That is amazing. There are over a billion films and somewhere around 50,000 films made this year and people are taking the time between t.v. and social media to watch something we created, then we must be on the right track. So yes its very difficult to try and “sneak in” a scare. The one thing I pride myself on with every film I have made is there aren’t any true rhyme or reasons for my tone and movement. In Alien Reign of Man, I promise you audiences wont watch it and go “next scene I bet they are surrounded by floating planets “.


You also have another movie coming out, a romantic comedy, can you tell us about it. Just how different was it working on that to Alien : Reign of Man? 

“Almost Amazing” comes out October 06, 2017 to all the digital platforms ITUNES, HULU, AMAZON PRIME, and VUDU. It was produced alongside Matthew Simmons and Eddy Herrero and Shaun Cairo. A Pikchure Zero Entertainment production, “Almost Amazing” follows three guys who are working for a breakup company and trying to come terms with the fact that they may be in love with the girls they were hired to break up with.  It was awesome working on a Romance. Taylor Carter and Alisondra Alexander are the two leads and they do a phenomenal job. Again just undiscovered dynamo’s! I can’t wait till their performances are on display in this film.

It was great working on this film because usually these films are labeled “black” or “urban” which is odd to me. So I made sure that I put a lot of people on the cover and made the most open story I could. I didn’t want anyone working at a music studio and somehow selling guns and ect. We actually were told that the film was lacking that “black” appeal by some major networks. To that we say thank you! Because there is a fine line between paying homage to the culture and also not seeing that there are ways to advance story telling beyond stereotypical troupes. So as with Alien Reign of Man, it was great to be able to challenge the cast and the audience to go on a different journey.


What’s the best horror film of all time, in your opinion? 

Ex Machina – I believe it was one of the greatest movies of this century. It was terrifying to me because what made it scary was the concept behind man’s inability to come to term with our own mortality and just the nuances and performances bring to light how far removed from reality we are. It was like holding a mirror up to society and saying –look! Anytime you can make people think without it being educational, then that’s scary. Melancholia was close second. That ending scene made me feel chills. Everytime I watch it I just put myself in there shoes. Where are you going? What would you do? The world is going to fkin end and none of the fancy linen and speeches can save you. Brilliant!

ALIEN : REIGN OF MAN out on VOD August 1, 2017.