Showing posts with label David Kempf. Show all posts
Showing posts with label David Kempf. Show all posts

Thursday, 3 October 2024

Interview with David Kempf - By Jon Donnis

David Kempf

I have known David for a few decades now, so who better to interview David than myself about his new book, so David tell us about Ghost Stories.

It’s my new short story collection of ghost stories, sometimes the ghosts are good, sometimes they are bad, but they always seem to frighten us mere mortals.

Why do you think readers are still interested in ghost stories?

I’m actually going to give readers a preview of my new book by publishing the book’s introduction here—

Ghost stories are found in all cultures all around the world. Storytellers have been using the oral tradition to tell these scary tales for many centuries now. The most famous English ghost story is probably A Christmas Carol by Charles Dickens, although Oh, Whistle and I’ll Come to You, My Lad by M.R. James is a strong contender for second. The most famous American ghost stories are The Haunting by Shirley Jackson and, of course, Peter Straub’s Ghost Story. Another signi"cant ghost story novel is Haunted by Tamara Thorne. The most famous American ghost story of all time is, of course, The Legend of Sleepy Hollow by Washington Irving. I have always loved haunted houses and castles in stories, fairy tales, and live haunted house attractions. I've tried my best to write ten entertaining and diverse stories to frighten you, or at least to entertain you.

I’ve never met Peter Straub, but his novel Ghost Story and the 1981 movie always inspired me to someday write my own ghost tales. I do have the honor of knowing Tamara Thorne, a truly magnificent writer of ghost stories. Sometimes she writes them solo, and sometimes with her writing partner Alistair Cross. We have found much in common with our love of horror and ghost story novels and tales. She and I are also huge fans of John Carpenter’s The Fog, perhaps the best sea-themed modern ghost movie ever made. We also agree that the movie version of Ghost Story with Fred Astaire is magnificent and that perhaps the most underrated ghost story movie of all time is The Changeling, starring George C. Scott. I am deeply honored that she enjoys my short stories and that she has written several short story intros for me over the years, including two in this collection. So please read the tales slowly. Ghosts are not like vampires or witches; they are subtle. They make you question whether something you saw was real or only your mind playing tricks on you. They bend reality for a brief moment. That’s what ghost stories are all about. So dear reader, read on,read aloud if you dare, and above all, read these stories at night. Perhaps you can decide if this is real or all in your mind. Not a bad way to spend an evening.


— David Kempf, September 2024

What would you say is the difference between writing about characters either from mythology, or characters created by other authors, as opposed to writing about characters you yourself have created?

Ghost stories have a long history but for the most part I am inventing almost new characters both living and dead in this new short story set. The one exception, of course, is I touch on the subject of a haunted island and sea monster folklore. In that story, Banshee, I actually borrow from Robert Louis Stevenson from Treasure Island because I mention Long John Silver in an eerie local island legend. This time I don’t blatantly steal like I did in Tales of Monster Madness where I use Dr. Jekyll and Mr. Hyde in a story. A story mixed with Oscar Wilde’s Dorian Gray as well. The characters are mostly kindred spirits in that they are created by me in this one. Pun intended.

Why do you think horror and ghost story books remain so popular?

Jon, I think they're something you and I can really enjoy. And we’re far from being alone on this. As you know almost every church has a ghost that haunts it in England, (Yes I know you don't believe in ghosts, but the stories, real or not are told). And of course I feature some characters who claim some type of clairvoyant or psychic ability. That’s something I know is right up your alley, except of course the skeptic can’t always be too sure of his lack of belief in order for the story to move along nicely.
What inspires your stories?

Well, I write about what I want to write about. I wanted to write about the Jinn and the wish gone wrong and then I wrote my Dark Fiction trilogy. When the idea of mashing up these classic monsters popped into my head, I just went with it and wrote TALES OF MONSTER MADNESS. With this new one GHOST STORIES I wanted to touch on all the ghost story lore I liked. I wrote one ghost story and could not stop. I started writing them one by one, and then next thing I knew I had an entire collection of them. Last year I thought "Dracula vs. the Wizard of Oz"? Now who could resist that? Now I’m thinking that I have ten great stories that were well enjoyed by some of the best ghost story authors out there. And if they could not resist then how can you?

What do you think the difference between American horror and British horror is? In this case in terms of ghost stories.

I think that ghost stories are probably more popular in England than here in America. When America was young in the colonial days, ghost stories were probably a much bigger thing. Despite the Andy Williams song It’s the Most Wonderful Time of the Year, Americans love the idea of ghosts for ghost tours, older stories, occasional movies, and especially for Halloween. Telling ghost stories is big in England. We had Poe who really only hinted at ghosts but we do have Hell House and The Haunting of Hill House. England still has more ghostly tales. You tell them over Christmas and every church has it’s own famous ghosts. There’s more ghostly characters and legends on the other side of the pond.


Is there an audio-book version of your book?

Sadly not yet. Podcaster Boo Rhodes and my narrator Wesley Critchified have expressed an interest in it but I am busy turning FOUR MURDER MYSTERY PLAYS into audio dramas right now. And I have pretty much a dream cast for the voices.

Why did you sell the stories individually before putting them together in one book?

I did it so that anyone who wanted to get a sample of my work could so so. And usually it’s the remarkable cover art by my cousin Heather Slawecki that gets people to make that one dollar investment in my written word.

Tell us about the various authors you have had write introductions for the stories.

Years ago, I read a book called My Favorite Horror Story, and it featured an introduction before each short story. Usually it was a favorite short story of certain write like Harlan Ellison or Peter Straub. Anyway, it was a great book and I got to be introduced to a number of authors and short stories that I had never previously heard of. I loved the heartfelt introductions idea so I asked some of my writer friends to write intros for me. Gary Raisor, Lorraine Evanoff, Tamara Thorne, Boo Rhodes, Andres Montanez, Michael Baker, and a gentleman by the name of Jon Donnis wrote the intros. I also owe a huge debt to my editor A.L. Sirois, and my cousin Heather Slawecki for covers and formatting. I was very proud of the book that these collaborations produced.

What do you consider your greatest accomplishment as an author?

Wow. Writers always think there current book is there best work but in this case, that might actually be true! But I’m not sure. I really loved TALES OF MONSTER MADNESS last year, and this year GHOST STORIES is my best work. I guess I should just say my greatest accomplishment is always striving to do my best work.

What are your current projects?

I would like to concentrate on writing the short stories. I’ve written ten stories based on classic monster characters but I am not done yet. I just wrote ten ghost stories in a collection and next for me is ten dystopian stories in the future.

And we all know I fully intend to keep writing for Masters of Horror U.K. for as long as I can.

Well it has been a pleasure talking to you David, and I wish you all the best not only for this latest book, but for all your future work. Thank you.

Ghost Stories is out now on Kindle, check it out at

Friday, 13 September 2024

BOOK ANNOUNCEMENT: Goths by David Kempf

 

Goths by David Kempf

Our very own David Kempf has a new short story out, and he asked me if I could write the foreword for the book, you can read the foreword I wrote below, and check out his book on Amazon using the following link. https://amzn.to/3XrIQOs



Friday, 13 October 2023

Interview with David Kempf - By Jon Donnis

I thought I would turn the tables on our resident interviewer Mr David Kempf, and interview him myself for his new book Tales of Monster Madness. 
Out now on Kindle and Paperback at https://amzn.to/3PMC4io


Tell us about Tales of Monster Madness.

It’s my new short story collection using classic horror and monster characters.


Why do you think readers are still interested in classic monsters?

Classic monsters have really stood the test of time. Both in books and movies. I remember when I was a kid and I used to watch classic universal monsters on Chiller Theater. Dr. Shock and his sidekick Dingbat, a silly bat puppet, hosted Chiller Theater, and there was a show called Shock Theater in Chattanooga Tennessee.

It was really a great show and I used to be really happy and excited to always see what monster would come up next. In-between showing movies, he did his silly skits and it was very enjoyable especially when I was really young. When I was a bit older, I saw Mad Monster Party, which I loved because it had stop motion animation, as well as every single classic monster that I could think of. When I got a little bit older, I watched Kolchak: The Night Stalker with my grandparents, and I was hooked on horror. Years later, I won an award on my paper on Bram Stoker’s Dracula. This was at the student research conference at Millersville University where I got my degree in English.

The same year, I won a short story contest where I wrote a horror tale about the eyes of the serial killer being put into an innocent blind man. What happened to the blind, man? You can draw your own conclusions. Now, I have published six novels and more short stories than I can count.

I love Halloween and I love Night of the Living Dead, but nothing compares to the classic monsters. Thanks to some amazing characters being in the public domain, I can now proudly say that I have my own original stories about Count Dracula and the Invisible Man. It is my hope that you will enjoy reading and listening (the audiobook is coming soon) to these stories.

And if you love the classic monsters, as much as I do then, perhaps you can write some stories of your own. There are all these great characters and worlds to be explored. Writers are only limited by their imagination. 


How is it different to write about classic characters as opposed to the ones you created for your own novels and short stories?

I just imagine what it would be like to be them. That’s the same as bringing my own characters that I have created except with Dracula and the Invisible Man, people are already very familiar with who I am writing about. It’s quite fun to create your characters but I get a special nostalgic enjoyment out of writing about the creatures of the night I grew up with.


Why do you think horror and fantasy books remain so popular?

Jon, I think they really tap inside something that is inside of all of us. Dracula is immortal, Dorian Gray is immortal, and who wouldn’t want to be invisible? Well, at least invisible for the day. You can clearly see how the invisible man has lost his mind and why, in my own story as well as H.G.Wells’s classic tale.


What inspires your stories?

Well, I write about what I want to write about. I wanted to write about the Jinn and the wish gone wrong and then I wrote my Dark Fiction trilogy. When the idea of mashing up these classic monsters popped into my head, I just went with it. I started writing them one by one, and then next thing I knew I had an entire collection of them. Dracula vs. the Wizard of Oz? Now who could resist that?


What do you think the difference between American horror and British horror is?

Despite my English friends complaining about censorship of horror in the U.K, I agree with Clive Barker that Americans are more easily shocked than the British are. This is the birthplace of Dracula, the Frankenstein's Monster creature, Dorian Gray, and the Invisible Man. We have Edgar Allan Poe to our credit who many consider the only true American genius.


Tell us about the audiobook version of your book.

For the first time ever I am going to have an audiobook version of my work. The actor who reads the stories is Wesley Critchfield. He did the readings of some of my short stories for a podcast called Dead Airwaves. The podcast features stories from such authors as William F. Nolan, Richard Christian Matheson, Elizabeth Massie, Rod Serling, and my friend Gary Raisor. I am honored to be in their company Wesley is a great narrator and I look forward to working with him more in the future.


Why did you sell the stories individually before putting them together in one book?

Hey, who wouldn’t pay a dollar to be scared for a few minutes? That’s just how I started doing it. Besides, I also include short segments from classic authors, usually quotes that you may have forgotten about. Even a very short story first, before my short story begins. Lots of people have Amazon Prime so the story will essentially be free for them.


Tell us about the various authors you had write introductions for the stories.

Years ago, I read a book called My Favorite Horror Story, and it featured an introduction before each short story. Usually it was a favorite short story of a certain writer like Harlan Ellison or Peter Straub. Anyway, it was a great book and I got to be introduced to a number of authors and short stories that I had never previously heard of. I loved the heartfelt introductions idea so I asked some of my writer friends to write intros for me. Gary Raisor, Lorraine Evanoff, Tamara Thorne, Chris McAuley, and Richard Alan Scott wrote the intros. I also owe a huge debt to my editor A.L. Sirois, and my cousin Heather Slawecki for covers and formatting. I was very proud of the book that these collaborations produced.


What do you consider your greatest accomplishment as an author?

Wow. Writers always think there current book is their best work but in this case, that might actually be true!


What are your current projects?

I may write another novel again someday but for now, I would like to concentrate on writing more short stories. I’ve written ten stories based on classic monster characters but I am not done yet. I want to write ten ghost stories in a collection and perhaps ten dystopian stories in the future.

And we all know I fully intend to keep writing for Masters of Horror U.K. for as long as I can.

David, as always it has been a pelasure speaking with you, and I wish you all the best on the new book.

"Classic horror monsters never die. Like Count Dracula, the Great Old Ones, Scrooge's Christmas ghosts, and the stories of Edgar Allan Poe they continue to haunt readers. Now these legendary characters are going to meet for the first time. And for some, it will be the last time."

Out now on Kindle and Paperback at https://amzn.to/3PMC4io

Reviews:
"You'll have a bloody good time..."
—Richard Dyszel, (Count Gore De Vol), Creature Features Horror Host

"A rich feast indeed."
—William F. Nolan, screenwriter--Trilogy of Terror

"Leaves the readers' perceptions shaken and stirred..."
—Daniel Thomas, sound editor--Salem's Lot and The Blackout

"...genuinely thrilling..."
—Nicholas Grabowsky, author of Halloween IV: The Official Movie Novelization

"Buckle up, buttercup!"
—Gary Raisor, contributing author --The Horror Show and Cemetery Dance

"David Kempf looms large in the future of horror."
—Tamara Thorne, author of Haunted and Old Wives Tales

"I like where this series is going."
—Lewis Schoenbrun, Editor--HBO's Tales from the Crypt



Monday, 12 September 2022

Interview with David Kempf - By Jon Donnis

So this is lucky Number 13?

Yes, Jon, it is. Counting all the plays and the kids' books plus the novels...this is my 13th book. 

Starting with Dark Fiction all those years ago, this is my 13th book. The Wager of Sin is the sequel to Dark Fiction and Damned Fiction. It is the conclusion of the trilogy. Although it does have the character of Andrew from Travel Bug who is somewhat loosely based on my son Andrew. It also has Christopher from Dark Fiction and Damned Fiction.

And of course, Dr. Henry David Wells. 

Yes, of course. He is my most heavily used character. He is a professor, a writer, has lived an unnaturally long life, and holds many deep, dark secrets. He is a mystery that is gradually solved over the course of every book and this one is no exception I promise you. The first one (Dark Fiction) was about his Faustian deal with the Jinn. The second book (Damned Fiction) was about his competition (with his former student Sarah Nolan) to write the Devil's life story. This one continues the tale of the last story but it also concludes the trilogy. 

That is some title. 

Coming from Romans 6:23 in the Bible, "the wages of sin is death," I think it was an interesting play on words for their competition to write the Devil's life story. The story gives the full meaning of the title at the conclusion. 

Sounds like a twist. 

Yes, and I consider it the best twist ending to a novel or short story that I have ever written. 

Is the character of Satan as important in this one?

No, it is actually much more about the inner minds and souls of our competitors Dr. Wells and Sarah Nolan. The short stories featured in the novel also reflect what is going on in our world now. The relationship problems between men and women, economic uncertainty, freedom of speech, and the way horror films have deteriorated into the masked boogieman who, of course, has nothing to do with us.

Does this book feature more or less humor than Damned Fiction?

Less humor and more pure horror to speak of. It feeds off exhilaration and terror as Ray Bradbury might have said once. My last novel They Laughed at Me was very dark but filled to the brim with humor because it was about a comedian on house arrest. The horror within these pages is more about the human condition than the supernatural elements of some of my other stories. It would be like a haunted house story but one that was more concerned with haunted people than what invisible forces occupy the house itself. 

I assume there are still supernatural elements within the story.

Oh, yes, sinister forces are at work indeed. 

Do you have a favorite blurb?

"Two writers vie to tell the Devil's story. One pens the tale, the other dies horribly. The writer who dies is the lucky one."

— Gary Raisor, author of The Old Black Hat and Occupational Hazzard 

That's a good blurb.

Your blurb is also my favorite.  

"With The Wager of Sin, David completes his trilogy with a remarkable twist ending worthy of Psycho and The Twilight Zone."

— Jon Donnis, Editor Masters of Horror U.K. 


Speaking of humor. We never did an interview for your novel They Laughed at Me.

Well, that was a fun book to write. It was a novel that concentrated on humor, but is a dark sort of gallows humor. It was a story about an alcoholic comedian on house arrest. He snuck out of his apartment to do his comedy routines even when he was on house arrest. Jack Lively the main character was featured briefly in my novel Damned Fiction but They Laughed at Me is a prequel and he is in every conceivable way the center of attention here. It was very cathartic to me and I quit drinking myself around this time. And, of course, Dr. Wells has a little cameo in it as he does in almost all of my books. 

Finally getting a review from Kirkus was nice, and thank goodness it was a good one.

https://www.kirkusreviews.com/book-reviews/david-kempf/they-laughed-at-me/

Tell us about Four Murder Mystery Plays and your interview with NBC Radio's House of Mystery

Well, I am a huge fan of Ira Levin's DeathTrap and Agatha Christie's The Mousetrap. It's no secret what a huge fan I am of Edgar Allan Poe so the detective character in the play is a distant relative of Dupin. Poe is, after all, the father of the modern detective story. That way I could put some gothic horror moments in the four stories, they are all different one-act plays but all feature that one character. Andre Dupin is sort of my theatrical equivalent of Dr. Henry David Wells in my novels of fiction. The amazing thing is that people who are actually in rehab have been enjoying reading these plays in group and that means a lot to me since all four stories deal with addiction in some form. The plays have received mostly positive reviews but the best I have done in play competitions is winning semi-finalists. My friend Jeffrey Oliver helped me get connected to Al Warren and David North Martino to be on their radio show NBC's House of Mystery. It was a great experience to talk about my plays as well as my favorite authors, and of course my own novels.

https://shows.acast.com/houseofmysteryradio/episodes/david-kemp-four-murder-mystery-play

A sense of accomplishment. 

Yes. In concluding the trilogy, there is a great sense of accomplishment. 

Your book covers are getting more and more amazing. Why is that?

My cousin Heather started a publishing company called Graylyn Press. She does book covers and editing. She's also a writer. She wrote a murder mystery trilogy called The Element Mysteries. They are Element of Secrecy, Element of Danger, and Element of Truth. You actually interviewed her and it is on this site. I love the cover she did for this new novel. 

What's next?

Well, I've worked with some wonderful people like you, Jon. I already mentioned my cousin Heather who is a great editor and collaborator.  My other editors have been wonderful as well—A.L.Sirois, a wonderful writer as well, Erin Potter, a great talent, and the playwright Colette Freedman who helped me write four plays I am quite pleased with. 

Ultimately, this trilogy and my other work have been the fulfillment of a dream to tell the best stories about the human condition that I could. I loved horror books and movies as a kid and when my number is up someday, I am happy to say that I did it. I told the best stories that I could. In the meantime, I will be working on a box set of my trilogy with Graylyn Press. Other than that, we will just have to see. I go wherever my imagination and my muse guide me.  

https://www.graylynpress.com

Get The Wager of Sin Kindle Edition by David Kemp at the link below.

https://www.amazon.com/gp/product/B0BCS7D1CH/

Thursday, 13 September 2018

Interview with David Kempf - By Jon Donnis


David Kempf has written over fifty short stories, many with themes of horror fiction. He has won several writing awards including first place in Millersville University's Lemuria magazine's short story competition. Two of his short stories were selected for the 2007 publication of The Grackle.

In 2014 he wrote The Horror of It All, featuring interviews with prominent figures in the horror community. All the proceeds from that book went to help those suffering from ALS.


So this is your fourth novel?

Yes. Dark Fiction, The Petsorcist, Travel Bug and now this one, Damned Fiction.


With a title like Damned Fiction, I assume this is finally the official sequel to Dark Fiction. 

Yes. This new noel Damned Fiction is an official sequel to my first novel Dark Fiction. Although one of the characters (Dr. Henry David Wells) is in The Petsorcist, it is not a sequel to Dark Fiction. Christopher and Dr. Wells (from Dark Fiction) are mentioned in Travel Bug but once again, it is not a sequel. Damned Fiction takes place about a few months after the events of Dark Fiction. This time out, Dr. Wells and Christopher do not have to deal with the evil wish masters known as the Jinn. They must deal with the Devil himself who is interested in finding a writer worthy to write his biography. Thus the title Damned Fiction.


Dr. Henry David Wells is the central character once again. Why?

I suppose because he is my most intriguing character. His Faustian bargain with evil forces in the first novel made him interesting. Now he is literally about to do a deal with Satan himself, with the Devil. He has unnaturally long life, the man fought with the British during The Revolutionary War. Now he is an American college professor and bestselling horror author. He is an extremely promiscuous man as well as a tragic hero and everyman. Wells is the opposite of Christopher who is essentially goodness incarnate. Christopher is the Christ figure, just like his name he is the Christ-bearer, the hero, the force of good. Not Wells. He is good and evil coexisting. There is simply no other character I enjoy writing about more than Dr. Wells.


Tell us about how you came up with the premise for this one. 

Well, I thought about how Dr. Wells has already made a Faustian deal with the Jinn so it would only be a natural progression to take the next step. To watch him deal with the Devil himself. I also assumed that if Satan returned to earth he would want to have the number one bestselling book on Amazon. I thought that would come natural to us just like it does to all of us. There is also another key element with the Sarah character and what she writes about. I want to keep that a secret for now. Christopher’s goodness and selfless nature also plays a key role in fighting against Satan’s plans but I hope people will read the book to find out for themselves what I mean.


How would you classify the genre you write?

I honestly don’t know. It’s fantasy, horror, science fiction, drama, comedy and tragedy all mixed in together. It’s whatever works and whatever I need at the time.


Why do you think people are so fascinated by the Devil?

Funny you should ask that. I was just watching The Exorcist again the other day. The movie never gets old. I mean people are afraid of the unknown and we don’t want to take full responsibility for the terrible evil that humans inflict upon each other. Men have been slaughtering each other for thousands of years. We don’t want to blame nature so we need to blame a supernatural being that influences us if we will it or obey it or whatever. Believing in the devil preys upon our deepest fears of an invisible world in this world and the one that is to come. The Devil is also a symbol of man’s vanity and this narcissistic culture is fascinated by fame more than fortune these days. So I can see many people who would sell their soul to him for glory. I know Dr. Wells would at least be willing to hear the Devil’s presentation!


What your favorite stories and books about Satan?

Well, Milton’s Paradise Lost, Dante’s Inferno, Faust, Christopher Marlowe’s Doctor Faustus, Washington Irving’s The Devil & Tom Walker, Ira Levin’s Rosemary’s Baby and William Peter Blatty’s The Exorcist.


What are some of your favorite films dealing with the Devil?

The Exorcist, Rosemary’s Baby, The Ninth Gate, The Devil’s Advocate, Angel Heart, The Omen, Bedazzled, Legend, John Carpenter’s Prince of Darkness, Spawn, Legend and Needful Things. The irony is that movies like The Empire Strikes Back, The Lord of the Rings: The Two Towers and The Dark Knight were bigger influences on this novel. That’s because these films were all important central parts of a trilogy or even sequels that could stand on their own. In that way I guess I hope this book is similar to The Godfather Part 2.


So the Devil wants to be the number one bestseller on Amazon?

I think that goes without saying.


Is this straight horror or a mixture of comedy and horror like your previous book The Petsorcist?

There is some tongue and cheek stuff, yes. I mean, come on, the Devil has been done to death. He has been done to terrify, enlighten, educate, warn and entertain. He has been used by religion to scare people into submission and by writers and playwrights as a punchline to make people laugh. I chose to walk a line in-between to make the reader laugh uncomfortably throughout the novel. That was my desired goal anyway.


Why the release date of May 5th?

I am superstitious so I just thought I would get it out on Smashwords anyway on May 5th. That is when Anne Rice published Interview with the Vampire in 1976, one of my favorite novels.


Why did you choose to write actual people as characters in this novel?

Oh, like real life writers and artists? Yes, I thought that would be a nice touch. Something interesting, you know. It’s a longstanding literary tradition like making fun of real life people who have wronged you as thinly disguised characters in your books. In this case, though, I use the actual names of real life people I admire and look up to. Jon Donnis, the editor of Masters of Horror U.K. comes to mind. As for thinly disguised characters with a different name used for petty vengeance, I think we know I am much too mature for that sort of thing.

   
Why are you choosing to make the novel permafree on Amazon?

It’s not like I am a household name or anything. A free book could possibly attract readers to my other work. It’s kind of my gift to readers of horror, fantasy and science fiction.


What are your current projects?

I will be working on promoting The Wisdom Tree, a children’s book about addiction I wrote with my eight-year-old Andrew this summer.


What’s next?

There is a laundry list, I think. I have a book that pays tribute to Arthur Machen, a very dark novella about a comedian on house arrest, a novel about a psychotic novel editor, lots and many unedited books. I wrote the first and second drafts but never actually bothered finishing getting the final edits done. In a weird way, I think I have already finished my life’s work; I just have to essentially get the stuff edited. Before I bother with that, I will finish up with the sequel to Damned Fiction, to really conclude the storyline of Dr. Wells, Christopher and all Faustian dark fiction literary bargains. The working title of the novel is The Wage of Sin.

Links:
Amazon
Official Website

Saturday, 16 July 2016

Exclusive Interview with David Kempf About His New Book Travel Bug

I have known David Kempf for many years now, and we have had a great relationship, whereby I have published some of his short stories on this site, as well as interviewed him many times regarding his various books. David is a highly intelligent man, with a great and unique writing style. I was very happy to sit down with David and talk not only about his new book "Travel Bug" but also about he started in writing and his interest in Horror and Fantasy, so sit back and read this interview.

When did you first become interested in writing?
I was never good at math or science so naturally I was attracted to English. I majored in English in college; writing papers saved me from low grades in other subjects. When I was in high school and college, I wrote screenplays for the short movies my friends and I made. After graduating from college, I wrote for local newspapers doing small-town news events, feature stories and movie and theater reviews.

How did you get involved in fantasy/horror?
I guess I’ve always been interested in it. When I was a kid I liked Scooby- Doo and the stop motion animation movie Mad Monster Party. That’s when I was very young. When I was a little older I liked watching the classic horror movies like Dracula and The Wolf Man. On TV I liked to watch creature features and Ultraman, Johnny Sokko and His Flying Robot was also a favorite. The first horror novel I ever read was The Shining and then I read Jaws. Edgar Allan Poe followed and I was hooked on reading horror. Star Wars and Alien also inspired me, the books and the movies. I wrote short thriller stories in college and grad school for the local fiction magazines Lemuria and The Grackle. When I was younger my friends and I made short films for the local cable station. Then I started writing for you, I wrote interviews, I wrote stories and then finally I wrote my first novel Dark Fiction in 2009.

What do you see as the primary difference between British and American horror?
That’s a good question. England is the birthplace of Dr. Jekyll & Mr. Hyde, Frankenstein and Dracula. Americans, of course have Poe and Ray Bradbury. I would say the main difference is that in many cases American horror is about how the monster is the other. British horror seems to be largely about how the monster is us. John Carpenter said that a lot better than I did (about the difference between leftwing horror and rightwing horror) but I think you get the gist of the message.

What are your favorite horror books?
There are probably too many to name but here goes. It’s kind of a three way tie between Jonathan Maberry’s Patient Zero, Peter Straub’s Ghost Story and Anne Rice’s Interview with the Vampire. In addition to that I think the classics like Mary Shelley’s Frankenstein and Bram Stoker’s Dracula. Anything by Poe would come to mind. Stephen King’s Pet Sematary is the most terrifying book I have ever read. I also enjoy just about anything by Ray Bradbury and William F. Nolan. I like to listen to audiobooks as well. Ray Porter’s reading of Richard Matheson’s Hell House is brilliant. Every summer I listen to the audiobook of Jaws. The differences between Peter Benchley’s novel and the movie are profound. Clive Barker’s Books of Blood are the best collection of short stories I have ever read.

What are some of your favorite horror movies?
John Carpenter’s The Thing, Alien, The Evil Dead (1982), Black Christmas, The Exorcist, The Shining, The Dead Zone, The Fly (1986), Hellraiser, Poltergeist (1982), Scream, Psycho 2, The Hunger, Let’s Scare Jessica to Death, The Haunting, Dressed to Kill, An American Werewolf in London, The Silence of the Lambs, Fright Night (1985), Rosemary’s Baby, The Omen. The Changeling, and An American Haunting. Last but not least on the list would be Halloween III: Season of the Witch. I will always stand by it and defend it. May those who hate on it spend eternity in a realm where no Halloween candy is available. Those are my favorites but I still like the so bad its good stuff and I think amazing work can be done on a low budget. Don Dohler’s Nightbeast and Fiend come to mind. Douglas McKeown’s The Deadly Spawn is another good one. Jaws is my favorite movie of all time and always will be.

Tell us about Travel Bug.
Travel Bug is my third novel. It’s very different from the first two Dark Fiction and The Petsorcist. It’s the combination of science fiction and horror that I love so much. It’s about a young man and his great grandfather traveling through time to find the identity of his parents’ killer. Along the way they discover that human history is not what it seems to be in terms of the history books. Cherished and sacred beliefs are shattered during their travels. Among them is the idea that people are more good than evil.

Travel Bug focuses on controversial things like politics, religion and the meaning of life. Why did you want to get into those awkward topics?
If you actually had a way to travel through time, I think these elements would be inevitable. You would have to confront them. Human history and civilization is full of conflicting beliefs and actions. The basic premise (at least as far as the antagonist is concerned) is that time travel dispels most of your most cherished beliefs. Now what happens after that?

Is the story meant to be taken literally?
Not necessarily. The opening line of one chapter is “Are they revelations or hallucinations?” I think that kind of leaves the door open for the reader to interpret the story. There are many fantastic elements in the story combined with real life events and things that don’t exist. Let’s face it there has never been any evidence of time travel. At least they don’t exist as far as I know. So I think whether the story is real, a hallucination or a dream is in the eye of the beholder.

Is this a sequel to Dark Fiction in any way?
No but it takes place in the same twisted universe as Dark Fiction. There is even a certain professor who makes a cameo appearance. So Dr. Wells and Christopher are mentioned in passing but mostly its new characters who struggle under much different circumstance. The evil genies The Jinn are occasionally mentioned but this story is not about them.

Are the characters of Harold and Andrew based on people in your own family?
Yes, to a certain extent they are. Andrew is my son and Harold was my grandfather. The book is dedicated to him. He was an avid reader. My grandfather was a devout Catholic and his favorite book of all time was James Clavell’s Shogun. The book’s main premise was that the world would have been better off without Christianity. That’s hilarious. He had an open mind. Still, these are fictional characters. Typically I take a composite of real life people and blend them together. The result is often that they take on a life of their own.

What do you consider your greatest accomplishment as an author?
The fact that I haven’t given up, I guess. My books have received mixed reviews and occasionally some folks have told me they don’t understand them or that they are “really out there.” Other than that I suppose actually writing my first novel and seeing it come to fruition. I can’t tell you how many times people tell me they are going to write a book someday. They almost never do it. I think probably the most meaningful accomplishment I’ve had is putting all of my interviews together for The Horror of It All.

Do you have any advice for new writers?
Yes. Write everyday if you can. Read all that you can. Read outside of your genre. If you write two pages a day in a year you will have a novel. Then you won’t have to be one of those poor souls who talk about doing it and never do. If you write horror then write about what scares you. Don’t hold back because you might surprise yourself by how far you will go. Then once you have something good or at least half decent, get other writers to read your novel.  You should try to get as many blurbs as possible. I ask a lot of people to write them, sometimes they say yes and sometimes the answer is no. I think that it’s a good idea to diversify too. Some of my blurbs are from other novelists but I also try to get editors, short story writers and people in the movie industry.

What is your opinion of the new self-publishing trend?
Where would we be without Amazon? It’s the great equalizer that makes things fair for the independent author. They have standards so it’s not like people can publish anything. Still, there is a great deal of freedom now. Most new writers will not land major book publishers and small publishers are limited. Some traditionally published authors believe it’s producing a lot of bad books. Others think that books that would have not otherwise been published can now be available to the public. I think that many of the major publishers are similar to movie studios in that they are obviously looking for the profits of a sure fire hit. Sadly, this explains why we keep getting the same unoriginal stuff over and over in the bookstores and certainly at the movies. So I certainly welcome the self-publishing trend. I also love visiting independent bookstores and I hope they can co-exist with the phenomenon of eBooks which I believe will be the future of publishing.

What are your current projects?
I’m working on a novel that is a direct sequel to Dark Fiction with all of the characters returning in it. There will also be some new ones I hope the reader will find interesting. I’ve also written some stand-alone novellas that will eventually be published.

Please in your own words write a paragraph about yourself & your work. 
I’m a horror and science fiction novelist and short story writer. I believe that every book from The Wizard of Oz to Justine, or the Misfortunes of Virtue has something to teach us about the human condition. I like to take some traditional monsters and put some new twists on them. So I hope to be entertaining and disturbing at the same time. I want the reader to know that no one is safe, death is coming for all of us and I hope I do it with a good sense of humor.

Thank you for joining us for this interview David, below you will find some links, please everyone go check them out!

Buy Travel Bug from Amazon
UK: - Travel Bug
USA: - Travel Bug

David Kempf - Amazon About Me Page

Facebook:
https://www.facebook.com/DavidKempfsDarkFiction/



Wednesday, 2 December 2015

The Monastery - A Short Story By David Kempf

Father Hitchens knew that the monastery he was looking for was hidden behind several mountains. It would be many a long day and night’s journey from the civilized part of England. This superior, the leader of these Jesuits was Father Superior Darrow. He was an odd man with some strange methods. The Jesuits would never be this popular if it hadn’t been for the protestant revolution brought on by Martin Luther.

 This particular group was either to be left out here in the middle of nowhere or they would be hanged. Reports of these men sleeping with the wives of local peasants and even with other men had built up Darrow’s sorry lot’s dreadful reputation. The worst part was that now that they seemed to have rid themselves of sexual deviants, the few families who lived in the mountains were being torn to shreds by some kind of animal or animals. The Christian brothers would soon face the music in this particular brotherhood. Father Hitchens had to be bringing fifty men with food so this group of pathetic folks wouldn’t starve to death or simply die from their own stupidity.

“Who is it?
“It’s Father Hitchens,” Darrow answered his fellow monk.
“What does he want?”
“He wants to show the spirit of the inquisition is still alive.”
“Oh.”

There were very few younger men here anymore. Mostly they were well over forty years of age. Hitchens and Darrow were both overweight, unattractive men in their early fifties. They were both blessed with great intellects and cursed with stubborn wills. This was one of the poorest monasteries but their monsignor Aragon demanded that it be that way.

“Father Hitchens, I presume.”
“Yes.”
“I assume I don’t need an introduction.”
“No.”
“We have brought food and supplies. Courtesy of our master Aragon, may God bless him and save him.”
“No doubt,” said Darrow.
The visiting priest was shown to his quarters. It wasn’t very much but then again, he wasn’t expecting all that much. The best they had to offer always went to their guests. When a guest had the power of life and death over them, there was particular attention to detail.

“Why are you really here?” asked Darrow.
“You’re a man who gets to the point, I admire that, Father.”
“Thank you.”
“Now, the church is very clear about the rules of celibacy.”
“I know.”
“No one must have sex with a woman or a man.”
“I understand and we are in total agreement, Father Hitchens.”
“Yes.”
“God help us if our monks are accused of touching children again.”
“No. They are not, I assure you.”

“I mean what kind of reputation would the church have if it was known for having and protecting perverts. Everyone would be Lutheran tomorrow!”
The two men smiled at one another in a very uncomfortable and formal way. There was great distrust between them. It was almost as if they were looking at one another and trying desperately to read the other’s mind. They were not clairvoyant so treading lightly and carefully choosing words was the correct path for them.

“Sir, you needn’t worry.”
“There is another matter and it’s delicate and not nearly as important as the others we are discussing.”
“Yes?”
“Aragon is very strict about church law and does not dissent on one single matter. Do you understand, Father?”
“Yes, Father Hitchens.”
“Good.”
“What is it then?”
“If the men are in good standing and are truly celibate, then they need not worry for their lives. Barring starvation or these damned animals that keep killing villagers that is.”
“Understood, Father Hitchens, I understand.”

“Anyway, true celibacy requires that they don’t even touch themselves or provide for their own sexual gratification. It’s forbidden by church law.”
“I assure you that none of that is going on either.”
“Father, you can’t assure these men that they won’t be eaten by wild beasts in the middle of the night. How can you assure me this behavior isn’t going on?”

“Trust me, I can.”
“Oh, you mean the loophole?”
“Sorry?”
“I know you think that when men confess their sexual sins to one another then they are washed clean. It’s like they are receiving baptism all over again!”
“No, actually….”
“That won’t work with our master. He’s sick of men who use the confessional to justify mortal sins.”

There was a certain level of decency and rationality that was coming from Hitchens. Darrow had to admit to himself that he was partially incorrect on his assumptions on the man’s nature. He thought he had a fanatic who was ready to feed all who dwelled in the monastery to the beasts of the night. He was a coward but he was in his own sad way trying to make the peace and satisfy a bloodthirsty master without a drop of blood being shed.

“These men are as pure as the snow that comes to this place. Incidentally, you’ve come in the early winter. In a month’s time, you may not be able to make the travel back. You’re horses will freeze to death.”

“That’s my affair, Father Darrow.”
“Yes.”
“Now onto less important matters, perhaps not to you or me but from the perspective or Aragon and the church these are lesser matters.”
“Yes.”
“What are we supposed to do about these damned animals?”
“They’re wolves, Father.”
“How many wolves is there, Father Darrow.”
“There are as many wolves as there are monks.”
“I see.”

Father Hitchens knew the Jesuits would always be an order in trouble. He didn’t think little problems either but rather an order fighting to exist almost all of the time. The kind of group that made it’s members wonder if all of this aggravation was worth it just so they could be the most intellectually gifted. They were known as the intellectuals of the church and often times the rebels. They were humble enough to communicate with the peasants and bright enough to discuss philosophy with kings. If it wasn’t for Luther, the radical order known as Jesuits may not ever have existed. There would be popes who were Jesuit sympathizers but Darrow always felt that there would never be a Jesuit Pope.

“These wolves are not as much as a problem as your master thinks,” said Darrow.
“Oh?”
“I think we have things under control.”

“Father, with all due respect, you have wild beasts that come out in the middle of the night to devour peasants. This is a serious problem. The church needs these folks to reproduce as much as possible. When folks get eaten alive, it spoils the romantic mood and they cannot pro create.”
“I see.”

“Do you?”
“Yes, I do sir.”
“Excellent.”
“What’s to be done?”
“My master wants to hire hunters to kill these beasts off.”
“I must disagree with that.”
“What?”
“I believe there is no need for that.”
“These aren’t imaginary ghosts. These are real monsters.”
“Yes.”
“Well, let’s kill them and make the problem stop.”
“Okay.”
“We will defeat them with the help of the very best slayers. My master recommends them most highly.”
“Okay.”
Hitchens really hated the fact that Darrow was showing all the signs of not wanting to win the game over the beasts. He deeply wondered why he was not thrilled with the excitement of eradicating the problem forever.

“Do you have some special attachment to these wolves?”
“We can discuss that later.”
“I would prefer now.”
“I see.”
The conversation was cut short by a huge, grey wolf that knocked Hitchens down and ran away quickly. The fellow monks of this strange place were not at all shocked by what they saw. This was more disturbing to him than the wild animal running lose. He shook his head and looked at Darrow.

“Does this happen often, Father?”
“It happens more often than you might think; it’s not however what one would call an everyday occurrence.”
“I see.”

Father Hitchens ran to the highest window and watched the wolf run like hell. He saw the thing grab a little boy by the throat. What he saw next was simply unspeakable. The boy was destroyed and the blood splattered all around. There were no spectators to the creature’s blood sport. They had all ran away and hid from the four legged monster.
“We must go now,” said Hitchens.
“Why?” asked Father Darrow.
“The final…..”
“You may serve him but he’s obviously already dead. What difference does it make now?”

“I must go to him.”
“So be it.”

The good priest prayed for the soul of the young boy. He started to weep uncontrollably. The young one was so new to the world and life itself. He had so much more time to spend on this earth so he could prepare himself for the joys of eternal life with God. All of his potential was destroyed by some ignorant, bloodthirsty beast. Hitchens didn’t seem upset at all. It was almost as if death and anarchy were the expected order of things here at the monastery of banned lunatics.
“How can you not cry?”
“I see a lot of death here, Father Hitchens.”
“I see.”
“You know, I also witness, and we all see very strange things here. We have grown accustomed to living with things that others simply could not tolerate.”

“I see.”
“I hope so. The longer you stay here, the stranger things will get for you. The more nights you live among us, the more your eyes will be opened to the darkness of this dreaded place.”
“Are you trying to frighten me away so I won’t finish my inquiry?”
“No.”
“Then why tell me these stories?”

The howling noises were all around Father Hitchens now. He was growing increasingly more frightened. The sense of menace was increasing. He thought that watching a wolf kill a young boy would be more terrifying than strange noises. He was wrong.
“The wolves are not going away. They would not have enough to feed on if the peasants didn’t have so many children. I’m sure you know they have far more children than they could ever hope to afford. That’s another matter of church law though, isn’t it?”
“For God’s sake, what are babbling about now?”
“Nothing at all, Father.”
“Exactly, nothing of consequence at all is coming from your mouth.”
“No.”

“You know your mouth has a considerable size to it, Father Darrow.”
“Yes.”
Father Hitchens was startled beyond belief. He felt a cold hand on his shoulder. He turned around. It was an older man who had some strange disease of the eyes. He appeared as if he was going blind.
“Father Hitchens, I’m Father Dawkins, we need to get you back safely inside.”
“Yes.”

The old man frightened Hitchens but the idea of being outside and vulnerable was much more terrifying. Still, the damned thing did manage to run wild in the monastery prior to killing the boy.
“I must rest, this night has been truly exhausting,” said Hitchens. He walked to his guest quarters and looked at the two lit candles on both sides of his bed. He would not be blowing them out. The frightening older monk shut the door behind him.
“Good dreams sleep well,” said Father Dawkins.

Hitchens experienced neither. He did not fall asleep for a matter of hours. The sounds of wolves howling went on all night long. When he did fall asleep, he dreamt of the damned wolves again. He was beginning to seriously wonder how any man, even those who had taken vows of chastity or silence could live here and remain sane. It was too much to ask of ordinary men. This was an endless nightmare; it would be far less to painful to pay for one’s sins in purgatory than to live among the foul things of the night. He was starting to think that the monastery itself was damned.

“Good morning, Father,” said Darrow.
“Hello Father, good day to you,” Hitchens answered.
The following day was lovely and Hitchens saw what a hard working, cooperative community resided at the monastery. He regretted his uncharitable assumption that these men were more bad than good. The idea of a cursed monastery seemed absurd by the beautiful light of day.

“When you need to rest from your inquiry, we must discuss our favorite books, Father.”
“Yes, Father Dawkins, we shall do that.”
“I can still see a few words; I’m not completely blind yet.”
“Good to hear it.”
“Well, my hearing is still fine,” he said, laughing.
“Very amusing,” Hitchens responded.
“I enjoy the great comedies. The Greeks wrote them and they are to be enjoyed by educated men such as us.”
“Yes.”
“Does your master enjoy them?”
“No, my master burns them.”
“Oh.”

It was at this moment that Hitchens and Dawkins realized they had something in common. They hated the censorship of the ones who would try and control the minds of all men. Aragon hated laughter almost as much as he despised anyone who dared to question church authority. He was the kind of man who would not have merely burned someone like Martin Luther at the stake. That would have been too good for him. He would have had him tortured and humiliated for days. This was something that simply had to be done to prevent any future Martin Luthers from rising up and questioning the sacred authority of God’s holy institution.

“We enjoy them although we do not have many, Father Hitchens.”
“I see.”
“I hope you find no need to tell your master about them.”
“No.’
“Excellent.”
“I see no reason why these mattes are important when people are being eaten alive by evil animals in the night.”
“Well, they are also eaten in the day.”
“Yes.”
“It does not matter so much to me anymore, I suppose.”
“I know.”
“I was speaking for future generations. It would seem that by the time you returned from your journey to report our books to your master, I will have already lost my eyesight.”

“I hope not.”
“It is inevitable but there are many ways to be blind, Father.”
“Indeed, there are, Father Dawkins.”
Father Hitchens took a walk around the monastery. The sun was so lovely and so welcome after a sleepless night, his heart filled with joy. The glorious of God’s creation were all around him. It was moments like this when he felt closer to God than when he was doing the will of his master. Sometimes it was damned near impossible to think that Aragon’s wishes had one blessed thing in common with the Jewish Rabbi who taught men to love others unconditionally. Burning people at the stake or torturing them for hours did not seem to fall in line with any of the lord’s teachings.

“Father Dawkins, I think that our guest needs to speak with me for a little while. I mean no disrespect but he is here on official business and not to discuss great works of literature.”
“I see.”
“We shall see you at supper.”
“You know, we have the best wine here,” said Father Dawkins.
“Okay, off you go then,” said Darrow to Dawkins.
“Sorry about that.”
“That’s fine; he seems like a decent man.”
“He is.”
“How would you like to continue this investigation of yours?”
“My men should be well fed soon,” said Hitchens.
“Yes.”
“We brought a great deal of food and supplies.”
“We have little to offer you except the fine wine that our near blind brother was so quick to discuss. We all have our vices, yes?”
“Yes.”
“I know that your master happens to feel that some are worse than others.”
“I would agree. How exactly did Father Dawkins go blind?”
“We should probably discuss that later.”
The two men discussed the everyday running of the order and the ways that daily work was accomplished. Father Hitchens apologized and asked if he could take a nap. The other priest had no objections.
“I would like to sleep under this tree but I’m afraid of the damned wolves.”
“Then we shall have two men stand guard on each side of the tree. Its okay, they’ve taken a vow of silence. They won’t disturb your sleep.”
“Thank you.”
“Sleep well, Father Hitchens.”

Father Darrow was very unhappy with the man who was investigating them. He looked all around the monastery with its lovely trees and bright blue sky. The reason he did this was because he had been transferred before. He had the obligation to go wherever his superiors decided he should be. That was the way of life he chose but he wanted to live out the rest of his days at this monastery. The secrets kept here could never be revealed to the outside world or there would literally be hell to pay. Hitchens was an obvious skeptic and could not be convinced the monastery was what it appeared to be on the surface. The quicker he left with his men back to Aragon, the better for all who dwelled in the monastery.

“I thought of another great story to discuss,” said Father Dawkins.
“No.”
“What?”
“He’s sleeping and that means less time to ask questions.”
“Very well then, Father Darrow, I understand.”
“Do you?”
“Yes.”
“He just asked me how you lost your eyesight.”
“I’ll go then.”
“Good.”

The priest walked away quickly. The subject of how he lost or was losing his vision was too painful. It was also a hideous secret that could get him into great peril with someone in a position of authority. Someone like Father Hitchens could bring ruin and shame upon him. His vision was nearly gone but Father Dawkins’s hearing was as acute as ever. He wasn’t quite a stone’s throw away from their feared guest when he literally heard stones being thrown.
“It’s them, it’s the priest!”
Hitchens woke up screaming. Someone had struck the back of his head with a rather large stone. His head was bleeding.

“The priests and the wolves are….”
“What?” the priest asked.
“You, you don’t know what’s going on here.”

It was a young boy. He was the one who struck Father Hitchens over the head with a stone. He was dressed in filthy rags and peaking behind a nearby tree, desperately trying to get his full attention.
“One of them killed my younger brother yesterday. You performed the final rites on him. Stop these monsters, please for God’s sake…..”
“What?”
“This order, this monastery is cursed! Stop these things before….”

The creatures came out of nowhere. The wolves ran behind the boy. He looked up at them and showed little signs of fear.
“We are a poor, suffering, starving people. I don’t fear you.”
The wolves looked at him. They almost seemed to anticipate what he would say next.
“What manner of beasts are these wolves?” asked Hitchens.
“I shall tell you.”
A wolf bit the boy’s hair and grabbed onto it. He walked backwards slowly and the boy was dragged with him.

“Stop!” screamed Father Darrow.
“You can’t command these beasts,” said Father Hitchens.
The amazing thing was that Father Darrow could do just that.
“Put the boy down, now.”
The wolf let go of the boy.
“Boy, go back to your home and run like hell.”
“Father, the truth shall set you free,” the boy answered.
“The truth is not to be revealed today.”
“Father…”
“The truth will get you torn to shreds, lad. Please run home.
“Fine, Father but….”
“Go!”

The boy ran as fast as he could deep into the woods. The wolves stood still in front of the priest who commanded them. Father Hitchens could not believe this absurd nightmare taking place in the light of day. The night was supposed to contain the living testament of evil things.
“Father, what manner of beasts is this?”
“We have no time to talk about such matters, Father Hitchens. Not now. These creatures must be dealt with. Later, we will discuss this. I beg you to leave as soon as you can. The idea of staying here is very foolish.”
“Father, you leave me little choice. Men! Now is the time!”
The wolves found themselves surrounded by men. They were the fearless, armed wolf slayers that the priest had promised earlier.
“These are the men I brought. This was their purpose, to kill your wolves. There must be a hundred wolves here now,” said Father Hitchens.

“There are almost as many men,” said Father Darrow.
“Yes,” Father Hitchens answered.
“What do you have to say to the wolves now, Father?”
“Kill them all, quickly and with mercy, please,” said Father Darrow.
Father Hitchens could not believe his own ears. Who was this man who commanded the beasts to fight according to his own will?
“Fight the wolves and win,” screamed Father Hitchens.
“They will not win,” said Father Darrow confidently.
“How do you know this?”
“I know it.”
“How do you it?” he asked.
“You are not the first or the hundred and first men who have attempted to kill us.”

The wolves and the men fought for hours. Father Hitchens could not believe how quickly his slayers were being slain. Father Darrow could not believe how bravely these good men fought the wolves. They were the most noble and daring creatures he had ever seen before. The fighting seemed to never end.
“This is madness, Father,” said Hitchens.
“Yes.”
“How long must this go on?”
“It will go on until the death of one side. There will be no compromise or treaty from today.”
“How can wolves, werewolves come out during the day like this?”
“We are not werewolves, not exactly, Father Hitchens.”
“What are you then?”
“When you find out, it will be the last thing you ever know.”

A young peasant girl peaked behind the trees to watch the fighting. The wolves all left the men and chased after her. The men were confused and were at a loss for words. Suddenly, one of them caught the girl. He ripped her to pieces with his teeth. When his bloodlusts was satisfied, he changed back into a man. The naked monk ran into the woods before anyone could catch up to him.
“Why?” asked Father Hitchens.
“Don’t you mean how?”
“Yes.”

“Soon you will know our little secret, I promise.”
“I don’t like secrets, Father.”
“Come now, Father Hitchens. You kept a secret from us as well. Fifty men were hidden and ready for battle with these creatures. Now you plead for honesty from us.”
“At least I’m still human and I’ll die that way.”
There were now more peasants looking on behind the trees. The remainder of the wolves chased after them. There were three men and what appeared to be a nearly blind grey wolf left behind. The men got ready to stab the wolf with their spears and swords. He pulled a sword from one of the slayers. The old wolf killed the men in a matter of less than a single minute. He slit there throats and they seemed to die almost instantly.
“It’s you, isn’t it?”
The wolf looked at Hitchens.
“Father Dawkins?”
“Yes.”

He was amazed at how quickly the wolf had become a man. These were not terrible, slow agonizing transformations like the gypsies told in their oral traditions. The changes took place so rapidly they appeared to be almost natural.
“We change quickly,” said Father Dawkins. He put his monastic clothing on and smiled at Hitchens.
“How did this come to be?” Father Hitchens asked.
“How do you think it happened?”
“It was the gypsies by moonlight; they put a curse on you.”
“You are partially correct, Father,” said Hitchens.
“What then?”
“There was a gypsy but she was asked to do this to us. The ultimate one who is responsible for our condition is your master.”
“Aragon?”
“No,” said Father Dawkins.
“Oh, you mean?”
“Yes, the church itself created us.”
“The laws of the church, natural law in particular.”
“You mean?”
“Yes,” said Father Hitchens.

Father Dawkins looked at Hitchens and Darrow and began to break out into uncontrollable laughter. The other men started to come back from the woods, naked and appearing absolutely exhausted. The monastery of shape shifting monks had come home to roost. A few of the men joined in the laughter. The ones who took a vow of silence did not do so.
“How do you think I went blind?”
“You become wolves, you turn into those damned fiends when you….”
“I think you’re beginning to discover the truth all on your own, Father,” said Father

Hitchens.
“When you….”
“You must say it, Father. Speak the truth,” said Father Darrow.
“When you…”
“Spit it out, Father,” said Father Dawkins.
“When you…masturbate…you turn into those monsters!”
“Yes,” answered Father Hitchens.
“That’s insane!”

The sad truth for these monks was that it was in fact church dogma that drove man into madness. Sexuality when guided with a moral compass never actually hurt anyone. The monks who desired women went after them. The few but fierce ones who preferred young boys would mutilate them. The secrets of celibacy came at a very high price for the peasants who lived in the surrounding areas. They were starving because there was hardly anyone left to tend to growing food and the hunt. They became the hunted in the dreadful dark woods where blood was spilled because semen could not ever be allowed to be.

“Madness, this is madness, all of you are in league with the…..”
“Let me guess, Father Hitchens. We are in league with the devil, is that what you were about to say?”
“Yes, Father Darrow. Yes.”
“Well, very well then. If you would like to cling to your delusions I suppose no one here will fault you for that.”
“I’ve seen evil.”
“You’ve seen us. We are in league with church teaching and not Satan. This simply is not so. If your job is to investigate and not to interrogate then I suggest you learn how to do your work properly.”

Father Dawkins rolled his eyes. He started to laugh again and then opened up a bottle of wine. He drank it very fast.
“Wine and the hunt are how we work off our lusts,” said Father Darrow.
“How did this come to be?”
“We heard over and over that we were sinners who gave into our lusts. The young women here in the villages were getting pregnant from priests. Men were killed but that did not stop us from being disobedient. Then we went to see a gypsy Ceija. She said that when lusts built up inside of us and we would perform unnatural acts, we would become creatures of folly. The folly of our sinful ways, the wolves would be our new form. It was not constant, mind you. We were men most of the day and night. When our sexual attractions became overwhelming, we became the beasts.”
“Yes,” said Father Hitchens.
“The night we drank the blood of the wolf was under the darkest night sky. The moon

was appropriately bright and full. It was almost menacing. We drank deeply and transformed that same night for a few hours. The entire experience of the whole affair is quite amazing.”

“You kill these villagers, these peasants….”
“Yes but the days of our filthy self gratification are over forever.”
“What!”
“We are no longer men of lusts….”
“No, you’re far, far worse. You’re blood killers!”
“We restrain ourselves because we know that we are killers. We fight the good fight over lust everyday!”

“You don’t understand, do you?” asked Father Dawkins, interrupting them.
“No.”
“Perhaps we should invite you to the dance,” said Father Hitchens.
The monks were beginning to surround him. They smiled, many of them. Others outright laughed at him.
“You aren’t leaving here alive,” said Father Hitchens.
“I know, Father.”
“Aren’t you sick of giving into self gratification and lust?”
“Well, yes but killing is a far graver offense, I think that…”
“No!”

“What?” he asked Father Hitchens.
“Killing isn’t so bad. I mean we have killed a lot of people as church, as a religion, have we not?”
“Well, yes but….”
“What in the hell makes you think that we value human life more than we detest sexual gratification?”

“This can’t be real,” said Father Hitchens.
“It can’t but it is,” answered Father Darrow.
“I see.”
“We must follow our dark northern star even at the expense of taking lives.”
“I see,” said Father Hitchens.

The disturbing shape that Father Darrow took was quite menacing. He must have only been half aroused because he was half man and half wolf. It was infinitely more disturbing than the sight of the wolves were. What was even more profoundly unnatural was that he could speak while in that form.
“You don’t have to die. You can be one of us. The choice, of course, is ultimately up to you.”
“Yes, Father Darrow.”
“What say you?”
“Do I get eternal life?”
“Worried about damnation?”
“Yes.”

“We do not live forever but our life span can be quite long. Hundreds of years and in some rare instances even longer, at least that’s what I’ve heard.”
“I suppose I have no choice. I would rather live as a monster with the risk of being damned for eternity instead of facing imminent death.”
“Good choice, Father.”

The creature had the hair of a wolf on its face and bright, sharp fangs. His eyes were human and so was part of his nose. Father Hitchens closed his eyes, he couldn’t look. The monster bit right into his neck. The pain was profound but vanished almost as soon as it had come. He would not be leaving. Father Hitchens was now a part of the world’s strangest monastic community. He could not leave and return to Aragon. He would be seen as a demonic monster fit for slaughter. If Aragon did come to the monastery, there was no doubt Father Hitchens would have to kill him. Men like him should never be allowed to become shape shifting monsters. He was too evil to have such supernatural power. His wounds healed miraculously fast. He merely had to wait for his lusts to overpower him and then he would change into one of them. Father Hitchens waited for the birth of the beast within.

The Monastery - A Short Story By David Kempf

Links:
http://www.amazon.com/David-Kempf/e/B0037BMI40
https://www.facebook.com/DavidKempfsDarkFiction/
http://www.goodreads.com/author/show/4056257.David_Kempf

Monday, 20 October 2014

Interview with David Kempf - By Jon Donnis - The Horror Of It All

In what is a very proud moment for me, we can announce the publication of The Horror Of It All.

The Horror Of It All is a collection of interviews spanning all facets of the horror genre, including novels, film, horror hosts, dark fiction, cover art, and special effects. With a forward by the incomparable Jonathan Maberry, this book is sure to engage, inform, and enlighten every true-blue, horror enthusiast.

For the past few years I have been lucky enough to not only publish short stories by David Kempf but also publish interviews he has done with some of the biggest and best names in the Horror genre, and now those interviews are all part of a great new book called The Horror Of It All So I sat down with David to discuss this book, his motivations and ALS (in the UK this is known as Motor Neurone Disease)

Bio
David Kempf has written over fifty short stories, many of which deal with themes of horror fiction. He has won several writing awards including first place in the short story competition of Millersville University’s Lemuria magazine. Two of his short stories were selected in the 2007 publication of The Grackle, his graduate school’s literary magazine. David is featured on two short fiction websites, one American and one British. He holds an M.S. from Chestnut Hill College and a B.A. from Millersville University. David resides in Bucks County, Pennsylvania with his wife and his son.

Interview with David Kempf - By Jon Donnis

JD Tell us about THE HORROR OF IT ALL.
DK Well, I thought it would be a good idea to take all the best of the interviews I have done for your site and combine them in one book.

JD That was a good idea. What excites you most about doing these interviews?

DK I get to interview many of my idols, people I have grown up with. Horror writers, special effects artists, film directors, actors, horror movies hosts, etc. I essentially get to write about what I’m excited about. My childhood was filled with horror movies and books. I’m very proud that I got the opportunity to speak to some of these people and, of course, to write fiction of my own. 

JD What did you chose to have all of the profits from the book go to ALS research?

DK That’s a good question, Jon. I interviewed Rocky Wood who is president of The Horror Writer’s Association and an author in his own right. While I was fascinated with how he works closely with Stephen King, the story of how he struggles with this disease moved me. I did some research and found out just how devastating ALS really is.  

JD Did you need permission from the people you interviewed to include them in the book?

DK Yes, I did and they all said yes. They’re all good hearted people who genuinely want to raise money for a good cause. And causes don’t come better than this. 

JD How did you get Jonathan Maberry to write the forward for the book?

DK I am very fond of Jonathan and his excellent novels. He is a great talent and a genuinely really nice guy. He’s friends with Rocky Wood and expressed a desire to do it when I asked him. Jonathan wants to raise money for the cause and I think that his name on the book adds a lot to it.

JD You were very proud when he endorsed Dark Fiction.

DK Yes. I was floored because I didn’t really expect it. Here is one of my favorite authors and here I am a completely new guy publishing his first novel. The blurb was the validation I was looking for as a writer. Jonathan helps a lot of writers because he has an eye for new talent. He is very well read and a good person to know. We miss him in my home town. Jonathan moved from Pennsylvania to California. Several of his projects might be adapted into movies. I certainly wouldn’t be surprised. 

JD Speaking of blurbs, this new book has a ton of them. All of them are excellent.

DK Yes, sir.

JD You must feel very proud of that.

DK I’m very proud of the blurbs. These are the best blurbs I’ve ever received.

JD Which one is your favorite?

DK I really shouldn’t single anyone out but if you want to put me on the spot…

JD I do.

DK Then I would have to say William F. Nolan.

JD Why?

DK I’ve been a fan of his work my entire life. He’s mainly known for the Logan series but his work is so much more than that. His short stories and books on writing are second to none. They’ve always been a great inspiration to me.  

JD I see. 

DK Now that I have blurbs from Maberry and Nolan I’m a happy man (laughs).

JD What do you hope to accomplish with this book?

DK I hope to raise awareness for ALS (also known as Lou Gehrig’s Disease). I hope we can all do our part to end the suffering of many people who are in great pain right now.

JD Did you take the ALS challenge?

DK I did.

JD Who challenged you to do it?

DK My friend Lucas Mangum did. Lucas is a great writer and all around nice guy.

JD Please tell us about Infliction Press.

DK It’s a small publishing company I started with my friends Jennifer Mills and Steve Kirby. This book is the first one we’re publishing.

JD Will there be other books coming out from Infliction Press?

DK I think so. This could be the first of many. Time will tell. I’m open to publishing some of my fiction. We’re going to be open to submissions from other authors in the future as well.
JD That’s really good news. I also hope that you continue to write for Masters of Horror U.K. for a long time to come. 

DK This site has been very good for me and my growth as a writer. I hope this trend continues. I still have a lot to say and the format of Masters of Horror U.K.is a great way to have my voice heard. 

JD Thank you for your time David and I wish you all the best for the future

DK Thanks

You can buy the Kindle version of the book at the following link

All proceeds go to ALS research.


About ALS/MND
MND and ALS are different descriptions of the same disease.

The MND Association, which covers England, Wales and Northern Ireland, and the ALS Association, which operates in the USA, do the same type of work. The only real difference is what we call the disease.

The UK use MND – motor neurone disease – and in the USA they use ALS – amyotrophic lateral sclerosis. Both refer to a fatal, progressive disease that can rob people of the ability to speak, move and breathe. There is no cure.

The reason there is a difference is that there are several forms of MND. ALS is the most common type.

MND is an umbrella term for all forms of the disease. In the USA, ALS is used as the umbrella term (they also sometimes refer to it as Lou Gehrig's disease).

The MND Association in the UK and The ALS Association in America work very closely together on numerous projects, especially around global research into a cause of MND / ALS

Links