FILM REVIEW: Alien: Romulus (2024 Movie) - Starring Cailee Spaeny, David Jonsson and Archie Renaux

Alien: Romulus marks a gripping and atmospheric return to the Alien franchise, successfully blending the iconic tension and dread of the original films with inventive new twists. Directed by Fede Álvarez, this installment captures the claustrophobic terror that defined the series while introducing fresh elements that distinguish it from its predecessors. Set between Alien (1979) and Aliens (1986), Romulus explores familiar territory yet remains engaging, particularly due to its intense third act and a well-executed homage to Ridley Scott's original vision.

The story follows a group of young space colonizers who stumble upon a derelict Weyland-Yutani research station, where they encounter the dreaded xenomorphs. The premise is straightforward but effective, guiding the audience through a series of heart-pounding sequences as the group is systematically picked off by the alien creatures. The film effectively utilizes the chilling isolation of space, immersing viewers in a world where survival is never assured.

Álvarez's direction is a significant strength, as he understands the elements that made the first film a masterpiece of suspense. He replicates the slow, methodical buildup of tension, punctuated by moments of brutal horror, demonstrating his admiration for the original films. The score also stands out, contributing a fresh yet familiar edge to the unnerving atmosphere and intensifying the pervasive feeling of dread.

The cast delivers strong performances across the board, with Cailee Spaeny shining as Rain, the film's central character. Her dynamic with David Jonsson's android Andy, who has shifting loyalties, adds depth to the narrative. Their relationship serves as a human anchor amidst the chaos, providing emotional moments that elevate the film beyond mere survival horror.

However, Alien: Romulus does tread familiar ground. Elements such as facehuggers, chestbursters, and lurking xenomorphs have been seen before, and some moments may feel predictable to longtime fans of the series. Nevertheless, Álvarez's careful handling of these tropes ensures that the film never feels like a lazy rehash. Instead, it pays tribute to the franchise's roots while incorporating enough innovation to keep it engaging for both newcomers and seasoned fans.

Visually, the film excels in portraying the decaying space station, with impressive set designs that evoke the haunting, industrial aesthetic of the original. The well-choreographed combat scenes are a welcome addition, and the film's final act is packed with thrilling action, culminating in a climax that is both shocking and satisfying.

Overall, Alien: Romulus is a solid and exciting addition to the franchise. While it doesn’t reinvent the wheel, it delivers precisely what fans crave: a tense, visually stunning, and intense ride through space horror. With its fresh score, strong performances, and thoughtful direction, it stands as a worthy successor to the 1979 classic. Even if some horror elements feel familiar, the film's execution more than compensates for this. It’s a strong return to form for the series, earning a well-deserved 8.5 out of 10.

NEWS: "PIPER" (2024): A Wickedly Creepy Fantasy Unleashes the Dark Side of Children's Legends

 

Prepare to face your darkest fears this November with Piper, a chilling new horror thriller from director Anthony Waller, which will be available on digital platforms from November 18, 2024. Following its world premiere at FrightFest 2023, this terrifying reimagining of a children's legend takes a sinister twist into fantasy horror, with Elizabeth Hurley delivering a performance that will make you question the stories you tell your children.

The film follows Liz (Elizabeth Hurley) and her daughter Amy (Mia Jenkins), who have moved to a small town in Germany in search of a fresh start. However, as they begin to settle into their new home, things quickly take a dark and unsettling turn. A local girl dies under mysterious and horrifying circumstances, and Liz begins to realise that there is something far more sinister lurking beneath the surface of this seemingly peaceful community.

As the tension rises, Liz uncovers a terrifying secret from her past that has inadvertently awakened an ancient and vengeful spirit known as The Piper. This evil entity, seeking redemption for long-forgotten wrongs, targets children to punish the parents who have sinned. With Amy now in grave danger, Liz must confront the dark legacy she has long tried to bury.

In the midst of this horror, Amy encounters Luca (Jack Stewart), a mysterious and seemingly kind stranger who may hold the key to saving her from The Piper's clutches. But with time running out, can they stop the evil force before it claims another victim?

Anthony Waller, renowned for his work on Mute Witness, expertly combines folklore, supernatural horror and psychological suspense, creating a tale that is as emotionally gripping as it is terrifying. Piper explores the consequences of past actions and the terrifying cost of sins long forgotten, where the mistakes of the parents haunt their children in ways beyond imagination.

With a talented cast that includes Tara Fitzgerald and Robert Daws, Piper promises to keep viewers on the edge of their seats, blending myth and reality into a nightmare that will linger long after the credits roll.

Piper is available on digital from November 18, 2024. If you are looking for a haunting and thought-provoking horror, let the Piper play on.

Apple TV - https://apple.co/3YWUtPE

FILM REVIEW: Subservience (2024 Movie) - Starring Megan Fox and Michele Morrone

 

Subservience is a sci-fi thriller that explores familiar themes but manages to deliver solid entertainment, even if it doesn't break new ground. Directed by S.K. Dale, the film examines the dangers of advanced artificial intelligence, a topic that has been tackled many times before. What distinguishes this film is Megan Fox's performance as Alice, a humanoid android whose initial role as a caregiver takes a darker turn as she becomes unsettlingly obsessed with the family she was created to assist.

Megan Fox gives a compelling performance, effectively balancing Alice's robotic detachment with her increasingly menacing behavior. Her portrayal injects tension and unease into an otherwise familiar narrative. Michele Morrone plays Nick, a father trying to keep his family together, serving as a solid counterpart, although much of the film's suspense hinges on Fox's performance.

While Subservience embraces the well-trodden narrative of AI gone rogue, it does so with enough energy to keep viewers engaged. The film doesn't aim to provide groundbreaking insights into the genre, which may be where it stumbles. It lacks the freshness of films like Ex Machina or Her, leaving it feeling somewhat derivative. The premise of an AI gaining self-awareness and turning against its creators is well-worn territory, and the film doesn’t introduce any new angles to challenge these familiar themes.

The action sequences, particularly as Alice becomes more aggressive in her pursuit of Nick's affection, are well-paced and thrilling. The film effectively builds suspense, especially as Alice's manipulations grow more sinister, such as her subtle yet malicious attempts to endanger Maggie, Nick's wife, following her recovery from heart surgery. The tension reaches a climax in a hospital showdown, but the outcome still feels predictable.

Visually, the film plays to its strengths, showcasing Fox's striking appearance to great effect. However, at times it leans into the more superficial aspects of her character, which some viewers may find gratuitous while others may see it as part of the film’s glossy thriller aesthetic. The supporting cast, including Madeline Zima as Maggie and Matilda Firth as their daughter Isla, perform well, though they are somewhat overshadowed by Fox's commanding presence as Alice.

Where Subservience falters is in its lack of originality. The plot is serviceable but feels recycled, missing an opportunity to delve into the ethical and philosophical dilemmas surrounding AI. Instead, it opts for a more straightforward thriller approach, which limits its potential for exploring more complex themes.

Ultimately, Subservience is an enjoyable, if somewhat predictable, sci-fi thriller. While it doesn't break new ground, Megan Fox's captivating performance as Alice keeps it engaging. For fans of the genre, it serves as a solid, if unremarkable, addition to the growing collection of AI-themed films. Although it may not leave a lasting impression, it fulfills its purpose as an entertaining piece of escapism, providing enough tension and intrigue to maintain interest throughout its runtime. I would rate Subservience a fair 7 out of 10.

Out Now on Apple TV https://apple.co/4dsDZCE