COMPETITION: Win She Killed in Ecstasy on 4K Ultra HD and Blu-ray

From Severin Films comes this Jess Franco follow-up to VAMPYROS LESBOS.

This is the worldwide UHD Premiere. Released on two-disc 4K UHD / Blu-ray Edition, complete with stunning packaging and a slew of special features on 30 March 2026.

And to celebrate we have a copy  to give away!

Synopsis:

In her greatest role, and one of her final performances before her tragic death, the luscious Soledad Miranda stars as a vengeful widow who seduces and murders the men and women responsible for her husband’s suicide. 

Howard Vernon (THE AWFUL DR. ORLOFF), Paul Muller (LADY FRANKENSTEIN), Ewa Strömberg (VAMPYROS LESBOS) and Jess himself co-star in this EuroCult masterwork “that truly shows what a creative genius Franco could be when he is at the top of his form” (Classic Horror), newly scanned in 4K from the original camera negative with Special Features that include an archival interview with Uncle Jess and an all-new instalment of In the Land of Franco.

Pre-Order from https://amzn.to/4s0u1jg

Enter now for a chance to win.

Who directs She Killed in Ecstasy?

Send your name, address and of course the answer to competition365@outlook.com

Quick Terms and conditions - For full T&C click here

1. Closing date 13-04-26

2. No alternative prize is available

3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.

4. Winners will be chosen randomly and will be informed via email.

5. Entries that come directly from other websites will not be accepted.

PREVIEW: Scream Therapy (2026 Film) - From Writer-director Cassie Keet

 

Preview By Jon Donnis

Cassie Keet’s absurdist horror feature Scream Therapy arrives on UK digital on 6 April, bringing with it a loud, chaotic mix of dark comedy and female-led horror. Following its US premiere, the film makes its UK debut through Miracle Media, setting the tone for something that leans fully into its wild premise.

Written and directed by Keet, known for Abigail Before Beatrice, the film takes a deliberately exaggerated concept and pushes it to extremes. What begins as a therapeutic escape quickly spirals into something far more dangerous, blending humour with horror in a way that keeps things unpredictable.

The story centres on Avery, played by Harley Bronwyn, who is reeling after a messy breakup with her boyfriend of seven years. Looking for some form of release, she heads into the desert with her best friends for a girls’ weekend built around scream therapy, hoping for a sense of reset.

After a day of bonding exercises and a little experimentation, the trip takes a sharp turn. The group finds themselves confronted by a demonic incel cult with a strict deadline for human sacrifice, forcing them into a brutal situation where survival becomes the only priority.

As the threat closes in, the women are pushed into a fight for their lives. The balance shifts quickly, and the cult begins to realise they have chosen the wrong targets. What follows is a fast-moving clash filled with chaos, resistance, and revenge as both sides try to outmanoeuvre each other.

With its mix of horror and dark humour, Scream Therapy positions itself as a high-energy, female-led feature that does not hold back. It invites audiences to dive into the madness, bringing together friendship, fear, and a lot of screaming along the way.

Scream Therapy is available on digital platforms in the UK from 6 April through Miracle Media.

PREVIEW: Surrender to It (2026 Film) - Starring Daemian Greaves

 

By Jon Donnis

A weekend escape into the Welsh borderlands turns into something far more unsettling in Surrender to It, a new thriller from Tim Bryn Smith, arriving on UK digital platforms on 30 March 2026 through Miracle Media.

The story follows Dani, a grieving father struggling to process the sudden loss of his son. Hoping for some kind of release, he reconnects with his old drama workshop group for a retreat at Devil’s Bridge, a location steeped in folklore and quiet unease. It feels like the perfect setting to confront the past, though that sense of calm does not last long.

The group itself is anything but straightforward. Among them are an influencer, a Michelin star restaurateur, an ex-serviceman, an A-list Hollywood actor and a recovering drug addict. It is an unpredictable mix, and as personalities begin to clash, tensions slowly rise beneath the surface.

Surrounded by the striking hills and forests of the border, what begins as a reunion quickly spirals into something darker. Strange events start to unfold, and the atmosphere shifts from reflective to deeply unnerving. Each member of the group carries their own secrets, and as those secrets begin to surface, old wounds are forced open in ways none of them expected.

At the centre of it all is Dani, whose grief shapes the emotional core of the story. The trip offers the possibility of closure, but it also threatens to pull him deeper into something far more consuming.

Blending elements of mystery, horror, comedy and the surreal, Surrender to It promises an unpredictable journey where nothing stays buried for long. With its mix of character drama and creeping menace, it looks set to deliver a tense and unusual experience when it lands on digital this March.

On digital 30 March from Miracle Media 

Apple TV - https://apple.co/3NraRFa

PREVIEW: Itch! (2026 Film) - Starring Bari Kang

 

Bari Kang makes a striking entrance into horror with Itch!, a grim and tightly wound debut that first caught attention at Grimmfest. Now set for its digital release on 20 April 2026 via Seven Tales, the film arrives carrying strong early buzz and a premise rooted in both fear and human fragility.

Kang takes on multiple roles behind and in front of the camera, writing, directing, producing, and starring as Jay. That central performance gives the story a grounded core. Jay is a man dealing with loss, struggling through grief while the world begins to fall apart around him. It gives the film an emotional weight that runs alongside the horror.

At the centre of the story is a fast moving and deeply disturbing infection known as The Itch. It spreads rapidly, turning those affected into violent, unstable versions of themselves, driven towards destruction. As panic spreads across the city, Jay and his daughter, played by Olivia Kang, search for somewhere safe to hide.

They find temporary shelter in a convenience store, though safety quickly proves to be an illusion. The space becomes increasingly tense as more survivors gather, and suspicion begins to take hold. The threat is not just outside. It builds within the group itself, fuelled by fear and desperation.

As the infection draws closer and tensions rise, the film shifts into a more psychological space. Trust becomes fragile, and every decision carries serious consequences. The real danger begins to feel as though it lies in how people react when survival is on the line.

The relationship between Jay and his daughter remains at the heart of it all. Their bond is pushed to breaking point as they face impossible choices, forcing them to confront not just the situation around them, but each other. The story builds towards a conclusion that aims to challenge ideas of protection, sacrifice, and what people are willing to do for those they love.

With support from a cast that includes Patrick Michael Valley, Ximena Uribe, Mia Ventura Lucas, and Douglas Stirling, Itch! sets itself up as a bleak and intense addition to the outbreak horror space.

The film lands on UK digital platforms on 20 April, with a US release following on 21 April, offering a harsh and gripping experience that stays focused on both terror and the human cost behind it.

Interview with "Realm Drifters" By David Kempf

"Realm Drifters, your nightly portal to relaxation, ASMR, and the infinite cosmos of dreams."

1. When did you first become interested in horror?

I’ve been into horror media for as long as I can remember. Even as a young kid, I would embarrass my parents and grandparents on trips to Blockbuster; a six-year-old me running to the counter with a copy of A Nightmare on Elm Street or another slasher wasn’t unusual on a given weekend. The first TV show I remember truly looking forward to watching as it aired was Are You Afraid of the Dark?.


2. Did you always enjoy writing or performing?

Writing remains my strongest creative outlet and I’ve enjoyed it for a very long time. Years back, I wrote short stories for r/NoSleep that were eventually picked up by the Creepypasta community. I was shocked, and honored, when narrators I personally listened to suddenly began reading my stories on their channels without me even submitting them. As for performing... that part is still somewhat new to me!


3. Do you prefer horror TV shows or films?

I prefer horror BOOKS! But if you make me choose between those two, it’s film, hands down. I think episodic shows (unless they are anthologies) can often dilute the underlying terror and dread that a film can sustain. That said, I love Black Mirror, and The Twilight Zone is one of the best shows ever made, even if they don't always fit the strict definition of "horror."


4. Is there another genre that you are interested in?

So many. Sci-fi, westerns, crime, historical/historical fiction, fantasy..good stories can be found in so many other ‘realms’ (forgive me).


5. When did you first start your YouTube Channel? - Realm Drifters

I launched it late last year, but I really found my footing just before Christmas of 2025. I consider the channel to have truly "started" about three months ago. It’s still so young, and I’m amazed at its growth. I just wanted a place to tell my stories, and I’m incredibly grateful there are people who want to listen and visit these worlds with me.


6. Do you do all production and editing yourself for your YouTube Channel?

Yes, it’s a one-man show! I think a lot of viewers assume there’s a full team behind the scenes based on the comments I read, but the truth is, it’s just me. Occasionally, I’ll reach out to a female friend for help with specific roles, as I can’t accurately portray certain voices and I really don't want to break the immersion for the listener.


7. Do you believe viewers need to have spoilers in order to enjoy your work?

No. However, I think the broadcasts and narrations are much more special when you’re already familiar with the "realms" we visit. It provides more context, and it’s fun to hunt for easter eggs. I deliberately avoid spoilers in my content; for example, Resident Evil Requiem dropped recently, and I’ve had to delete comments that might spoil the game for listeners who haven't finished it yet. I’ve also resisted making any Requiem-related episodes until people have had more time to play.


8. Why do you think horror books and movies remain so popular?

It’s fun to be scared. When we’re growing up, we’re scared of the darkness under our bed, the creepy bush or house we have to walk past on our way home from school every day, being the last one to go home after the sun has just set. The monster lurking around the corner, the witch who lives in the house at the end of our street.. or maybe the slasher movie we just watched isn’t just a movie..and something’s waiting for you at the end of the hall…

We lose that as we grow up. Those unknown and primal fears are replaced by something else. We’re scared of losing our jobs. We’re scared of not being able to pay for our insurance or our declining health. Returning to that primitive fear while knowing we are safe under the covers gives us a thrill; it somehow makes us feel more secure once the story is over.


9. Why do you think that people are obsessed with learning something new about classic films like JAWS or The Thing?

Well. One of those (JAWS) changed the way films are made and released forever. I believe JAWS is widely considered the first blockbuster movie. The Thing is now a cult classic..and as I understand wasn’t much of a hit when it was released.

I think JAWS draws both horror fans and film buffs alike. It has master-class acting as well as a hell of a story behind how it was shot and edited, which appeals to film buffs.

The Thing has an amazing original score..as well as gives the viewer this paranoid, isolated, claustrophobic feeling the entire time you’re watching the movie. It also has an ending that is still talked about and debated decades after its release.


10. Who inspires you?

In my personal life? My father.

In my creative work? So many..but if I had to pick a couple I’d say Stephen King and Rod Serling.


11. What are some of your favorite horror books?

How much time do you have? Off the top of my head, I have to mention It, Misery, Revival, The Hellbound Heart, The Road, and The Silence of the Lambs. However, the scariest story I’ve ever read might be King's short story, The Jaunt.


12. What are some of your favorite horror movies?

The Thing, Storm of the Century, Doctor Sleep, Alien, Evil Dead, 28 Days Later, Psycho, and the first two Hellraiser films.


13. What are your current projects?

Right now, I'm focusing on more "Nightline" broadcasts! These take place inside fictional universes we already love, everything from Resident Evil and Jaws to The Thing and Evil Dead. Listeners get to sit alongside radio broadcasters and emergency dispatchers as events unfold in real-time. It’s designed to be immersive whether you're driving or trying to fall asleep. My most recent project was Alien: Nightline, set aboard a ship in deep space.


14. Please in your own words write a paragraph about yourself & your work.

I am the creator and voice of Realm Drifters, where I craft immersive broadcasts designed for entertainment, focus, and sleep. On a personal level, I’m a dog dad to a very stubborn dachshund, and have a ton of hobbies, including Chess and Brazilian Jiu-Jitsu. I live and grew up in California. I value my privacy, so I prefer to let the work speak for itself. On the channel, we are all "Realm Drifters", I’m just the guide into these experiences. Some folks have started calling me "Mr. Drifter" or "RD," and while I'm not sure how to label myself yet, I’m just happy to be along for the ride.

Check Out Realm Drifters on Youtube at

https://www.youtube.com/channel/UC8fBHdfXYzHDfLozB7T3irg
And join their Patreon at

https://www.patreon.com/cw/RealmDrifters

NEWS: Ghosts Heads to the Big Screen with a Halloween Release

 

By Jon Donnis

Lionsgate UK has announced that Ghosts: The Possession of Button House will be released in cinemas across the UK and Ireland on Friday 23 October 2026. Just in time for Halloween half term, the feature brings the beloved BBC comedy to the big screen for the first time.

Plot details are being kept secret while filming continues at West Horsley Place and other locations in the South East of England. Fans will have to wait to see how Button House and its quirky residents make the leap from television to cinema.

The film will be released in the UK and Ireland by Lionsgate, with global sales managed by BBC Studios. BBC Film presents it in association with BBC Studios as a Monumental Production, keeping the creative team behind the series firmly involved.

Marie-Claire Benson of Lionsgate UK described the film as a chance for families to enjoy a shared Halloween experience, capturing the humour and charm of the series on a larger scale. Producers Alison Owen, Debra Hayward and Alison Carpenter said they are thrilled to bring Ghosts to audiences in a new format, calling it an unmissable continuation of the story.

Directed by Simon Hynd, the cast includes Mathew Baynton, Simon Farnaby, Martha Howe-Douglas, Jim Howick, Laurence Rickard, Ben Willbond, Lolly Adefope, Charlotte Ritchie and Kiell Smith-Bynoe, reuniting the ensemble that made the show a success.

BIO: Laura Ellen Wilson - British Actress and Horror Genre Specialist

Laura Ellen Wilson is a British actress and martial artist whose career has grown largely within independent horror film. Born and raised in Chorley, Lancashire, she spent her early years as an only child before her parents became foster carers when she was sixteen.

Growing up in an active household, she trained in Kung Fu with her father and enjoyed outdoor activities such as weekend hikes. From a young age, Wilson showed a flair for performance, often putting on solo shows for her parents, and by thirteen she began taking acting classes and performing in school productions. Studying Musical Theatre at college further cemented her ambition, surrounding her with like-minded peers and confirming that acting was the path she wanted to pursue.

After college, Wilson worked internationally as a singer and dancer in hotels and on cruise ships, balancing these performances with small student film roles. In 2016, an injury forced her to retire from performing on stage, leading her to focus entirely on acting. The following year she landed her first lead role in the book-to-screen adaptation Monster, a pivotal moment that solidified her commitment to an on-screen career and introduced her to international audiences through horror film festivals.

Wilson has largely specialised in the horror genre, drawn to its collaborative nature and the chance to explore intense emotions and complex characters. She enjoys the combination of costumes, makeup, special effects and dramatic storytelling, which allow her to fully inhabit her roles. Among her notable performances are Friday the 13th: Vengeance, Chained, Monster, A Coven of Evil, and Introspectum Motel. Monster remains a standout experience as her first lead role and first feature film, while playing Trinity in Friday the 13th: Vengeance marked her first American project, working alongside original franchise alumni.

Her work in independent horror has been defined by close-knit collaboration, often living with cast and crew during shoots and forming quick, familial bonds. Long, late-night filming schedules are typical, and Wilson thrives in the inclusive, hands-on environment that independent productions offer.

Wilson’s upcoming projects demonstrate her range, including Clown Motel 3, where she plays the military character Sergeant Gunny; Skate to Hell, her first horror-comedy role alongside Eric Roberts; and The Black Sheep, her first antagonist role as the character Elizabeth. She is also cast in Campout Nightmare, portraying a survivor who guides younger characters, reflecting her ongoing interest in slasher and survival stories.

Wilson is drawn to narratives that challenge audiences and keep them thinking long after the film ends. While she is open to many types of characters, she particularly enjoys roles such as first kills or final girls. Looking forward, she aims to continue her work in the United States and hopes to transition into television within the next few years, aspiring to guest or recurring roles in series in the zombie, apocalypse or survival genres.

With a foundation in performance, martial arts, and independent horror filmmaking, Laura Ellen Wilson continues to expand her career while exploring challenging and memorable roles.