Filming has wrapped on The Nice Ones, a new psychological horror-thriller from writer and director Peter Stylianou. After gaining attention with his 2024 vampire feature Drained, Stylianou returns with a story that blends intimate paranoia with unsettling cosmic dread.
The film stars Joelle Rae (The Witcher) and Emrhys Cooper (Nosferatu) as Kate and Dale, a couple whose countryside trip with friends unravels in terrifying fashion. What begins as a carefree reunion at a chic Airbnb soon turns sinister after Kate spots strange lights in the sky. As paranoia takes hold, tensions within the group fracture, and an unseen force begins to infiltrate their retreat. Kate must face both her past and a threat that feels disturbingly otherworldly.
Emrhys Cooper
The ensemble cast brings together a mix of established and rising talent, including Donna Preston (The Sandman), Ian Whyte (Ghostbusters: Frozen Empire), Daniela Norman (Tiny Pretty Things), Ayvianna Snow (How to Kill Monsters), James Akka (The Sandman), Nick Lavelle (Red XII), Tom Kelsey (National Theatre Live: Dr. Strangelove), and Andrew Lyle-Pinnock (The Little Mermaid).
Stylianou describes the project as an exploration of identity and trust, playing with the fear that those closest to us may not be who they appear to be. Produced by RG Films, Level 33 Entertainment, and Snow Pictures, the feature also marks Ayvianna Snow’s first step into producing, after building a career with more than seventy screen roles. Level 33 will oversee worldwide distribution.
The Nice Ones promises a sharp mix of character-driven tension and eerie, supernatural unease, setting up Stylianou as a filmmaker to watch in the independent horror space.
(L) Dorian Todd, (M) Megan Tremethick, (M) Sam MacMillan, (R) Novarro Ramon
Press Release:
The B-Team has closed its debut feature campaign for Mr Whispers with a massive crowdfunding victory, raising £67,492 from 489 backers - 269% of its £25,000 goal - over the course of a 24-day campaign that began on August 5. The campaign was fronted by the film’s producer and star Megan Tremethick, whose previous credits include The Reign of Queen Ginnarra, The Slave and the Sorcerer, and In the Grip of Terror.
Billed as a late-1990s, VHS-era occult thriller, Mr Whispers is a retro horror project about a spooky urban legend. It tells the story of a group of curious film students, led by the goth sleuth Kathryn Hale (Tremethick), as they uncover the secrets that dwell within the shadows of an abandoned cinema linked to a series of child disappearances.
(L) Megan Tremethick as Kathryn Hale and Mr Whispers (R)
While creating Mr Whispers, the crew drew inspiration from found footage horror, with films like Noroi: The Curse, The Blair Witch Project, and Lake Mungo informing its tone and style.
“Personally, I find genre films of this style to be the most frightening,” director Dorian Todd explained. “When the camera exists in the story, it feels real. With Mr Whispers, I wanted everything to feel raw and genuine. The characters, their reactions and, of course, the scares.”
Although the B-Team is a new creative label under the British Horror Studio umbrella, the production team is an experienced group. Directors Seumas MacNeil, Oliver Revie, and the aforementioned Todd are making moves in the UK horror scene following collaborations with Lawrie Brewster and Sarah Daly’s Hex Studios. The cast also includes Tremethick, Novarro Ramon, Stephen Corrall, and Sam Barclay, who will be familiar to viewers of Brewster and Daly’s brand of scare fare.
From Hex Studios to Amicus Productions, British Horror Studio’s output is inspired by the UK’s genre cinema from yesteryear, and The B-Team division is no different. The B Team’s branding references Tigon Productions, the 1960s and 1970s studio behind Witchfinder General and Blood on Satan’s Claw. The label’s logo even pays homage to the legendary studio’s emblem, replacing the tiger with a black cat. Tremethick, who co-leads the new outfit with Paul William Kelly, explained the symbolism:
“The Black Cat is eternally linked to witchcraft and superstition. It is also a beautiful and misunderstood beast, much like the team of underdogs that have come together to form this studio. Our aim is to provide inspiration to indie filmmakers and fans around the world.”
The B Team has stated that it intends to follow Tigon’s model of producing smaller-scale but distinctive horror titles, while also aiming to release three to four features each year. With that in mind, what does the future hold for the imprint?
Mr Whispers’ Crowdfunding Campaign Is an A+ for The Team
Mr Whispers‘ fundraising figures are notable for a debut project. The campaign’s shorter 24-day duration contrasts with the longer windows often used by new independent features. The average pledge of nearly £140 suggests strong uptake at collector levels, with audiences opting for physical media and premium rewards in addition to standard digital tiers.
The project also highlights the regional growth of independent horror production in Scotland. Communities in Fife and across the Central Belt have become active centres for low-budget genre filmmaking, with filmmakers and audiences overlapping through online groups and local networks. In the case of Mr Whispers, social activity from the British Horror Studio contributed significantly to late-stage pledges.
For The B-Team, the next step is production and delivery. The synopsis indicates a story set against the backdrop of late-1990s horror, with an emphasis on a visible central antagonist rather than a purely implied presence. The project will now enter post-production, with further announcements expected once schedules and distribution plans are confirmed.
The B-Team’s creation also reflects a wider shift within independent horror towards direct community engagement. Instead of relying solely on film festivals or traditional distributors, the studio uses crowdfunding as both a financial tool and a means of audience-building. This approach has become increasingly common in the genre, providing early financial data and evidence of audience interest for later negotiations with distributors or streaming platforms.
The independent film market remains competitive, but the B-Team’s debut establishes a foundation for further work. With a clear production target of three to four films annually, and with support from the British Horror Studio community, the label now has both the funding data and an identified audience to sustain ongoing development.
Killer clowns are rampaging across the nation and one determined doctor is set on finding the truth. Can she save her family and the world from true evil, and a fate worse than death, in a hair-raising new horror
Get ready for one hell of a fright night as the cult of clown descends this spooky season in Helloween.
The year is 2016. The ‘killer clown’ craze is in full swing, the streets are in chaos and the media is fuelling the fire with fearmongering headlines. Inside a high security psychiatric hospital, embattled psychiatrist Dr Ellen Marks, played by Jeanine Nerissa Sothcott, is facing a very real threat. One of her patients is the notorious child serial killer Carl Cane, portrayed by Ronan Summers.
Then he escapes, and he does it in shockingly brutal fashion. Now the doctor is in a race against time to save her daughters from the killer’s maniacal revenge. As bloody carnage rages outside, she is forced into a fight for survival, facing something that may not even be of this world.
Prepare for clownmaggedon this Helloween, as one evil entity is intent on tearing society apart.
We caught up with the awesome Kirsten McKensie, a former Customs Officer who is now a full time writer.
1. When did you first become interested in horror?
When I’d first started working, I was ‘conned’ into signing up for a book ordering scheme, where you either could choose the book you received every month, or they would just send you one. Most of the time, I forgot to choose, and that’s how I ended up with a healthy collection of Dean Koontz hardbacks! And that was the beginning. From there it was a very small step into Stephen King, and that was it, I was hooked.
2. Did you always enjoy writing?
Yes absolutely, but I didn’t do anything about it until it was a slow winter’s day in the family antique shop I was working in, and I announced to my brother that I was going to write a novel. He said to me, ‘You never finish anything,’ so as a starter, I was out to prove him wrong. And then I got a publishing contract. The rest is history!
3. Do you have a favorite vampire character?
I’m not ashamed to admit that I love, and will always love, Edward Cullin. Yes, he of the sparkling skin. Twilight remains a guilty pleasure, and I adore both the books and the films. As a more grown up choice, I can’t look past Matthew Clairmont in Deborah Harkness’s ‘A Discovery of Witches’. He is the perfect vampire.
4. Is there another genre that you are interested in?
Time travel. Stephen King’s ‘11.22.63’ and Ben Elton’s ‘Time and Time Again’ and Connie Willis’ ‘The Doomsday Book’ are the three best time traveling historical mystery books out there.
5. Are there topics in horror that you will not write about?
Child abuse. Or child sexual assault. That should never be used for entertainment purposes.
6. Do you have other favorite monsters besides vampires?
I am quite partial to a good zombie. Ghosts or sea creatures or demons or witches don’t interest me as much as vampires and zombies!
7. If vampires were real-what would be the best way to defend yourself against them?
I think the post accessible way of defending yourself against vampires is a stash of garlic of course. I mean, holy water isn’t readily available in the house, and nor are silver bullets. I suppose I could repurpose some of my bamboo garden stakes, but I’m just not that handy! So garlic cloves it is.
8. Why do you think horror books and movies remain so popular?
Because people like to know that their lives are better than what they could be if vampires were real. Or if the woods really were haunted. It’s a relief to know that while your life might feel a bit shite, it could be much worse!
9. Why do you think that people are obsessed with being scared?
Because you can scream without judgement, and then you get to curl up in your bed and know that you’re safe.
10. Who inspires you?
Stephen King for sure. The way he creates such well rounded characters. And then George R R Martin for his descriptions of his characters.
11. What are some of your favorite horror books?
Most recently, it would have to be ‘The Southern Book Club's Guide to Slaying Vampires’ by Grady Hendrix. Absolutely loved it. And again, ‘My Best Friend’s Exorcism’, also by Hendrix. The scaries book I’ve ever read is Stephen King’s ‘The Shining’. I had to put it down several times and walk away, or I might have had a heart attack. Closer to home I loved ‘The Opposite of Life’ by Narelle Harris, which I hear is being made into a TV series, which is incredibly exciting. And ‘Despatches’ by Lee Murray.
12. What are some of your favorite horror movies?
‘Scream’ (the original one), and ‘I Know What You Did Last Summer’ (the original one). And a couple of homegrown ones - ‘The Frighteners’, directed by Peter Jackson. And I want to add in a television series from my childhood - ‘Under The Mountain’, written by Maurice Gee. Earlier this year I read the book, to see if the scares still stack up. They do. Even as an adult, the hairs on my arm lifted and I became just as terrified of the Wilberforces as I was as a child.
13. What are your current projects?
Currently I am working on my 2nd time travel book in collaboration with US author Shawn Inmon (who writes the Middle Falls time travel series). But I always like to intersperse my time travel books with a horror, so I have a small town America story bubbling away too.
14. Please in your own words write a paragraph about yourself & your work.
I used to fight international crime as a Customs Officer in both England and New Zealand. Then, I was held up at gunpoint whilst working in my family antique store. Now I live a very safe life behind my antique desk writing full time. I alternate between writing time travel trilogies and polishing my next horror. Any spare time is spent organising author events and appearing on literary panels at various festivals around the world.
Second Sight Films is back with its latest horror classic to get the Limited Edition treatment, The Innkeepers. The critically acclaimed, award-winning early work from horror auteur Ti West, one of the most prominent horror filmmakers of his generation, gets a major makeover in a newly restored 4K version, approved by the director himself, this Summer.
And to celebrate we have a copy on standard Blu-ray to give away!
Synopsis:
Two employees at a rundown inn are desperate to prove the building is haunted before it gets closed down. Unfortunately for them, they may just get what they wished for.
Described by View London as ‘unmissable and one of the best films of the year - 5 stars’ and ‘an old-fashioned ghost story, made the more piquant by Paxton’s sympathetic, funny, vulnerable lead performance’ by Screen Daily, The Innkeepers Limited Dual Edition 4K UHD/Blu-ray arrives 25 August 2025, alongside Standard versions.
The Limited Edition Box Set is presented in a stunning rigid slipcase with new artwork by Nick Charge with a fascinating 120-page book with new essays. All versions come complete with a slew of special features including brand new interviews with the director, cast, cinematographer and much more.
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.
1. When did you first become interested in horror?
At a very young age for sure. I remember seeing all the Universal monster movies, JAWS, The Exorcist, The Omen, Don’t Be Afraid of the Dark and a myriad of other classic horror staples that intrigued and inspired me.
2. Did you always enjoy going to see movies?
Always. Going to the movies was the highest level of escapism in those days.
3. Do you prefer making feature-length films or shorts?
I enjoy making anything in film.video. Micro-shorts, shorts, features, episodic pieces. They all have their place.
4. Tell us about Theatre of Terror.
Theatre of Terror LLC is a production company I founded in 2012. It was the result of years and years of making home video movies with my childhood friends. The name was originally a play on the old television show Masterpiece Theater. The first time we used the name was while performing our own version of that show where we reviewed faux horror movies.
5. Are there topics you would not put into a movie?
Not necessarily. I believe that when you explore any subject matter, it should be pertinent to achieving the goals you set for your story. Whether you want to shock the audience, make them cry, get them excited, or make them laugh. As long as it works within the story and is a necessary element of that story to engage the audience, I’m all for it. With that said, there is a level of taste that defines what I watch and what I make.
6. Do you have any advice for up and coming filmmakers?
I could offer plenty of advice but to keep it simple I would say, start filming today. The rest you can learn tomorrow.
7. Do you believe the audience need to be hooked from the first scene in?
A great opening will certainly give you a better chance at retaining your audience for your entire film. In this day and age of instant gratification from 10 second videos and waning attention spans, we are working harder than ever to get people to sit still through a full length movie.
8. Why do you think horror books and movies remain so popular?
We live in a very scary world. Life is scary. None of us want to be in a truly horrific situation like experiencing homelessness, facing starvation, having a life-threatening disease, being a victim of violence, or suffering a traumatic loss. We avoid those things at all costs yet there is something deep down inside of all of us that is stimulated by the adrenaline rush of being in fear. Horror movies and books are a safe way for us to explore those feelings without real life repercussions. No one likes falling from an extreme height, but damn do people love roller coasters.
9. Why do you think that people are obsessed with being scared?
See my previous answer.
10. Who inspires you?
Anyone who sets their mine to doing something difficult and accomplishes it. Athletes, artists, doctors, engineers, you name it. People are capable of doing extraordinary things and when they demonstrate that, I’m inspired.
Now if you mean someone in the film realm, there are too many to list, but Spielberg has always been one of my main inspirations.
11. What are some of your favorite horror books?
Brian Lumley’s monster/spy series Necroscope. It would make for an amazing television show.
12. What are some of your favorite horror movies?
I’ll give you three very different films. The Thing, High Tension, and The Tourist Trap.
13. What are your current projects?
I’m currently developing a new film that is near and dear to my heart and genre fans everywhere. Unfortunately I cannot reveal those details just yet. I will be announcing more in the coming weeks exclusively to our website subscribers.
14. Please in your own words write a paragraph about yourself & your work.
As an artist I have dreamed of creating stories, music and visuals since my early childhood. From drawing comic books, to filming VHS movies, to performing in rock bands, the world of entertainment and fiction has always been my reality.
I have worn every hat on my productions and continue to wear many. My desire is to share my wildest ideas, my most passionate dreams, and my terrifying nightmares with audiences to entertain them and bring them some of the magic that shaped my imagination. Films are supposed to make us feel something. In making them, I open my heart, mind and emotions to the world.
For more about Tom and Theatre of Terrors check out the links below.
The Death of Snow White takes the fairytale most people grew up with and shoves it headfirst into a pit of blood, occult rituals and feverish invention. Director Jason Brooks wastes no time tearing apart the clean, polished version and replacing it with something far darker. The opening alone sets the stage, with Chelsea Edmundson’s Queen slicing her own palm in the middle of a spell. From that moment, you know exactly what you have signed up for. It is dramatic, unashamedly violent, and makes no attempt to hide what it wants to be.
The forest setting is more than just a backdrop. It feels alive, a twisted labyrinth filled with shadows and strange predators. When Snow White, played with unexpected grit by Sanae Loutsis, finds herself in its depths, the whole energy of the film shifts. The dwarves here are not harmless miners or comic foils. They are cold blooded killers, each with such exaggerated traits that they almost tip into parody, yet somehow the tone makes it work. Watching Snow White slowly adjust to their brutal world is oddly rewarding. Brooks clearly wanted her journey from hunted girl to fierce avenger to feel real, and it does.
Chelsea Edmundson’s performance as the Queen is the beating heart of the film. This is not the usual vain and spiteful monarch. She is something much more dangerous, a woman who has already burned through every limit and is now exploring what lies beyond. The production design of her castle is both grim and captivating, and the magic rituals have a physicality that makes them memorable. The limited budget shows when the computer effects appear, but rather than detract from the experience, it fits the rough edged B movie personality of the piece.
The final act pulls no punches. The apple is not a delicate weapon of deception here, it is the trigger for a violent curse. What follows is a relentless battle where no one is safe, and characters you have grown to like are cut down without warning. The practical gore effects manage to be both stomach churning and inventive. Snow White’s ultimate fight with the Queen is raw and savage, ending with a moment involving Tiny’s axe that delivers the sort of bloody satisfaction fans of this style of horror will appreciate.
It is not perfect. The middle section loses momentum for a short stretch, and a few smaller roles are not as strong as the leads. Yet as a twisted, unrestrained reworking of the Snow White story, it is a triumph of gleeful excess. It may not be for everyone, but for those who enjoy their fairytales soaked in blood and chaos, this is one of the most entertaining takes in a long while. I left the film grinning, which is probably not the most comforting thing to admit.
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