Interview with Barbie Wilde By David Kempf

 “Barbie Wilde is best known for playing the Female Cenobite in Clive Barker’s classic British cult horror movie, Hellbound: Hellraiser II. Before moving to the UK, Wilde attended Syracuse University in New York State, majoring in Drama and Anthropology. She continued her education in London, studying Drama, Classical Mime and Art History, before joining Britain’s largest classical mime troupe, SILENTS.

Wilde has performed in cabaret in Bangkok, Thailand; robotically danced in the Indian blockbuster, Janbazz; was a vicious thug in Michael Winner’s Death Wish 3; and played a drummer in the so-called “Holy Grail of unfinished and unreleased 80’s horror”: Grizzly II: The Concert, which also featured then unknowns George Clooney, Laura Dern and Charlie Sheen.

In the early 1980s, Wilde danced professionally at the top nightclubs and rock venues of New York, London and Amsterdam with her group, SHOCK. SHOCK released two singles on RCA Records and supported such artists as Gary Numan, Ultravox, Depeche Mode and Adam and the Ants.

Wilde wrote and presented eight music and film review TV programs in the 1980s and 1990s, interviewing such pop personalities as Iggy Pop, The Sisters of Mercy, The B-52s and Johnny Rotten, as well as actors Nicolas Cage and Hugh Grant. Wilde was also a Casting Director for the BBC’s The Buddha Of Suburbia and for MTV’s The Real World: London.

In 2009-2016, Wilde contributed short stories to 15 horror or crime anthologies and publications. In 2012, Comet Press published Wilde’s well-received debut dark crime, serial killer novel, The Venus Complex. Fangoria has called Wilde “one of the finest purveyors of erotically charged horror fiction around.”

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Interview with Barbie Wilde By David Kempf

Please tell us about your new illustrated horror short story collection Voices of The Damned. 

Here’s the blurb that I came up with for the book, which I believe describes it perfectly:

Enter into the mind of Barbie Wilde, whose disturbing interior world teems with the voices of rebellious female demons, devilish witches, semen-hungry neo-vampires, raging gods and home invaders, the fiends of sleep paralysis, pint-sized store-front preachers with a whiff of sulfur, body horrors of the most grotesque kind, clandestine aliens and Zulu zombies.

These truly are the Voices of the Damned: eleven short horror stories from Barbie Wilde, actress (Hellbound: Hellraiser II, Death Wish 3) and dark crime-horror novelist (The Venus Complex).

Each story is accompanied by seductive, haunting, full color artworks and illustrations created by some of the most imaginative artists in the genre: Clive Barker, Nick Percival, Steve McGinnis, Daniele Serra, Eric Gross, Tara Bush, Vincent Sammy, & Ben Baldwin.

When did you first become interested in writing?

I’ve been writing ever since I was a little kid. I wrote a play about the American Revolutionary War patriot Paul Revere when I was 12 and acted out all the parts in front of my 6th grade class. That was the first time I heard applause and I was hooked. Even when I was a full time actress, I was trying my hand at screenplays and TV shows.

When I hit my mid-thirties, “acting left me behind” as thespians say, and I turned my hand to casting commercials and TV shows, however, the love of writing was always buzzing away in the background until I was working on it full time, creating my debut diary-of-a-serial-killer novel, The Venus Complex, which was published by Comet Press in 2012.

In 2009, I wrote my first short horror story, “Sister Cilice” (the tale of a sex-starved nun who transforms into a female cenobite), for the Hellbound Hearts anthology, which was edited by Paul Kane and Marie O’Regan. I was subsequently asked to submit to other short horror story anthologies such as The Mammoth Book of Body Horror (again edited by Paul and Marie) and Dean M. Drinkel’s Phobophobia, Phobophobias, The Demonologia Biblica, The Grimorium Verum, etc. Many of these stories are featured in Voices of the Damned.


How did you get involved in fantasy/horror?

I’ve always been interested in the criminal mind, which is why I wrote The Venus Complex. Writing horror isn’t such a great leap from crime, because I tend to write about real life horror. Man really is the scariest monster of them all. Although this doesn’t preclude me tackling supernatural subjects such as vampires, demons, enormous polyps, and possessed children as well.


How did you land the part of the Female Cenobite in Hellbound: Hellraiser II?

The casting director for Hellbound, Doreen Jones, called my acting agent and arranged for me to audition with Tony Randel. I nearly didn’t go because the first Hellraiser film disturbed me so much! I also thought that I was going up for the role of the Chatterer and I hated the idea of that kind of heavy mask work, having done it in the past. However, I had a great chat with Tony and I ended up getting the part.

Why? I’m not sure. I did have classical mime training and I know that Clive was very interested in mime, so that might have been a deciding factor.


Was it scary to work with Charlie Sheen?

In Grizzly II: The Concert, Charlie played a “Red Shirt”, i.e., a fairly inconsequential character who gets killed off quite quickly. I never actually met him, or Laura Dern, or George Clooney during the filming. (It’s amazing how many soon-to-be-famous actors appeared in this so-called “Holy Grail of unfinished and unreleased ‘80s horror”.) All my scenes were filmed on a huge concert stage in a national park in Hungary. I was playing a drummer in an electronic band performing in the park while Charlie, Laura and George were being munched on by the bear in the forest somewhere nearby.

Grizzly II was a very strange experience, but I did have a lot of fun. Bits of the film can still be found on Youtube. I think there were a lot of technical problems with the mechanical bear, which kept breaking down, along with the usual financial woes, that finally scuppered the film.


Tell us about receiving literary critical praise from the world’s premiere horror magazine Fangoria.

I was thrilled, to say the least. I initially contacted Chris Alexander, the editor-in-chief of Fangoria at that time, and asked him if he wanted to review The Venus Complex. Chris asked me to send him everything that I’d written up to that point and we ended up doing an interview featurette in Fangoria #321 called “Bad Barbie”.  Chris really understood where I was coming from in trying to explore the sexual mindscapes of my characters in a way that I felt hadn’t been done before. It didn’t matter if the character was a Greek myth-obsessed shut-in, or a 300 year old witch, or an author suffering from writer’s block, or an art history professor who ends up morphing into a serial killer.

Also, having New York Times best-selling author John Skipp review The Venus Complex and a filmmaker like Izzy Lee review Voices of the Damned was brilliant, as I love their work so much.

What does Clive Barker think of your fiction?

Clive has been incredibly supportive of my work, as well as being very generous. His beautiful artwork, “She Waits”, is the cover art for Voices of the Damned, “Kiss Me” for my nun-turned-Female-Cenobite story, “Sister Cilice”, and “Princess Breath” for “Gaia”.


What do you see as the primary difference between British and American horror?

You know, I’ve never thought about it in those terms. Although I’ve been in the UK a long time, I’ve only written two stories from a British perspective. The first one, “Zulu Zombies”, appeared in the antho The Bestarium Vocabulum (edited by Dean M. Drinkel), then it was reprinted in Fangoria’s Gorezone and it now features in Voices of the Damned with a fantastic illustration by Nick Percival. Milton Keynes and London are the settings for “Zulu Zombies”.

“Blue-Eyes”, a story that I’ve just written for the Best British Horror: Green and Pleasant Land antho, is set in the green belt north of London.

Since I grew up in Canada and the USA, I’ve always given a North American sensibility to my stories because that’s what I know best. That’s also where the biggest differences can be found, for example: the lingo, the locations, and the cultural background and perspectives of the characters.


What are your favorite horror books?

Dracula, Frankenstein, The Hellbound Heart by Clive Barker, The Stand, The Shining…

My favorite authors: Clive Barker, Patricia Highsmith, Shirley Jackson, Colin Wilson for his true crime books, Raymond Chandler, Ernest Hemingway, Paul Kane, Ramsey Campbell and Philip K. Dick. Also, writers for the screen such as David Cronenberg, Guillermo del Toro, The Soska Sisters and John Carpenter.


What are some of your favorite horror movies?

Hellraiser, Audition, The Ring, Sinister, American Mary,  Invasion of the Body Snatchers (1956), The Haunting (1963), The Thing From Another World (1953), Carpenter’s The Thing, Alien, Halloween…


What do you consider your greatest accomplishment as an author?

To fearlessly explore the minds, the urges and the emotional landscapes of my characters and to never self-edit myself while doing so.


Do you have any advice for new writers?

My favourite inspirational quote is from the movie GalaxyQuest: “Never give up! Never surrender!” It’s the best advice I can give to anyone going into the arts.


What is your opinion of the new self-publishing trend?

I’ve always gone with well-respected independent publishers because they’re very supportive and enthusiastic about my work. I’ve had some friends go the self-publishing route and I think that they’ve been rather disappointed by the response they’ve received. Of course, there is always the “Twilight”-type example that shows that self-publishing can lead to great success, but that’s probably the exception that proves the rule.


What are your current projects?

I’m currently working on a couple of film scripts based on two of my short horror stories. I’m also gearing up to the 30th Anniversary of Hellraiser in 2017. There are some horror convention appearances with my fellow cenobites on the horizon.


Please in your own words write a paragraph about yourself & your work.

Well, the narrative arc of my career has certainly been a wild one. (Pun intended!) Starting out as an actress, then having a pop career in the early ‘80s, moving into writing and presenting as a host of eight different TV shows, then working as a casting director, and finally becoming a published author. I guess you can say that when one door opened, I didn’t hesitate, I just walked through and discovered the strange and wonderful surprises that lay beyond. Becoming an author has been one of my favourite and most liberating career choices as I’m fascinated and exhilarated by writing fiction, where there are no boundaries to my imagination. As far as my work is concerned, I consider myself very much a character-driven author. Instead of just playing roles, I now create characters — the darker the better — and then let them loose upon the world. And if you do choose to read one of my twisted and erotic tales, not only will you hopefully be scared and disturbed, you’ll also be amused — and perhaps even offended and disgusted. But the likelihood is that you’ll always remember my horror stories.

Website: www.barbiewilde.com
Facebook: www.facebook/barbie.wilde, www.facebook.com/BarbieWildeAuthorActress
Twitter: @barbiewilde

Credits:
Photographer Iain McKell
The Venus Complex cover Daniele Serra
Voices of the Damned - Clive Barker
American Mutant art by Vincent Sammy

Competition: Win Lair of the Beast DVD

Lair of the Beast is released on DVD August 22. And to celebrate we have a great competition for you and 3 copies on DVD to give away.

Synopsis:
Four friends hike into the Pinewood forest to find evidence of the Chupacabra, a creature believed to be responsible for the disappearance of a group of experienced hikers a year earlier. As they journey deeper into the forest, they are introduced to a darkness that leaves these four victims fighting for their lives. One by one these friends are faced with the reality of survival.

Lair of the Beast is released on DVD August 22

Win This:
Lair Of The Beast [DVD]

To enter all you have to do is answer this easy question...


Who Directs Lair of the Beast?

To enter Email us on competition@mastersofhorror.co.uk with your answer, along with your name and address.



Terms and conditions
1. Closing date 29-08-16
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.

Film News (UK): Horror Channel FrightFest announces 2016 Short Film programme

Neck and Neck
With twenty-six films over three days, including seven World, five European and nine UK premieres, Horror Channel FrightFest’s 2016 short film showcase shines a  dazzling spotlight on the brave new wave of emerging genre talent, with UK films at its pulsating dark heart.

There are ten films representing the UK. From Cat Davies comes CONNIE, a dark look at the world of stand-up comedy with Catrin Stewart and a guest appearance by horror guru Kim Newman.
Then there is FRANCOIS, the first short by Preston Nyman, son of FrightFest favourite Andy Nyman, about a man with a disturbing mission. Plus there’s Neville Pierce’s BRICKS, starring Jason Flemyng, giving a horror twist to the class struggle. Bob Pipe’s THE MONSTER, is a touching and terrifying homage to old-time monster films, while NECK AND NECK, from Mew Lab animation studio, is a surreal homage to Shakespeare. There’s the latest in zombie terror with DAWN OF THE DEAF by Rob Savage, and the romantic dark fantasy of NEON by Mark J. Blackman. Completing the home-grown line-up are film writer turned director Sam Ashurst’s suspenseful HELL’S GARDEN, Damon Rickard’s psychologically gripping DISSOCIATIVE, and Christopher Goodman and Kate Walshie’s disease-ridden BLIGHT.

From the US, we have three returning FrightFest alum. Jill ‘Sixx’ Gevargizian is back with THE STYLIST, the secret and bloody world of hairdressers; GWILLIAM is the latest comedy-terror from Brian Lonano; and Chris McInroy’s DEATH METAL turns up the horror volume to the max. John Carpenter wrote the music for and makes a cameo appearance in THE PUPPET MAN, an homage to 80s slasher films; the fantastic Zoë Bell delivers the laughs and kicks ass in NO TOUCHING, starring Jake Busey, and, in THE GARDEN, a young ballerina tries to break free from tyranny. Plus director Ryan Spindell pits babysitter against psychopath in THE BABYSITTER MURDERS and we get a very dark portrait of an underground fetish club in Mila Zuo’s CARNAL ORIENT.

The Babysitter Murders
From around the world, there’s South Korean comedy in BOW WOW BOW, Ayako Fujitani’s hilarious look at the mundane life of an office worker; Gigi Saul Guerrero returns with macabre horror in MADRE DE DIOS and there’s more comedic terror from Spain with THANATOPRAXY. Plus we have a diabolical Luxembourgean mouse in PEARLIES, two scientists on a journey into the Icelandic unknown in French director Fabien Dubois’ HERE WE ARE, monsters in  the closet in Canadian director Greg Jeffs’ IT’S ALL IN YOUR HEAD and two gems from Australia – Stefani Speerin’s demented pantomime ISADORE and CURVE, Tim Egan’s visually intense story of survival.

Programmer Shelagh Rowan-Legg said today: "From dystopian prisons to underground fetish clubs, to isolated country houses, to the streets of Seoul, the shorts programme for Horror Channel FrightFest 2016 will take the audience to the strangest corners of the world and the darkest depths of the human soul”.


The full line-up
SATURDAY AUGUST 27TH – DISCOVERY SCREEN ONE from 1:10pm

GWILLIAM (UK Premiere)
Director: Brian Lonano. Cast: William Tokarsky, Paul Painter. USA 2015. 6 mins.
A recently released criminal is looking for a good time. He can forget his sins but he can never forget...Gwilliam.

CONNIE (World Premiere)
Director: Cat Davies. Cast: Catrin Stewart. Special Appearance by Kim Newman. UK 2016. 20 mins.
Would-be comedienne Dolly can’t seem to find the right act. Until she meets Connie, who helps her discover a darker side of funny.

BLIGHT (World Premiere)
Director: Christopher Goodman and Kate Walshe. Cast: Jack Parker, Rosalind Parker. UK 2015. 6 mins.
A small town detective ventures to a remote cottage to check upon an isolated family, where he discovers a monstrous illness has had dire consequences.

THE STYLIST (UK Premiere)
Director: Jill Gervagizian. Cast: Najarra Townsend, Jennifer Plas. USA 2016. 15 mins.
Claire is a lonely hairstylist with an unnerving desire to escape her disappointing reality. When her final client of the evening arrives, Claire has plans of her own.

NECK AND NECK (UK Premiere)
Director: Shaun Clark. Cast: Melvyn Ternan. UK 2016. 5 mins.
In the marital bed the surreal sensuality enveloping Othello and Desdemona is disturbed by a dangling telephone, poisoning Othello’s mind.

THE GARDEN (European Premiere)
Director: Natalia Iyudin. Cast: Sophia Lillis, Julian Sarin. USA 2015. 13 mins.
In 2089, humans become an outmoded being, and the only way to survive is to integrate into A.I. constructs. Yet Luc would rather die than conform.

BOW WOW BOW (UK Premiere)
Director: Ayako Fujitani. Cast: Insoo Park, Eunjeong Lee. South Korea/USA 2015. 15 mins.
Sangil lives his routine and mundane life by the clock. But a slight disruption might have unintended consequences.

SUNDAY AUGUST 28TH – DISCOVERY SCREEN ONE at 10:50am

FRANCOIS (World Premiere)
Director: Preston Nyman. Cast: Alex Tol, Leroy Emmett. UK 2016. 5 mins.
A young man with a love of 1950s songs must commit dark acts against his will for the benefit of a higher authority.

NO TOUCHING (European Premiere)
Director: Will Corona Pilgrim, Adam Davis. Cast: Zoe Bell, Doug Jones, Jake Busey. USA 2016. 13 mins.
In a shady haunted house attraction where the performers are assaulting female patrons, the tables are turned by two resourceful women.

THE PUPPET MAN (UK Premiere)
Director: Jacqueline Castel. Cast: Crystal Renn. Special Appearance by John Carpenter. USA 2016. 9 Mins.
A supernatural killer stalks a young woman and her friends in this reference-laden homage to 80s horror films.

DAWN OF THE DEAF (UK Premiere)
Director: Rob Savage. Cast: Caroline Ward, Stephen Collins. UK 2016. 12 mins.
When a sonic pulse infects the hearing population, a small group of Deaf people must band together to survive.

CURVE (European Premiere)
Director: Tim Egan. Cast: Laura Jane Turner. Australia 2016. 10 mins.
Clinging to a smooth, curved surface high above a sentient abyss, a woman tries to cover the few feet back to safety.

THE MONSTER (Preview)
Director: Bob Pipe. Cast: Rich Glover, Helen George. UK 2015. 16 mins.
He’s just trying to make a living and find love in the crazy world of monster movies. But will his greatest asset also be his downfall?

PEARLIES (UK Premiere)
Director: Pascal Thiebaux. Cast: Lionel Abelanski, Matthieu Clément-Lescop. Luxembourg 2015. 12 mins.
If a tooth is missing, it simply must be replaced. By any means necessary...

CARNAL ORIENT (UK Premiere)
Director: Mila Zuo. Cast: Akemi Look, West Liang. USA 2015. 8 mins.
A dark portrait of an underground fetish club, where the performer might have the last revenge.

HERE WE ARE (International Premiere)
Director: Fabien Dubois. Cast: Aladdin Serraoui, Antoine Lesimple. France 2015. 16 mins.
Two science students travel to a remote part of Iceland to test a large-scale magnetic theory. But what they encounter might have unknown ramifications.

MONDAY AUGUST 29TH – DISCOVERY SCREEN ONE at 12:30pm

DISSOCIATIVE (World Premiere)
Director: Damon Rickard. Cast: Tom Gordon, Amanda Hunt. UK 2016. 5 mins.
Frank needs to know who killed his wife. But an unseen hand might be guiding his dark fate…

DEATH METAL (European Premiere)
Director: Chris McInroy. Cast: Kirk Johnson, Michael Dalmon. USA 2016. 5 mins.
A metalhead gets passed down a satanic guitar that riffs to shreds.

THE BABYSITTER MURDERS (London Premiere)
Director: Ryan Spindell. Cast: Caitlin Custer, Ben Heathcoat. USA 2015. 22 mins.
It was a dark and stormy night, when the innocent babysitter battled the escaped psychopath. But turning the tables might not be so easy…

HELL’S GARDEN (World Premiere)
Director: Sam Ashurst. Cast: Katie Sheridan, Nick Helm. UK 2016. 2 mins.
A woman sees a man burying a body in her back garden; will the police arrive in time to save her from untold danger?

MADRE DE DIOS (UK Premiere)
Director: Gigi Saul Guerrero. Cast: Tristan Risk, Luis Javier Gutierrez. Canada 2015. 7 mins.
A woman wakes up bound to an altar, helpless as she is transformed into a flesh and blood statue of Santa Muerte by two elderly Brujos.

NEON (World Premiere)
Director: Mark J. Blackman. Cast: Joe Absolom, Kerry Bennett. UK 2016. 15 mins.
A man who is forbidden by a higher power from pursuing love attempts to end his life, to spare the woman he loves from her own life of heartbreak.

THANATOPRAXY (London Premiere)
Director: Victor Palacios. Cast: Cristina Gallego, Andrea Carballo. Spain 2015. 11 mins.
Mary and Monica work in a mortuary. Mary needs a donor heart for his father. Monica has an idea: steal it from work.

ISADORE (European Premiere)
Director: Stefani Speerin. Cast: Sam Foster, Tanya Schneider. Australia 2015. 14 mins.
In a strange pantomime theatre, Isadore holds a dance troupe captive while he tries to create the perfect performance.

BRICKS (London Premiere)
Director: Neville Pierce. Cast: Jason Flemyng, Blake Ritson. UK 2015. 10 mins.
A wine connoisseur and a brick layer, discussing details of grape variety and building walls. What could go wrong?

IT’S ALL IN YOUR HEAD (World Premiere)
Director: Greg Jeffs. Cast: Addison Jeffs. Canada 2016. 6 mins.
There are all kinds of monsters hiding in the closet.

Horror Channel FrightFest runs from 25th - 29th August 2016 at The Vue Cinema, Shepherds Bush, London W12.

Single tickets and passes are available to buy online:  http://www.frightfest.co.uk/tickets.html

For full programme details amd timetables go to: www.frightfest.co.uk

Follow: @frightfest

Film News: (UK): Horror Channel plans home invasion of FrightFest movies

Can’t make it to the Vue Cinema in Shepherd’s Bush for this year’s FrightFest event? Never fear! Horror Channel will be bringing the UK’s biggest, boldest and bloodiest festival to your screens during August, dedicating thirteen nights to past festival favourites, including seven monstrous UK TV premieres from the 2015 event. These are  Isaac Gabaeff’s rewarding monster mash-up THE SAND, Adam Levin’s spell-binding family frightener ESTRANGED, starring James Cosmo, Eugene McGing’s genuinely terrifying haunted house tale, THE UNFOLDING, Kyle Rankin’s touching rom-zom-com delight NIGHT OF THE LIVING DEB, Levan Bakhia’s extremely explosive LANDMINE GOES CLICK, Benjamin R. Moody’s penetrating character-slasher  LAST GIRL STANDING & Jason Henrie-McCrea’s quirky, oddball gem CURTAIN.

The double-bills, on every night from August 19th - 31st, starting from 9pm, also feature classics such as Guillermo Del Toro’s PAN’S LABYRINTH, Howard & Jon Ford’s THE DEAD, Sean Byrne’s THE LOVED ONES, Tom Six’s THE HUMAN CENTIPEDE, Jim Mickle’s WE ARE WHAT WE ARE & Paul Hyett’s THE SEASONING HOUSE.

Thanks to Horror Channel, who are this year’s FrightFest headline sponsor, fans of the genre will get to experience the bloodiest home invasion of horror movies ever witnessed!

Full details of season in transmission order:

Fri 19 Aug @ 21:00 – THE SAND (2015) * UK TV Premiere
Just when you thought it was safe to go back in the water again, you can’t even get across the sand! BLOOD BEACH meets SPRING BREAKERS in an appetising mix of smart nostalgia and up-to-the-minute visual effects. After an all-night graduation beach party, a group of hung-over students wake up under blazing sun to find their numbers somewhat depleted. An enormous alien creature has burrowed down deep and anyone foolish enough to make contact with the sand finds themselves at the mercy of a sea of flesh-eating tentacles. Will they ever be able to escape its carnivorous clutches?

Fri 19 Aug. 22:40 - WE ARE WHAT WE ARE (2013)

Sat 20 Aug @ 21:00 – THE POSSESSION (2012)

Sat 20 Aug @ 22:55 – ESTRANGED (2015) *UK TV PREMIERE
January is forced to return home after six wild years abroad. A road accident has left her wheelchair-bound with amnesia. Not only has she forgotten her family, but also her childhood and is surprised to discover her home is a stately country manor. Trying to settle in with boyfriend Callum at her attentive side, she just becomes even more distant from her family, who just want their old daughter back. The trouble is she cannot remember who that person was, or why she fled in the first place. Now she must learn all over again how terrible relatives can be. Stars James Cosmo, Amy Manson, Nora-Jane Noone and James Lance,

Sun 21 Aug @ 21:00 – THE LOVED ONES (2009)

Sun 21 Aug @ 22:40 – THE UNFOLDING (2015)  *UK TV PREMIERE
It is 2016 and a fearful world seems to be on the brink of a nuclear catastrophe. A researcher in psychical events and his girlfriend travel to deepest Dartmoor to investigate a centuries-old building. What they unlock and discover is way more than they could have ever bargained for.  An exciting first feature from newcomer Eugene McGing, who expertly takes familiar tropes and gives them a fresh spin. Stars Lachlan Nieboer, Robert Daws, Nick Julian, Kitty McGeever and Lisa Kerr.

Mon 22 Aug @ 21.00 – PANIC BUTTON (2011)

Mon 22 Aug @ 22:55 – STALLED (2013)

Tues 23 Aug @ 21:00 – GRABBERS (2012)

Tues 23 Aug @ 22:55 – THE SEASONING HOUSE (2012)

Wed 24 Aug @ 21:00 – THE HUMAN CENTIPEDE (2009)

Wed 24 Aug @ 22:55 – INBRED (2011)

Thurs 25 Aug @ 21:00 – EVIL ALIENS (2005)

Thurs 25 Aug @ 22:55 – PAN’S LABYRINTH (2006)

Fri 26 Aug @ 21:00 – NIGHT OF THE LIVING DEB *UK TV PREMIERE
After a girls' night out, endearingly awkward Deb wakes up in the apartment of the most attractive guy in Portland, Maine. She's thrilled, but can't remember how she got there. Pretty boy Ryan only knows it was a mistake and ushers her out the door... into a full-scale zombie apocalypse. Now, a walk of shame becomes a fight for survival as the mismatched pair discovers that the only thing scarier than trusting someone with your life is trusting them with your heart. Great one-liners, a fabulous soundtrack and terrific performances from  Maria Thayer, Michael Cassidy, Ray Wise, Chris Marquette and Julie Brister

Fri 26 Aug @ 22:40 – WOLF CREEK 2 (2013)

Sat 27 Aug @ 21:00 – THE VATICAN TAPES (2015)

Sat 27 Aug @ 22:50 – LANDMINE GOES CLICK (2015) *UK TV PREMIERE
Three American tourists are crossing the desolate mountains in the formerly war-torn republic of Georgia. Daniel has just proposed to Alicia and has asked Chris to be his best man, so they stop to take a celebration photograph. Chris steps to the right, the step goes click and he finds himself standing on a landmine. From that moment on Chris cannot move or he’s dead. But then secrets are revealed, dark motives uncovered, an outside threat appears and the real nightmare unfolds. For what happens on that terrifying afternoon will become a harbinger of doom for all lost innocence. Stars Sterling Knight, Spencer Locke, Kote Tolordava, Dean Geyer and Nana Kiknadze.

Sun 28 Aug @ 21:00 – AFTER.LIFE (2009)

Sun 28 Aug @ 23:00 – LAST GIRL STANDING (2015) *UK TV PREMIERE
She survived a brutal massacre, but lost her life. What happens to the final girl once the credits have rolled? Five years ago, a masked killer brutally murdered a group of friends. Since then, Camryn, the lone survivor, has tried to make sense of the homicidal events and struggled to reclaim her shattered life. Wracked with guilt and paranoia, can Camryn ever have a normal existence again or is she destined to cope alone forever? Benjamin R. Moody’s debut feature takes a captivating look at what happens to the remaining true victim of every horror movie. Stars Akasha Villalobos, Danielle Evon Ploeger, Brian Villalobos, JD Carrera and Ryan Hamilton.

Mon 29 Aug @ 21:00 – BURNING BRIGHT (2010)

Mon 29 Aug @ 22:45 – CURTAIN (2015) *UK TV PREMIERE
Danni moves into a New York apartment and starts sprucing the place up. She doesn’t know the previous tenant committed suicide in very strange circumstances. Nor does she know there’s a mysterious portal to another dimension in the bathroom that’s hungry for….shower curtains!  But where does this unusual gateway hidden behind the white tiling lead? That’s what Danni and her ‘Whale Saver’ chugger workmate Tim decide to find out. It’s an investigation into a unique phenomenon full of surprise and unimaginable horror as they both enter The Yonder…Stars Danni Smith, Tim Lueke, Martin Monahan, Rick Zahn and Preston Lawrence.

Tues 30 Aug @ 21:00 - THE CANAL (2014)

Tues 30 Aug @ 22:55 – STITCHES (2012)

Wed 31 Aug @ 21:00 - THE DEAD (2010)

Wed 31 Aug @ 23:05 - HATCHET 3 (2013)

TV: Sky 319 / Virgin 149 / Freesat 138 | Freeview 70
www.horrorchannel.co.uk | twitter.com/horror_channel | facebook.com/horrorchannel

Competition: Win Black Mountain on DVD

Black Mountain is out on DVD on the 8th August, and to celebrate we have a great competition for you and 3 copies on DVD to give away!

Synopsis:
At a site 100 miles from the nearest native reservation, during a Canadian winter, a group of archaeologists have made a startling discovery: The tip of a mysterious, ancient structure, which bears some archaic engravings.

The crew, led by Jensen, attempt to decipher it but some mysteries are better left buried.

As they delve further into the structure's origins, things at their camp turn strange. Communications fail, local workers suddenly disappear and the men are stricken with a terrible illness.

It's not long before they begin to feel the effects of solitude and then things get really bad...

Win This:
Black Mountain [DVD]
To enter all you have to do is answer this easy question...

Competition Closed

Winners will be chosen randomly and will be informed via email.

Interview with "Offensive" director Jon Ford

We talk to Jon Ford, who, alongside his brother Howard, took the zombie genre to new global heights with The Dead & The Dead 2. Here Jon talks about his first solo feature film, OFFENSIVE, a dark, violent tale of rage and revenge set in rural France, which receives its World Premiere at Horror Channel FrightFest 2016.


Q: Firstly, congratulations Jon, on completing your first solo feature film. Has this been a long time in the making ?

JON:  Thank you, it has indeed been a long time in the making, in fact a lifetime nearly! This is a very personal film as it's based on true events that I've experienced. It's almost a compilation of scenarios that have made a lasting impression on me. The gang of kids are a mixture of who I once was or people I knew, though I coupled that with modern electronic devices. There have been studies that have shown these devices are retarding the development of empathy in young minds. I took that concept to the next level.


Q: How would you describe the film?

JON: Essentially as I did with The Dead, I just made a film that I wanted to see. I love revenge movies (or the concept of them) but pretty much all of them try to be clever and have it that revenge is not really completed  or it's the wrong person, or it all ends so badly because revenge is wrong blah blah blah. Essentially by trying to be different...they end up the same.

The film is a violent clash of two generations. It's about morality and perspective. There are no good or bad people in this world, we all have different perspectives on right and wrong. Most films follow a morality dictated by religion, I wanted to explore other perspectives. For instance killing is not always wrong is it? A soldier is sent to war to kill people, that's considered right and lawful by most people. However if you kill someone who attacks you or just generally annoys you, that's considered wrong in the eyes of the law and most people. I wanted to explore what happens when ordinary people are driven to murder and are ok with it. They don't suffer any post trauma, they carry on with their lives. In real life people commit murder and get away with it some of the time. Go to any police station in any town in any part of the world, the walls are covered in missing persons pictures...most of who will never be found. I'll stop there as I could go on all day about this subject Lol.

Q: Lisa Eichhorn plays a lead role. How did you get her on board?

JON: Lisa is an incredible talent! She did a cameo on my brother's film Never Let Go, so he introduced us and I thought she would be perfect for the role of Helen Martin. She loved the script and (like a lot of people who read it) she felt it touched on an important subject about how young people are increasingly involved in violent or even sexual attacks and the erosion of empathy. She had been reading up on that very subject at the time so she was very much into it, much to my delight! I couldn't believe I was going to have a genuine Hollywood legend in my movie. She really elevates the intensity of the scenes as does Russell Floyd who plays Bernard Martin. They were both fantastic and I'm so greatful for bestowing the film with their talents.


Q: The locations are stunning. How did you choose them?

JON: Thanks, I now live in the south of France, not far from the Black mountains so I was able to find some incredible locations which were perfect for the film. Like The Dead films I wanted to set the horror in a beautiful place. It's the French idyll gone rotten. For once in my life I enjoyed the process of making a film. A lot of the cast are local theatre actors and they did an amazing job ! I wanted the film to have an authentic feel so we shot entirely on location. The thunder storms, the chirping of the cicadas at night, the lonely winding roads, all crank up the tension.

Q: The story will hit a lot of nerves, given current European topics and the underlying xenophobia at the heart of your film. What can you say about that?

JON: The signs of a crumbling global union are evident in the film. It's a very touchy subject and I can get myself into all sorts of trouble. I'm not making a political statement, I'm just a filmmaker who is making a piece of entertainment. At the end of the day I love France, I've lived there for 5 years now, but I did want to explore a dark undercurrent that exists... What do you expect from a film called Offensive? ha! It looks like there is a love hate relationship between the French and the Americans. There is this strange paradox, on one hand they are very greatful for the liberation in WW2 but to quote a line from Offensive, "we're getting a little sick and tired of the American liberator story...why don't you find somewhere else to go play hero". After all, xenophobia probably exists in every country in the world. Like all great horror movies it's all based on fear of the unknown.


Q: The theme of cultural alienation between generations is very strong. The young French gang in the film have been described as ‘a new breed of technological sociopaths’. An accurate observation?

JON: I guess there will always be a generation gap issue for young and old and "what one doesn't understand one fears"...I just take that to the extreme. There's nothing worse than moving to a place where you're not welcome.

Accurate?.There are "no go" zones in the outskirts of some of the main cities in France, which the media are "encouraged" not to report on. Even the police won't enter. They're basically gang controlled.

Also I particularly wanted my gang to be very young, as the level of cruelty at that age can be staggering sometimes! The Bulger case comes to mind... I wanted the threat to come from society's protection of the young rather than the more obvious physical threat of the gang themselves. Also having witnessed and been the victim of young kids who essentially, in the eyes of the law are almost untouchable, as minors. It can be an impossible situation if kids decide to target you. It's a frightening prospect as there's almost nothing you can do. I used to live in a rough area where a neighbour of mine was targeted by kids, they smashed his windows regularly, spray painted pedo on his walls just because he was old and alone. He finally had to sell what was left of his house and move away. You watch, afraid that if you help, they could target you too. Like the gang in the film..."they're just having fun..."

Q: What films were an influence? Straw Dogs comes to mind.

JON: I love Straw Dogs and you're not the first to make a link with Offensive but apart from it being a sort of revenge film in a rural setting  and the main protagonists are foreigners, there are not too many similarities.

To be honest, for this film, as I mentioned, I drew on real life personal experience more than other films, (apart from the killing which is based on a real case that I can't mention for legal reasons) which I hope will give it something very different to all other movies.

I'm also breaking a few rules by having a retired couple as the main protagonists instead of some good looking overly muscular teenagers who happen to be martial arts and weapons trained and look more at home on a catwalk. I'll be interested to see how that goes down.


Q: What do you hope the FrightFest crowd, who are, of course, familiar with your work, get most from the film?

JON: Firstly it's not about muscly super heroes, standing in a manga pose, spouting gravely voiced one liners, before blowing someone's head off, one handed with a shot gun then winking into camera. I wanted to give it an old school film style with a modern intensity to the violence and reality. I wanted it to cut deeper. Most of us will have experienced some of the situations that happen in Offensive, from bullying to harassment. That's why I hope it will touch us all on a personal level. There seems to be an epidemic in modern filmmaking in that they desperately want to be "cool", maybe it's the desire of a nerdy film director who is anything but?

I hope that they are prepared for a very different film that seems simplistic on the surface but is layered with a serious subtext. I hope they feel the torment and anger that the characters do. I hope it makes them consider morality, technology and humanity. I hope it gives them a different perspective on how society is "progressing".

Q: You haven’t completely stopped working with your brother, he plays a cameo role in the film, doesn’t he? And Angela Dixon, star of Howard’s Never Let Go, also has a role. Seems you’re never too far away from each other!

JON: Howard plays Charles Martin who liberates the village during WW2. It's a cameo but it is still quite a pivotal character, he gets to brutally murder some Nazis which I think he enjoyed. As I played one of the kidnappers in Never Let Go who gets his arm snapped, nose broken then run over by a truck...again! Now you mention it... something's not right here! I'll have to have a word! Ha!

Yes we're always there for each other, essentially we share a lot of the same ideas and philosophy on life. I hope we'll always help each other out as brothers should.

For Angela Dixon...I had written this incredibly difficult emotionally charged role of Sarah, a tormented language tutor who has to deal with some of the psychological aftermath of the gang.  I thought...who the hell could pull off a role of that intensity...Angela Dixon was the first person that sprang to mind. She was great and it's such a different character to the one in Never Let go, it really shows what a top class talent she is!


Q: As a fan of horror films, what are your personal Top 3?

JON: That's a tough one! I know it's a slightly cop out answer but it really does depend on what mood you're in. 1) I still have to stick with the original Dawn of the Dead, it just blew my socks off. 2) The Exorcist is a master class in filmmaking. 3) The original Evil Dead is hard to beat. But on another day I may feel differently. As you can see, I'm generally into older movies.


Q: Finally, are there any plans for you and Howard to join forces for The Dead 3?

JON: This one keeps coming up... After part 2, we always talked of it as a trilogy and I have to say we can't stop ourselves from firing off ideas for it. It would be one hell of a 3rd and final chapter! If anyone out there has the means then we're open to it.


Offensive screens at Horror Channel FrightFest on Saturday 27th August, 6.05pm in Discovery Screen 3, Vue Cinema, Shepherd’s Bush, W12

Tickets: http://www.frightfest.co.uk/tickets.html

Competition: Win Shark Lake on DVD

Shark Lake is out on DVD on the 25th July, and to celebrate we have a great competition for you and 3 copies on DVD to give away!

Synopsis:
A black market animal trafficker releases one of his most treasured exotic species into serene Lake Tahoe for ‘safe-keeping’ while he serves a prison sentence. However this isn’t so safe for the locals, who begin to become part of the food chain at an unbelievable rate.

While everyone around her brushes the attacks off as a bear on the loose, a local sheriff sees the truth and makes it her mission to capture the bull shark with the help of a local marine expert.

Meanwhile, the trafficker is released from prison and faces a very angry gangster client who wants his shark. Starring Dolph Lundgren.

Win This:
Shark Lake [DVD]

To enter all you have to do is answer this easy question...

Competition Closed

Winners will be chosen randomly and will be informed via email.

Competition: Win Disorder on DVD

Disorder is out on DVD on 25th July! and to celebrate we have a great competition for you and 2 copies to win.

Synopsis:
Paranoid thriller directed by Alice Winocour. Vincent (Matthias Schoenaerts) is suffering with post-traumatic stress disorder after serving in Afghanistan as a French Special Forces soldier. When he returns home and takes on the role of bodyguard for Jessie (Diane Kruger), the wife of a wealthy but shady businessman living in France, he becomes enchanted by her.

Suffering from hallucinations and unable to cast off the role of alert on-duty soldier, he becomes convinced that the woman he is protecting is in danger from a strange outside threat. This paranoia blurs the distinction between reality and illusion and for Victor becomes all-consuming.

Starring Matthias Schoenaerts, Diane Kruger
Directed by Alice Winocour

Win This:
Disorder [DVD]

To enter all you have to do is answer this easy question...

Competition Closed

Winners will be chosen randomly and will be informed via email.

Exclusive Interview with David Kempf About His New Book Travel Bug

I have known David Kempf for many years now, and we have had a great relationship, whereby I have published some of his short stories on this site, as well as interviewed him many times regarding his various books. David is a highly intelligent man, with a great and unique writing style. I was very happy to sit down with David and talk not only about his new book "Travel Bug" but also about he started in writing and his interest in Horror and Fantasy, so sit back and read this interview.

When did you first become interested in writing?
I was never good at math or science so naturally I was attracted to English. I majored in English in college; writing papers saved me from low grades in other subjects. When I was in high school and college, I wrote screenplays for the short movies my friends and I made. After graduating from college, I wrote for local newspapers doing small-town news events, feature stories and movie and theater reviews.

How did you get involved in fantasy/horror?
I guess I’ve always been interested in it. When I was a kid I liked Scooby- Doo and the stop motion animation movie Mad Monster Party. That’s when I was very young. When I was a little older I liked watching the classic horror movies like Dracula and The Wolf Man. On TV I liked to watch creature features and Ultraman, Johnny Sokko and His Flying Robot was also a favorite. The first horror novel I ever read was The Shining and then I read Jaws. Edgar Allan Poe followed and I was hooked on reading horror. Star Wars and Alien also inspired me, the books and the movies. I wrote short thriller stories in college and grad school for the local fiction magazines Lemuria and The Grackle. When I was younger my friends and I made short films for the local cable station. Then I started writing for you, I wrote interviews, I wrote stories and then finally I wrote my first novel Dark Fiction in 2009.

What do you see as the primary difference between British and American horror?
That’s a good question. England is the birthplace of Dr. Jekyll & Mr. Hyde, Frankenstein and Dracula. Americans, of course have Poe and Ray Bradbury. I would say the main difference is that in many cases American horror is about how the monster is the other. British horror seems to be largely about how the monster is us. John Carpenter said that a lot better than I did (about the difference between leftwing horror and rightwing horror) but I think you get the gist of the message.

What are your favorite horror books?
There are probably too many to name but here goes. It’s kind of a three way tie between Jonathan Maberry’s Patient Zero, Peter Straub’s Ghost Story and Anne Rice’s Interview with the Vampire. In addition to that I think the classics like Mary Shelley’s Frankenstein and Bram Stoker’s Dracula. Anything by Poe would come to mind. Stephen King’s Pet Sematary is the most terrifying book I have ever read. I also enjoy just about anything by Ray Bradbury and William F. Nolan. I like to listen to audiobooks as well. Ray Porter’s reading of Richard Matheson’s Hell House is brilliant. Every summer I listen to the audiobook of Jaws. The differences between Peter Benchley’s novel and the movie are profound. Clive Barker’s Books of Blood are the best collection of short stories I have ever read.

What are some of your favorite horror movies?
John Carpenter’s The Thing, Alien, The Evil Dead (1982), Black Christmas, The Exorcist, The Shining, The Dead Zone, The Fly (1986), Hellraiser, Poltergeist (1982), Scream, Psycho 2, The Hunger, Let’s Scare Jessica to Death, The Haunting, Dressed to Kill, An American Werewolf in London, The Silence of the Lambs, Fright Night (1985), Rosemary’s Baby, The Omen. The Changeling, and An American Haunting. Last but not least on the list would be Halloween III: Season of the Witch. I will always stand by it and defend it. May those who hate on it spend eternity in a realm where no Halloween candy is available. Those are my favorites but I still like the so bad its good stuff and I think amazing work can be done on a low budget. Don Dohler’s Nightbeast and Fiend come to mind. Douglas McKeown’s The Deadly Spawn is another good one. Jaws is my favorite movie of all time and always will be.

Tell us about Travel Bug.
Travel Bug is my third novel. It’s very different from the first two Dark Fiction and The Petsorcist. It’s the combination of science fiction and horror that I love so much. It’s about a young man and his great grandfather traveling through time to find the identity of his parents’ killer. Along the way they discover that human history is not what it seems to be in terms of the history books. Cherished and sacred beliefs are shattered during their travels. Among them is the idea that people are more good than evil.

Travel Bug focuses on controversial things like politics, religion and the meaning of life. Why did you want to get into those awkward topics?
If you actually had a way to travel through time, I think these elements would be inevitable. You would have to confront them. Human history and civilization is full of conflicting beliefs and actions. The basic premise (at least as far as the antagonist is concerned) is that time travel dispels most of your most cherished beliefs. Now what happens after that?

Is the story meant to be taken literally?
Not necessarily. The opening line of one chapter is “Are they revelations or hallucinations?” I think that kind of leaves the door open for the reader to interpret the story. There are many fantastic elements in the story combined with real life events and things that don’t exist. Let’s face it there has never been any evidence of time travel. At least they don’t exist as far as I know. So I think whether the story is real, a hallucination or a dream is in the eye of the beholder.

Is this a sequel to Dark Fiction in any way?
No but it takes place in the same twisted universe as Dark Fiction. There is even a certain professor who makes a cameo appearance. So Dr. Wells and Christopher are mentioned in passing but mostly its new characters who struggle under much different circumstance. The evil genies The Jinn are occasionally mentioned but this story is not about them.

Are the characters of Harold and Andrew based on people in your own family?
Yes, to a certain extent they are. Andrew is my son and Harold was my grandfather. The book is dedicated to him. He was an avid reader. My grandfather was a devout Catholic and his favorite book of all time was James Clavell’s Shogun. The book’s main premise was that the world would have been better off without Christianity. That’s hilarious. He had an open mind. Still, these are fictional characters. Typically I take a composite of real life people and blend them together. The result is often that they take on a life of their own.

What do you consider your greatest accomplishment as an author?
The fact that I haven’t given up, I guess. My books have received mixed reviews and occasionally some folks have told me they don’t understand them or that they are “really out there.” Other than that I suppose actually writing my first novel and seeing it come to fruition. I can’t tell you how many times people tell me they are going to write a book someday. They almost never do it. I think probably the most meaningful accomplishment I’ve had is putting all of my interviews together for The Horror of It All.

Do you have any advice for new writers?
Yes. Write everyday if you can. Read all that you can. Read outside of your genre. If you write two pages a day in a year you will have a novel. Then you won’t have to be one of those poor souls who talk about doing it and never do. If you write horror then write about what scares you. Don’t hold back because you might surprise yourself by how far you will go. Then once you have something good or at least half decent, get other writers to read your novel.  You should try to get as many blurbs as possible. I ask a lot of people to write them, sometimes they say yes and sometimes the answer is no. I think that it’s a good idea to diversify too. Some of my blurbs are from other novelists but I also try to get editors, short story writers and people in the movie industry.

What is your opinion of the new self-publishing trend?
Where would we be without Amazon? It’s the great equalizer that makes things fair for the independent author. They have standards so it’s not like people can publish anything. Still, there is a great deal of freedom now. Most new writers will not land major book publishers and small publishers are limited. Some traditionally published authors believe it’s producing a lot of bad books. Others think that books that would have not otherwise been published can now be available to the public. I think that many of the major publishers are similar to movie studios in that they are obviously looking for the profits of a sure fire hit. Sadly, this explains why we keep getting the same unoriginal stuff over and over in the bookstores and certainly at the movies. So I certainly welcome the self-publishing trend. I also love visiting independent bookstores and I hope they can co-exist with the phenomenon of eBooks which I believe will be the future of publishing.

What are your current projects?
I’m working on a novel that is a direct sequel to Dark Fiction with all of the characters returning in it. There will also be some new ones I hope the reader will find interesting. I’ve also written some stand-alone novellas that will eventually be published.

Please in your own words write a paragraph about yourself & your work. 
I’m a horror and science fiction novelist and short story writer. I believe that every book from The Wizard of Oz to Justine, or the Misfortunes of Virtue has something to teach us about the human condition. I like to take some traditional monsters and put some new twists on them. So I hope to be entertaining and disturbing at the same time. I want the reader to know that no one is safe, death is coming for all of us and I hope I do it with a good sense of humor.

Thank you for joining us for this interview David, below you will find some links, please everyone go check them out!

Buy Travel Bug from Amazon
UK: - Travel Bug
USA: - Travel Bug

David Kempf - Amazon About Me Page

Facebook:
https://www.facebook.com/DavidKempfsDarkFiction/

Film news (UK): Horror Channel FrightFest 2016 announces line-up, including 19 World and 35 UK & European premieres

From grindhouse to art-house, feel-good to squeal-good, blockbuster to ghostbuster FrightFest returns in all its gory glory, now housed at the 12-screen Vue Cinema at Shepherd’s Bush, West London, from Aug 25 - Aug 29.

In its 17th year, the world renowned genre film festival will present 62 new feature films, embracing sixteen countries and bringing together established filmmakers, British first-timers and emerging international visionaries from six continents.

The opening night attraction is the European Premiere of MY FATHER DIE, Sean Brosnan’s brutal and beautiful feature debut – an ultra-stylish, uber violent revenge thriller that’s a calling card for Brosnan’s brilliant talents.  And our closing night film is another breakneck paced masterpiece - the UK Premiere of TRAIN TO BUSAN, so join ‘The Commuting Dead’ as director Sang-ho Yeon takes you on a first class horror action thrill-ride, mixing slaughter, suspense and splatter with incredible visual élan.

My Father Die

In between these two banner titles are the scream of the crop from all over the globe, strongly represented in our line-up of World Premieres by the incredible Italian supercar tension-ratcheting MONOLITH, the gory Dutch treat THE WINDMILL MASSACRE, the stunning South African nightmare FROM A HOUSE ON WILLOW STREET, Tricia Lee’s creepy Canadian chiller BLOOD HUNTERS and three American shock absorbers KNUCKLEBONES, ENCLOSURE and the Eurotrashy radical BLOOD FEAST remake.

Reflecting a productive year for British horror, there are twelve UK World Premieres, including Shaun Robert Smith’s intensely powerful BROKEN, Jon Ford’s visceral revenge thriller OFFENSIVE, Wyndham Price’s dark fantasy CROW, Kate Shenton’s auto-satire EGOMANIAC, Ben Parker’s claustrophobic THE CHAMBER, Marty Stalker’s shock-doc HOSTAGE TO THE DEVIL and Andy Edward’s sun, sea and sex gore-fest IBIZA UNDEAD.

Five of the UK World Premieres make up the ‘First Blood’ strand, in which home-based directors are given a chance to shine with their debut efforts. These are: Phillip Escott’s harrowing CRUEL SUMMER, Brad Watson’s urban gang shocker  HALLOW’S EVE, James Crow’s deadly HOUSE OF SALEM, Stewart Spark’s 666 Short Cuts To Hell entry THE CREATURE BELOW and Lawrie Brewster’s PTSD-inspired THE UNKINDNESS OF RAVENS.

Let Her Out

Other festival highlights in the Main Screen strand include the European Premiere of Adam Wingard’s intense chiller of the moment, THE WOODS. destined to be one of the key horrors of 2016. We also have this year’s most ferocious possession movie in Cody Calahan’s LET HER OUT, as well as Todd William’s superb Stephen King adaptation CELL, starring John Cusack and Samuel L. Jackson. Then there is the top box office Italian sensation THEY CALL ME JEEG ROBOT, Adam Rifkin’s tour-de-force DIRECTOR’S CUT, starring Penn Jillette, Rob Zombie’s ultra-violent grindhouse slasher 31, ‘Saw’ man Darren Lynn Bousman’s graphic novel inspired ABBATOIR, Simon Rumley’s latest visionary masterpiece JOHNNY FRANK GARRETT’S LAST WORD, Jackson Stewart’s supernatural switcheroo BEYOND THE GATES, the zombie theme park hell ride THE REZORT, the full-blooded cracker RED CHRISTMAS, the cryogenic chiller REALIVE, the home invasion twister MERCY, the darkly unpredictable PET, starring Dominic Monaghan and the beguilling THE MASTER CLEANSE, with The Big Bang Theory’s Jonny Galecki and Anna Friel.

South America is rapidly becoming a major genre player and FrightFest is proud to be presenting seven specialities from Argentina, Chile, Brazil and Mexico. Daniel de la Vega’s WHITE COFFIN is co-written by FrightFest favourite Adrian Garcia Bogliano, Laura Casbe’s BENAVIDEZ’S CASE stretches surrealist boundaries, Patricio Valladares’ DOWNHILL mines H. P. Lovecraft for inspiration, THROUGH THE SHADOW puts Henry James’ classic tale of terror ‘The Turn of the Screw’ through a south of the border filter, THE SIMILARS is pure ‘Twilight Zone’ inspiration, FRANCESCA a thrilling Buenos Aires take on giallo and WE ARE THE FLESH comes with serious artistic endorsements from fellow Mexican filmmakers Alfonso Cuaron and Alejandro G. Iñárritu.

Train To Busan

The Discovery Screen strand is as bold as ever and includes a restored version of Shelden Renan’s controversial documentary THE KILLING OF AMERICA, Anna Biller’s gloriously art-directed THE LOVE WITCH, the cursed silent movie FURY OF THE DEMON, the Berlin Film Festival break-out, SHELLEY, the visionary sci-fi fantasy LOST SOLACE and the darkly hilarious ghost-busting ANOTHER EVIL. Then there’s Julian T. Pinder’s chilling murder investigation POPULATION ZERO, Martin Owen’s High-tec underground thriller terror LET’S BE EVIL, Tim Reis’ slimy creature feature BAD BLOOD: THE MOVIE and Michael Boroweic’s acute study of alien paranoia, MAN UNDERGROUND.

Plus, you can witness the stag party from hell in THE UNRAVELLING, the bad taste shenanigans of NIGHT OF SOMETHING STRANGE, , the viral thrills of THE EVIL IN US, the vehicular chills of PARANORMAL DRIVE, the die-hard dystopia of HERE ALONE, the eye-popping shocks of FOUND FOOTAGE 3D, and the ‘goriously’ insane  ATTACK OF THE LEDERHOSEN ZOMBIES.

Ahead of its FrightFest Presents DVD release, there is an encore airing for ROAD GAMES, this time with a live interactive commentary with director Abner Pastoll and a London premiere for one of the most popular movies shown earlier this year at FrightFest Glasgow, Sean Byrne’s THE DEVIL’S CANDY.

The Duke Mitchell Film Club is back with the UK premiere of Kim Sang-Chan’s outrageously infectious KARAOKE CRAZIES and a first showing of all three episodes of the mesmerising French TV mini-series BEYOND THE WALLS.

Alan Jones, co-director of FrightFest, said today: “For seventeen years now FrightFest has led the way through landmark changes in the genre, altered perceptions of fandom and embraced the revolutions in platforms and distribution models. It continues to do so this year with a breathtaking selection of genre attractions with the widest appeal and breadth of focus.  We stand out because we stand for something special – a one-stop roadmap through everything you need to see to be totally up to speed with what the next year in horror fantasy will be all about”.

This year’s special events, retrospective programme, the guest list and the Short Film Showcase entries will be announced in the coming weeks.

Festival and day pass sales will go on sale Sat 2 July at noon and will only be available to buy online:  http://www.frightfest.co.uk/tickets.html

Single tickets will go on sale on Sat 23 July.

For full programme details and timetables go to: www.frightfest.co.uk